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Porcelain Breakfast Teacup, Chinese Export, Canton Famille Verte Figures, 2

$630List Priceper set

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Chinese Export porcelain canton famille rose elephant modeled as a candlestick, Circa 1860 The standing Chinese Export porcelain elephant with its trunk up is painted in an iron-red with gilt decoration and caparisoned. On its back is a gu-form vase candle holder rising from the raised saddle. Below the urn is a long saddle cloth hanging down painted with famille rose birds...
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Chinese Export Famille Verte Porcelain French Ormolu Chinoiserie Centerpiece
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A very fine and large 19th century Chinese export famille verte porcelain and French figural ormolu-mounted Chinoiserie style centerpiece jardinière, in the manner of Edward Holmes Baldock (1777-1845). The circular-ovoid porcelain bowl or cachepot, maybe 18th century Jiaqing period (unverified), decorated with a blue and purple ground background with parcel gilt depicting pagodas, trees, mountains and landscape scenes, flanking scrolled handles issuing from the base and ending with a finely chased ormolu pierced acanthus rim. The two ends with a projected mask of Chinese Imperial lions or foo dogs, surmounted and raised on six finely chased ormolu masks of Bacchus satyrs flanked by seashell-like mounts. The Ormolu, circa Paris, 1880. The Porcelain circa 1800 (Maybe 18th century.) Measures: Height: 15 3/4 inches (40 cm.) Overall width: 21 inches (53.4 cm.) Depth: 17 inches (43.2 cm.) Edward Holmes Baldock (1777-1845) was a prominent London furniture dealer to the Royal Family, father of Edward Holmes Baldock. He was first listed in the London trade directories in 1805. That listing had him operating out of No.7 Hanway Street in London, where he was described as selling "china and glass". An updated listing in 1821 described his business as "an antique furniture and ornamental furniture dealer", and in 1826 as a buyer and seller of "china, cabinets, screens, bronzes etc". Between 1832 and 1837 he sold earthenware and glass products to William IV, and upon the ascendancy of Queen Victoria in 1837, sold china until his death in 1845. Baldock was one of the first antique dealers and is similar to the 18th century marchands-merciers Dominique Daguerre and Simon-Philippe. He was the father of Edward Holmes Baldock (1812-1875), a British Conservative Party politician, and of Mary Frances Baldock, wife of the philatelist W. A. S. Westoby. Famille Verte Famille verte (????, Kangxi wucai...
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12 Teacups and Saucers Minton Bone China Porcelain Haddon Hall
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This is a good Chinese Export porcelain Plate which has been beautifully hand enamelled, over-glaze, in the Famille Rose palette with excellent detail, dating to Circa 1940. The mai...
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Samuel Alcock Porcelain Teacup, White with Flower Sprays, ca 1823
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A teacup and saucer in the “half orange” shape, white with simple gilt rim and beautiful hand painted flower sprays Pattern unknown but similar to 1082 Year: ca 1823 Size: cup diameter 10cm (4”), saucer diameter 14.2cm (5.5”) Condition: excellent, some rubbing to gilt There are several items available in this design, please see group image and ask for more info if interested. The Samuel Alcock factory was operative in Staffordshire between 1822 and 1856, after which it was bought by Sir James Duke and Nephews. The factory started as a partnership between the young Samuel Alcock and the older Ralph Stevenson, who provided the factory and capital. Alcock quickly took the factory to great heights, building one of the biggest factories of its time. Alcock jumped on the new Rococo Revival fashion and served a huge new middle class market. The reason we now don't hear much about Samuel Alcock porcelain...
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Spode Porcelain Teacup Trio, Red Imari Dollar Pattern, Regency, ca 1810
By Spode
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This is a beautiful orphaned teacup made by Spode in about 1810. It bears a lavish Japanese-inspired Imari pattern. Spode was the great pioneer among the Georgian potters in England. Around the year 1800 he perfected the bone china recipe that has been used by British potters ever since, and he was also the leading potter behind the technique of transferware, making it possible for English potters to replace the Chinese export china, which had come to an end around that time, with their own designs. This was fundamental to a thriving industry that would last for about 150 years and provide half the world with their tableware. Spode porcelain is regarded as one of the highest quality porcelains around; for a soft-paste porcelain it is surprisingly hard and fine, and has a wonderful bright white colour. The pattern on this can is called "Dollar" pattern, a very famous pattern that was used by English potters in the 18th and early 19th Century. It is obvious why it is called “dollar” - but its origin is less obvious! It is thought that this pattern was derived from a very old Chinese pattern depicting a tree with elaborate foliage that hides a Chinese character representing longevity or happiness. Traditionally, this went with a an image called “Taotie”, which was used on very ancient bronze vases...
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Bow Porcelain Orphaned Coffee Cup, Famille Rose Peony, circa 1755
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Located in London, GB
This is a very charming orphaned coffee cup made by the Bow Porcelain factory in about 1755. The cup is decorated in a Chinese "famille rose" peony pattern. This cup would have been part of a large tea service, and the tiny size shows how expensive coffee was in the 18th Century. The Bow Porcelain Factory was one of the first potteries in Britain to make soft paste porcelain, and most probably the very first to use bone ash, which later got perfected by Josiah Spode to what is now the universally used "bone china". Bow was the main competitor of the Chelsea Porcelain Factory, but where Chelsea made very fine slipcast porcelain, Bow made a different soft paste porcelain that tended to be softer and could be pressed into moulds. Bow served a larger public generally at lower prices. The factory was only in operation between 1743 and 1774, after which the tradition got incorporated into some of the later famous potteries such as Worcester and Derby. The cup is unmarked, which is normal for Bow items of this era. Condition report the cup is in excellent condition without any damage or repairs. There are various glazing imperfections, which are quite normal for porcelain of this era. Antique British porcelain...
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By Samuel Alcock Co.
Located in London, GB
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Samuel Alcock Teacup Trio, Very Fine Hand Painted Landscapes, ca 1831
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Located in London, GB
A beautiful "true trio" consisting of a teacup, a coffee cup and a saucer, with a white ground, cobalt blue and gilt rims and very fine hand painted landscapes. Pattern 3649 Year: c...
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Barr Flight Barr Teacup, Salmon with Monochrome Sepia Landscapes, ca 1810
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Located in London, GB
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