1810s Ceramics

This late 20th-century Acoma Pueblo pottery bowl is a striking example of the artistry and craftsmanship synonymous with Acoma pottery. Hand-painted with a meticulous black-and-white...

This demilune flower pot or bough pot for forcing springtime bulbs, is adorned with three landscape panels. Each panel, painted in pink lustre, depicts the same cottage in a pastoral setting from three different vantage points. Moulded into the top and bottom rims are acanthus leaves. Pieces in this shape, color and style have been attributed to the Hackwood company, and usually pieces like these, are not marked. William Hackwood & Son was an earthenware factory in Shelton, England, from 1818 until 1853. In addition to lustre ware...

An absolutely beautiful and extremely rare Shigarakai Yaki Ware Chawan tea bowl / Yunomi cup by famed Japanese Hawaiian American pottery master Toshiko Takaezu. The work features a gorgeous dripped glaze over a anagama kiln fired Shigaraki clay body. It is a unique and one-of-a-kind work with a very Wabi-Sabi feel to it. The piece is signed on the base with her traditional "TT" mark / monogram. Shigaraki Ware pottery comes from Shiga Prefecture, Japan. The kiln there is one of six ancient kilns in Japan (along with Echizen ware, Seto ware, Bizen ware, Tamba ware, and Tokoname ware). In 1993, Toshiko was invited to Japan by Shiro Otani to work with the quartz rich clay and local artists/potters at the Shigaraki Ceramic Cultural Park. In 1995 she made the journey there to work in master Japanese ceramicist Shiho Kanzaki's studio in Shigaraki,. We believe this work was likely created at this time. It appears few pieces that she made during this particular visit exists today as we have only seen one other work - another Chawan - that she created during this trip (The works were fired in Kanzaki's anagama kiln in February 1996 and subsequently shipped back to Toshiko in New Jersey). This particular work also encompasses the Japanese Wabi-Sabi aesthetic - the appreciation of beauty that is imperfect, impermanent, and incomplete in nature and embraces the principles of asymmetry, roughness, simplicity, economy, austerity, modesty, intimacy, and the appreciation of both natural objects and the forces of nature upon them. Would be a great addition to any collectors of Toshiko's work or Japanese/Hawaiian pottery...

This unique polychrome Native American seed pot is round in form and decorated in an array of geometric shapes with a figural design on top. The colors are de...

Add a soulful touch of Mediterranean charm to your space with this hand-thrown Italian ceramic bowl, masterfully crafted in the Puglia region. This vintage drip-glazed bowl features ...

An absolutely gorgeous Shino ware pottery sake/ teacup by Japanese master potter Kitaoji Rosanjin (1883-1959) who was arguably one of if not the great...

This early 21st-century Acoma Pueblo pottery bowl, crafted by renowned master potter Virginia Victorino, exemplifies the precision and beauty of traditional Acoma design. The hand-pa...

Old - set of 5 Japanese Teacups with hand-painted paintings, signed at the bottoms. Original box included In good original new condition and just foun...

A beautiful set of two Pottery jars or pots Italian, 19th century. Made during the 19th century in the south west part of Italy. Semi glazed terracotta. Found at an Antiques Market i...

A beautiful small ceramic pinch pot vase. Created from clay, this fun piece will be fantastic used in a grouping of other vases and filled with your ...

"Pre-Columbian Ceramics – Tiahuanaco Culture" Material: Ceramic Origin: Southern Sierra of Peru, Lake Titicaca Plateau Period: Boom Age (1 AD – 800 AD) Dimensions: 9 x 14 cm in diam...

A Hungarian Folk Art Red Ware Rooster Lidded Jug/Teapot by Imre Szűcs. A black/brown based rooster decorated with white dots and green, yellow and red painted elements. The spout is...