18th Century Oil on Canvas Italian Antique Painting Martyrdom of Saint Lawrence

Antique Italian painting from the 17th century. Artwork oil on canvas depicting a particular religious subject, the Parable of the unfaithful farmer. Once upon a time there was a farmer who fraudulently administered his master's assets. Before being fired, he tries to recover part of the credits by making important discounts to creditors, who will be grateful to him. The master, instead of condemning this behavior which is detrimental to him, praises the cunning of the farmer. This story is meant to urge believers to do whatever is necessary before the imminent arrival of the Kingdom of God and its judgment. Painting that develops vertically adorned with a wooden frame not coeval carved, lacquered and gilded. Painting that focuses on the characters in the foreground, a patina that does not allow a perfect view of the architecture and of the foreshortening on the left (see photo), painted to be cleaned...

Venetian school of the 17th century. Great oil on canvas artwork depicting a biblical episode, the sacrifice of Isaac. To test the faith of Abraham, a just and devout man, God orders...

Antique Italian painting from the 17th century. Painting oil on canvas depicting a religious subject Saint Bartholomew of excellent pictorial quality. Painting of beautiful size and ...

Great Italian painting from the second half of the 17th century. Oil artwork on canvas depicting the sacking of a seaside city by the Saracens, of good pictorial quality. We find cou...

Splendid 17th-century Italian painting by unknown artist, but certainly a follower of Caravaggio, relying on style and drawing. The painting has a very beautiful gilded wooden frame, with a subtle greek with spheres and an overlying rectangular frame with sinuous flowers on each corner, very elegant and beautiful. The painting depicts one of the most depicted religious scenes ever, the scourging of Christ, and is entirely done in oil on copper. The scourging of Jesus is an episode narrated in the Gospels (Mk15:15-16; Mt27:26-27; Lk23:16-26; Jn19:1-17[1]). Scourging is a flogging, particularly bloody, by means of sticks, rods or cat-o-nine-tails, the latter instrument consisting, in the Roman typology, of a short stick to which were secured several strings ending in metal claws, leads and bone splinters that caused tremendous lacerations and fractures to the tortured person. Chains are used in this scene, both to immobilize Jesus Christ and to flog him, as we can see in the upper right hand of the scourger. According to some personal research, it turned out that the actual scourging of Christ was mostly depicted at the column, while this Christ is on the ground, so presumably Christ here is scourged during the Way of the Cross at one of those stages where he fell. The painting has a very dark coloring, which is why this painting is believed to faithfully follow Caravaggio's style of dry, authoritarian brushstrokes. The painting shows a figure agonizing on the ground that continues to receive beatings and floggings of all kinds, representing Christ; his face is crucified in a loquacious expression of pain, he turns his eyes to heaven as if to invoke God, but at the same time those same eyes admonish the wickedness and arrogance inherent in humanity. Christ has one hand resting on the ground in the act of holding himself, while the other takes a completely unnatural stance against the barren ground. His body appears hardened to wanting to parry the blows, his legs are curled up on his knees as he takes kicks from the soldier above him. Christ is depicted pinned down from the neck with a very large and strong black iron bolt held by the other soldier. The soldier on the right in the foreground wears a one-shoulder tunic with an orange tunic and blue pants. On his feet he wears gray shoes, at his waist he has a belt with an iron helmet...

A splendid 17th-century Italian painting. This painting oil on canvas depicts a dramatic scene, a Saint bound and presented to torture before his imminent martyrdom. The composition ...

An impressive and intricately detailed Italian 18th century Renaissance st. Oil on Canvas and Mecca painting of the Road to Calvary, in the manner of Giovanni Paolo Panini. This dram...

Oil on copper representing the martyrdom of an unidentified saint (the angels passing over the scene) and bringing him the palm and the crown of martyrs, without any specific attribu...