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Early 20th Century Folk Art Americana Horse Child
s Pull Toy
$950List Price
About the Item
- Dimensions:Height: 20 in (50.8 cm)Width: 20.5 in (52.07 cm)Depth: 9.25 in (23.5 cm)Seat Height: 0.1 in (2.54 mm)
- Style:Arts and Crafts (Of the Period)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:circa 1920s
- Condition:Wear consistent with age and use. Minor losses. Some patches of fur loss. Eyes may be missing. Some rust on wheels but are still fully functional.
- Seller Location:Denver, CO
- Reference Number:1stDibs: LU108363371722
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"Articulated Cyclist Toy – Belgian Folk Art, Early 20th Century"
Early 20th Century Belgian Folk Art Articulated Cyclist Toy
Handcrafted Solid Wood — Rare Colonial-Era Subject — Mechanically Designed Pedaling Motion (Belt Missing)
Description
A rare and remarkable early 20th-century Belgian folk art toy, hand-carved entirely from solid wood, depicting a stylized Black cyclist mounted on a painted green bicycle. The figure is fully articulated and was originally designed with a mechanical belt-drive system (now absent) connecting the foot pedals to the rear wheel. When pushed forward, the toy was engineered to simulate a realistic cycling motion, animating the rider's legs in tandem with the rotation of the wheels.
Materials & Construction
Primary material: Solid wood (no plywood or laminates)
Figure & Bicycle: Fully carved, hand-painted in polychrome (green, red, black, ochre)
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Jointed limbs designed to move with crankshaft motion
Metal-spoked wheels on rotating axles
Pulley attachment points for original belt-drive (belt now missing)
Dimensions:
Length: 53 cm
Height: 42 cm
Condition: Structurally intact; expected surface wear and patina consistent with age; belt mechanism missing but all original pulley points and joints remain.
Iconography & Cultural Context
The cyclist is depicted as a Black male figure in a red cap and outlined uniform, rendered in a simplified, expressive style typical of early folk toys. The toy likely reflects Belgium's colonial presence in the Congo during the early 20th century (Congo Free State until 1908, Belgian Congo from 1908–1960). Such depictions were common in Belgian visual culture of the time, often appearing in children's media, toys, and public exhibitions.
This toy offers not only mechanical charm but also serves as a historical document, reflecting period attitudes and visual language. It holds curatorial interest for ethnographic, toy history, and colonial-era cultural studies.
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Date: Circa 1900–1930
Origin: Likely Belgium
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