Painting October in the Cantina by Sergio Agostini, Italy, 1960

Painting, Street Scene, Signed Bela Kadar, (Hungary 1877-1955), un-framed, oil on board. Bela Kadar was born in Hungary in 1877. Amongst his early interests was mural painting. Like many of the artists of his day he was drawn to Paris and Berlin, and by 1910 he had visited both cities twice. In 1923, Kadar showed his paintings in Berlin at the invitation of Herwath Walden. Walden was an important figure in the German avant-garde, being the publisher of the journal Der Sturm which featured the works of Franz Marc, Paul Klee, Wassily Kandinsky, Marc Chagall and Oskar Kokoschka. During the group exhibition at Walden's gallery with other artist's of Der Sturm, Kadar met Katherine Dreier whose Societe Anonyme was instrumental in bringing the work of the European avant-garde to New York. With her help two major exhibitions of his work were planned for the Brooklyn Museum of Art, the second of which in September 1928 Kadar travelled from Europe to attend. Bela Kadar incorporated themes of Hungarian...

A Compelling Eastern European Cubo-Expressionist Painting of an Artists Studio in Oil by Birtl, circa 1930. Materials: Oil on Cardboard.

Linocut by Ursula Foulkes (Great Britan) with dramatic color, form and mood. Dimensions: 8" x 10". References: Modern and Contemporary Art, Fauvism, Expressionism, Blue Rider ...

Abstract wood wall sculpture by Italian artist and designer, Felice Antonio Botta. Botta was an early proponent of used 'poor materials' (recovered and found wood) for a movement ...

In this work from her geometric period, Isa Di Battista Gorini employs gauze as both a structural and poetic element, layering it over the painted surface like a delicate veil that b...

Orazio Orazi (1906-1979) Tempera on canvas Untitled (The Fountain) 1949 Italian painter very active abroad, recognized by the name of Orazì and member of the Ecole de Paris. His ...

A small and early work by the important Argentine painter Antonio Segui.

In this work from her geometric period, Isa Di Battista Gorini employs gauze as both a structural and poetic element, layering it over the painted surface like a delicate veil that b...