Antique early 19th century Icon of with Archangel Michael and Archangel Gabriel

19th century Russian Icon of Saint Nicholas, likely first half 19th century, with I believe egg tempera on gessoed wooden panel, depicting Christ in a h...

A remarkable 19th-century Russian School icon, meticulously painted in three registers, reflecting the depth and richness of Orthodox Christian tradition. The upper register depicts ...

Wonderful naive oil painting of a girl. Fabulous muted colors. The austerity of the image is matched by the simplicity of the antique bleached oak frame. I have chosen not to resto...

Wonderful naive oil painting of a girl. Fabulous muted colors. The austerity of the image is matched by the simplicity of the antique bleached oak frame. I have chosen not to resto...

A magnificent 19th-century Russian icon depicting Christ Pantocrator, symbolizing his role as the Almighty and ruler of the universe. The central figure of Christ is exquisitely deta...

This early 19th-century oil painting presents a delicately rendered half-length portrait of a young woman, executed in a refined provincial manner aligned with American or French fol...

Early 19th Century Print “A thing of Shreds and Patches” A Charming Polychrome Print with a Shakespearian Title framed and under glass, 13” high, 10” wide AW92

Fantastic pair of early 19th century American folk art portraits featuring a family. One painitng with the father and the other with the mother and child holding a dove, each wth landscape in the background. This pair has been professionally conserved and tastefully framed. They are ready to hang and enjoy. Provenance: Private collection, NYC Bradbury Antiques...

Extraordinary 19th Century Swedish Bonad. The Nativity, The imagery capturing the Baby in a Manger in the stable, being overlooked by donkeys and angels. Primitive and exuberant colo...

Antique late 19th Century Indian Kalighat natural pigment watercolor painting of Krishna milking a cow under a Pipal tree. The cow is smiling at Krishna, with divine love. The cosmic dance of life represented in a symbolic message within the painting. Framed in gold painted carved wood frame under glass. Origins of Kalighat painting According to legend, Lord Shiva, the god of dance and destruction, was deep in meditation on Mount Kailash when he received news of the death of his consort, Sati, an avatar (or human manifestation) of the goddess Kali. He wandered for days with her body draped across his shoulders and his inconsolable grief threatened to ruin the earth. Lord Vishnu, the Preserver, was called upon to intervene. To relieve Shiva's burden, he shattered Sati's body into 51 pieces. The little toe of Sati's right foot was said to have fallen at the site of the Hooghly River...