The Watts-Russell Candelabra. Rundell, Bridge Rundell, London 1820

Heavily decorated with flowers and foliage, each engraved with an initial. Removable original nozzels. Minerva mark for French silver

An unusual pair of "Orientalist" candlesticks. formed as male and female figures each figure holding aloft a candle holder that unusually pivots. Of heavy quality, the hexaginal foot...

A 5 dish epergne by The Alexander Clark Company London. Formed with 5 removable pierced dishes, the circular foot raised on four feet, the frame and branches decorated throughout with elaborate pierced work and with scrolling branches. The business was established in 1891 by Clift Alexander Mawer Clark at 138 Fenchurch Street, London. Manufacturing premises were opened in 1894 at 29 Market Place, Oxford Street. In 1900 the firm was active at Welbeck Works, Randall Street, Sheffield, transferring its activity to James Street Works, St. Paul's, Birmingham, in 1918. The firm was active also at 29 Market Place, London (1894-1910), 188 Oxford Street, London (1900-1915), 125-126 Fernchurch Street, London (1909-1918), 38-40 Mitre Street, Aldgate, London (1921), 17 Sycamore Street, Sheffield (1921) and 38 Leadenhall Street, London (1941). The partners were C.A.M. Clark, Louis Vernon Clark, Robert Fead Mosley and Robert Frederick Mosley (of R.F. Mosley & Co Ltd). The firm was converted in 1912 into a limited liability company under the style of the Alexander Clark Co Ltd. In 1912 the firm advertised its reproduction of silver historical pieces as the Tudor Bowl (period Henry VIII), the Tudor Cup, Antique Jug...

With an applied initial to each, applied inside an oval bead-edge lozenge. Each raised on four feet. further decorated with openwork latticing, floral and foliate decoration.

A Pair of Late 19th Century Gilt and Patinated Bronze Six Light Candelabra After Claude-Michel Clodion Each vase of tapering form applied with two grotesque masks hung with laurel garlands above a frieze cast in relief with depictions of putti pulling the drunken infant Silenus, surmounted by a waisted neck with central square candelabrum issuing six acanthus scrolled branches. Claude Michael Clodion, [1738-1814], was the son-in-law of sculptor Augustin Pajou; he trained in Paris in the workshops of Lambert Sigisbert Adam, his maternal uncle and Jean-Baptiste Pigalle, the most successful sculptor of the time. After winning the Prix de Rome, he moved to Italy, sharing a studio with Jean-Antoine Houdon and studying antique, Renaissance, and Baroque sculpture. In 1771 Clodion returned to Paris, where he continued to produce mostly in terracotta. He also worked with his brothers in other media, decorating objects...

Magnificent Austrian succession sterling silver massive candelabrum pair of seven-light figural museum. Each candelabra features a Grecian style ma...

An Excellent Pair of Late 19th/Early 20th Century Louis XV Style Parcel-Gilt and Patinated Bronze Seven Light Candelabra Each with openwork tripod base cast with hoof feet, the standard with three cherub busts...

While unmarked, these seem to us to be in the style of Elkington. The prevailing motif is fruiting vine, the stem, arms and drip pans continue the theme, the three legged base is als...