Odd Fellows Lodge Unselfish Painted Banner

Early 1880s Odd Fellows Lodge all-seeing eye banner from Centerville, Dakota. Excellent hand painting and lettering. Centerville was platted in 1883. Dakota became the states of North and South Dakota in 1889. The area is now part of the Sioux Falls...

Great 19th century American Folk Art counter with original grain painted surface. Fantastic Gavel painted design. Open back. Very solid and sturdy counter. Gavel counter dimensio...

Great 19th century American folk art counter with original grain painted surface. Fantastic Hourflassl painted design. Open back. Very solid and sturdy counter. Please note the red c...

HAND-PAINTED PATRIOTIC BANNER WITH THE SEAL OF THE STATE OF ILLINOIS AND GREAT FOLK QUALITIES PROBABLY MADE FOR THE 1868 DEMOCRAT NATIONAL CONVENTION...

HAND-PAINTED PATRIOTIC BANNER WITH THE SEAL OF THE STATE OF OREGON AND GREAT FOLK QUALITIES, 1861-1876: Swallowtail format, patriotic vertical banne...

Unusual Odd Fellows snake staff. Stitched leather snake and carved wood with original paint. American, late 19th century. H 79".

HAND-PAINTED 19TH CENTURY BANNER WITH AN 1867 VERSION OF THE SEAL OF THE STATE OF ILLINOIS, PROPOSED IN THAT YEAR BY THE SECRETARY OF STATE, BUT IN A VARIATION NEVER FORMALLY ADOPTED Banner with the Illinois State Seal, in a rare variation of the design, never adopted. In 1867 Illinois Secretary of State Sharon Tyndale proposed that the phrases in the state motto be reversed. In the wake of the Civil War, (which ended in 1865,) Tyndale suggested that the verbiage be changed from "State Sovereignty--National Union" to "National Union--State Sovereignty,” which made sense given the recent secession of the Southern States, which placed their own interests first. Illinois' own Abraham Lincoln had worked hard to preserve national interests, echoed here in the altering of the language. Though Tyndale’s suggestion was rejected, he was nonetheless charged with creating a new design, which he did and was soon adopted. This displayed the dates of "1818," when Illinois became a state, and "1868," when the seal was officially changed. Interestingly enough, Tyndale did manage to send a message in the new version by turning the word “sovereignty” upside-down , with the surmised explanation that this fit accordingly with the orientation / position of the streamer. The banner is beautifully hand-painted on muslin and retains its original staff. The shape is beautifully scalloped at the bottom edge, which is painted to look as if there is an applied fringe. Most of the elements are congruent with the 1868 version, but there are various differences. Set within a shield-shaped medallion—usually circular—is the expected eagle in a side view, spread wing pose with beak uplifted. The eagle is supposed to be perched upon a rock with one talon, while gripping a Federal shield in the other. Here there is no rock and both talons grip the shield, which displays 13 stars. Note the date of "1867" and Tyndale's preferred order of the wording on the billowing ribbon in the eagle's beak. The foreground of the official design is all grass. Here there are olive branches—a peacetime reference appropriate for a country recovering from war—on a grassy area, set upon a sandy shore before Lake Michigan, with a rising sun on the horizon. Mounting: The banner was mounted and framed within our own conservation department, which is led by masters degree trained staff. We take great care in the mounting and presentation of flags and have preserved thousands of examples; more than anyone worldwide. The background is 100% cotton twill, black in color. The mount was placed in a black-painted, hand-gilded and distressed Italian molding. A shadowbox was created to accommodate the staff. The glazing is U.V. protective plexiglass. Feel free to contact us for more details. Banner - 49" x 56.5" Frame - 67.75" x 59.25" About Jeff R. Bridgman Antiques, Inc.: As an advisor to top museums and collectors alike, Jeff Bridgman is the world's leading expert and source for antique American flags and political textiles...

Presented is a rare Centennial patriotic flag banner, dating to 1876. The flag’s brilliant blue canton is spectacular, with 81 five-pointed, rayed stars, arranged to read “1776” and “1876.” The flag’s design is completed with thirteen alternating red and white stripes. The flag is a three-piece, treadle-sewn sewn construction, printed on a thin wool and cotton blend. Along the edge, there is a narrow, treadle-sewn sleeve made of cotton tape. In the lead up to the nation’s Centennial in 1876, flag makers and individuals looked to the past for designs to produce as part of the country’s many celebrations. Popular interpretation of the stars and stripes undoubtedly reached its climax of variety and originality at the time of our Nation’s first Centennial. Since no design restrictions were placed on flagmaker’s imaginations and no strict distinctions were drawn between official and unofficial star counts, it is no surprise that, on the occasion of the Centennial, creativity in flag design was not the exception, but the rule. The cantons from this period presented an array of geometric abstractions. Great star patterns, referred to as the “starry flower of Liberty” by Oliver Wendell Holmes, that were popular from 1818 and on, resurfaced in Centennial flags...

EXCEPTIONAL RED CROSS BANNER WITH WHIMSICAL LETTERING AND A TERRIFIC SLOGAN, WWI (U.S. INVOLVEMENT 1917-18), ONE OF APPROXIMATELY THREE EXAMPLES PRESENTLY IDENTIFIED EXCEPTIONAL RED CROSS BANNER WITH WHIMSICAL LETTERING AND A TERRIFIC SLOGAN, WWI (U.S. INVOLVEMENT 1917-18), ONE OF APPROXIMATELY THREE EXAMPLES PRESENTLY IDENTIFIED Web ID: pat-742 Available: In Stock Frame Size (H x L): 34.5" x 48.75" Flag Size (H x L): 21.75" x 36" Description: Made during the First World War, this extraordinary banner of the American Red Cross, printed on plain weave cotton, is a gem among surviving textiles commissioned for the organization. Even though it wasn't exactly produced as such, the banner is a fantastic piece of American folk art, with the combination of words, and visual impact forcing it soundly into this category. Some years ago, I acquired one of the very same type. At that point in time, I had not before seen its equal. Bowled over by the exceptional graphics in its varied styles of lettering—more like what you see during the 19th century than the 20th, I could find nothing of similar quality in my associated research. In fact, there was barely anything vintage or antique with imagery much beyond the generic scarlet cross on a white ground. The verbiage is undeniably great: "The Red Cross Needs You; Join Now; Be Patriotic--Be Humane." Today I know of one other, in addition to this example and the one I sold previously, for a total of three. I have also seen a variation on the basic design, not as dynamic but similar, reproduced for the television series “Gilded Age.” Displayed behind the actress who plays Clara Barton, founder of the Red Cross, it has the same text at the top and in the middle, though the fonts are not quite as strong, but along the bottom, the slogan “Be Patriotic--Be Humane” is replaced by “Answer the Call.” The first example of this banner that I acquired a fine, blue, hand-sewn binding around the perimeter, and 4 sets of long, red, cotton ties, hand-sewn to the top edge and distributed along it. Because these were so incredibly graphic in their own right, and what they collectively added to the presentation of a banner that looks way more like 19th century printed advertising than something from the 20th, I elected to up the ante, if you will, seeking out red and blue, antique cotton...

Presented is a stunning textile banner from the first World War, dating to 1918. The square tan cotton cloth is embroidered with two crossed flags, the ...