Chinese Hand Painted Porcelain Emperor Sculptures - 2 Pieces

Set of two vintage Chinese porcelain servant sculptures, hand-painted with vibrant colors and intricate detailing, perfect for any collection. We ...

Pair of Chinese Hand-Painted Porcelain Vases with intricate floral motifs, showcasing traditional artistry for striking centerpieces. We sell items as acquired, without restoring ...

Chinese Ceramic Figurine of Shou Xing brings traditional charm and symbolic meaning to interiors with hand-painted detail and peaceful presenc...

Vintage Chinese Taoist Porcelain Sculpture with hand-painted details, depicting a serene figure with flowing robes, ideal for collectors and decor enthusiasts. We sell items as ac...

PAIR of Chinese painted & glazed ceramic identical figures depicting a goateed, hatted emperor in a formal elaborate blue robe with dragon medallion, his left arm holding a pipe, his...

PAIR of Chinese (20th Century) painted ceramic identical figures in a matte glaze, depicting an emperor in a formal elaborate yellow robe cradling a lingzhi ruyi, standing on an octa...

PAIR of Chinese (20th Century) decorated glazed ceramic figures of an emperor in a formal blue robe with dragon medallion holding a bamboo pipe standing on an octagonal base featurin...

A striking pair of large Chinese glazed and painted pottery figures, Ming Dynasty (1368 to 1644), circa 16th century, China. The impressive and realistically modeled figures each portrayed standing upright upon a sancai (three color) glazed pedestal of kang table form. The man is dressed in a short black surcoat over a long robe and pants, a smart cap upon his head. His face is warm and welcoming, with wide eyes and a slight smile on his lips. He holds his hands out in front of him, palms up, almost as if shrugging, though presumably originally holding an object or offering, now lost. The woman of slightly smaller stature, and dressed in a longer surcoat over a long robe and skirt. She wears a fitted cap upon her head. Her hands also held out in front, grasping long lost objects. Her face is slightly more severe, with a somewhat pinched look, and slight frown upon her lips. The size of these figures is remarkable, as is the realism and attention to detail, almost as if they were modeled after real people, as opposed to the more common and generic Ming Dynasty pottery...