1940s Ceramics

Decorative ceramic tile by Antoni Gaudi, inspired by the marigold and dianthus motifs on the decorative ceramic tiles he designed for the facade of Casa Vicens, which constitute some...

1940s ceramic decorative bowl by Waylande Gregory featuring a highly stylized leaf pattern in mint green with white, black and gold leaf detail. Relatively large compared to more com...

Rare glazed stoneware deer prod. Royal Copenhagen Stamped to base

Glazed stoneware vase prod. Royal Copenhagen Stamped to base

Early Rye Pottery individual brown glazed studio pottery vase by John Cole (British, 1908-88) and made around 1947. The heavily made stoneware vase is of w...

Vintage 1940's Ceramic Arts Studio Indian Figurines Dimensions above are for Female Standing Indian. Kneeling Indian is 4.88 H. In excellent cond...

An exceptionally rare and fine early piece by famed American ceramist Beatrice Wood featuring a dynamic and unique design. The colors illuminate like stained glass under the glaze wh...

Museum-quality A unique and very special piece purchased in Spain, but it could have come from somewhere else, as it bears no resemblance to the lamps produced in that area, neither in design nor workmanship. It's a higher-quality piece than average. I've never seen one of such quality. In terms of design, texture, and color, this lamp is superior to those made in Spain, specifically in Manises. However, it could have been made elsewhere in Spain, as many porcelain factories still existed in the early 20th century, especially in northern Spain, but they didn't make lamps. I've been looking for a similar one for many years and have only seen one. I've seen a similar design by a German artist, but I can't identify it. It's in excellent condition, like new. It's likely a designer piece, but I couldn't say who made it. It's an exceptional piece; the pictures don't do it justice. It's large, much larger than average. When illuminated internally and allowing light to escape through the round holes in the design, it creates an exceptional image and atmosphere. It is undoubtedly a signature piece or a piece of art, surely designed by an artist who worked in the Manises workshops or in any Spanish workshop, or someone bought it and brought it here. Interior lighting, and the lower part of the lamp. The uz comes out through the holes and it is spectacul Buy in Manises Valencia Spain, place of production of ceramics and porcelain throughout the centuries This lamp is a masterpiece, with a higher quality than any typical peanut lamp...

Originally designed by architect, designer and artistic director Guido Andlovitz in 1936 for Società Ceramica Italiana Laveno, this pair of vases are indeed the rarest of finds. The vases were manufactured in 1942, as attested to by the marking "N - 42" on the base of each vase. The gold rims and aquatic scenes that surround each vase, are unique to each piece and were painted by hand in 1943. They are both signed by the artist "Miruccia". One of the vases has the words “Anni di Guerra” (Year of War) written on the base in reference to the Second World War . Founded in Laveno in 1856 by Severino Revelli and some former employees of the "Richard" manufacturer in Milan. The "SCI" (Italian Ceramic Society) began its activity as a manufacturer of wall tiles and fine tableware. In 1883 it became a limited company and obtained its first successes at numerous national exhibitions. In 1895, Cavalier Luciano Scotti took over the company and, thanks to his intuition and his entrepreneurial skills, the factory grew substantially in a few years. In those years, some Liberty-style pieces designed by Giorgio Spertini, the author of noteworthy elegant "whiplash" creations, were created in the Laveno factory. In 1906 "SCI" presented numerous works at the International Exhibition of Decorative Arts in Milan. Other collaborators from the beginning of the century were Silvio and Piero De Ambrosis, Felice Palucco, Giancarlo Jacopini and the brothers Marco and Luigi Raggiori. However, it was in 1923 that, under the direction of Guido Andlovitz, the company reached the peak of its fame and in 1925 was a resounding success at the 2nd Monza Biennale. Andlovitz, who collaborated with the manufacturer for almost forty years, applied to the production process the principle of seriality, a concept also put into effect by Giò Ponti at "Richard-Ginori", adopting various types of decoration which, although moulded and decal stamped, still retained an undeniable elegance. In 1924 the "Società Ceramica Revelli" became a consortium with the "SCI", the partnership would continue until 1932 and saw Franco Revelli's company marketing pottery and table porcelain on behalf of "SCI". From 1925 porcelain and crockery began to appear in the factory's catalogs. In 1927 the company was present at the 3rd Biennial of Decorative Arts in Monza. Between the end of the 1920's and the beginning of the 1930's, the decorators Giuseppe Bellorini and Daniela Ferretto began to collaborate with the "SCI". As of 1932 the company managed two factories: that of Laveno, which, with over 1300 employees, produced strong pottery, tableware and artistic ceramics and the smaller factory of Verbano, which employed about 400 people and produced, in addition to ceramics for the electrotechnical industry, excellent table porcelain. The products were marketed in the company owned stores in Rome, Genoa and Naples. This was an initiative realised by Andlovitz himself. In the mid-thirties, the decorators Ada Corsi and Ida Fonini among others, collaborated with the "SCI". From 1936 to 1940 the artistic direction of the company was entrusted to the sculptor and modeler Angelo Biancini. In 1939 about 1300 people worked in the Laveno plant and in 1951 about 2300. In the years between the two wars among the collaborators of the factory were Sirio Tofanari...

Rare glazed stoneware donkey prod. Royal Copenhagen Stamped to base