Series of 6 Sandstone Mazagrans by Marius Bernon, La Borne

Marius Bernon Art deco stoneware ceramic pitcher realised in la Borne Circa 1940 Blue stoneware ceramic glaze colors Signed under the base Original ...

French vase of the 60's from the workshop la Borne. Stoneware ceramic with a speckled glaze. Very nice vintage condition of the vase, signature under the bottom of the pitcher (see p...

Large and important ceramic stoneware vase by the artist Martin Hammond Signed at the base Excellent condition Beautiful black and ceramic glaze effects. Dimensions: 31 x...

A matched set of earthenware drinks coasters by Roger Capron with incised and coloured decoration depicting trees and fishes. Stamped signatures to the reverse Vallauris, Fran...

A Group of Three 20th Century Art Pottery Pieces, From left: Bottle vase inspired by Shoji Hamada and Bernard Leach. Thick crimson "orange peel" glaze, accentuated light rust edges, pooling at the foot, 20th Century, Unmarked. The bottle measures 10 3/8"-inches high x 5 3/4"-inches wide x 3 1/4"-inches deep. 2nd) A German Art Nouveau (Jugendstil) vase with two sweeping handles, Circle of Richard...

A group of four figural pottery pear shaped salt and pepper shakers. In the form of yellow pears with twig stems. Perfect for a bountiful table! Marked to the bases with a p...

Set of 11 black forest German majolica plates, circa 1930. Georg Schmider, Zell (1928- 1940). Black Forest, Bade, Germany. A set composed of 11 plates (8 x 17cm diameter and 3 x...

A sweet set of dessert plates with an all over gilt decoration highlighted with hand raised turquoise enamel. A slight scallop to the shape and i...

La Borne, circa 1950. Attributed to François Guillaume after the second war. Elegant stoneware ceramic cachepots with beautiful cut decoration...

Six Wedgwood majolica Argenta palette ‘Lincoln' pattern dessert plates with finely molded maroon prunus blossoms and dark taupe pine branches surrounded by a yellow Greek key border. The dishes are decorated in the japonisme style and feature the “Three Friends of Winter” motif, an Asian artistic convention showing the pine, plum, and bamboo together to represent steadfastness, perseverance, and resilience. The Wedgwood factory introduced muted Argenta glazes to its majolicas in the 1880s to keep up with ever-changing fashions. The Argenta glaze color palette was more subdued than that of traditionally vibrant majolica, and was thus more appealing to the Aesthetic Movement japonisme style that pervaded the market. These Argenta majolica dessert dishes...