Hand-Crafted Folk Art

Early 20th c., England, a hammered and repousse decorated copper sheet metal over wood box, the hinged slated lid decorated with in Arts & Crafts style. A wonderful Liberty & Co. A...

19th Century Pair of Iroquois Moccasins, New York or Ontario, mid to late 19th Century, a worn pair of moccasins with suede bodies, blue trade cloth tops with red trade cloth border,...

This dragon sculpture was made out of hand forged iron. It truly is an exquisite example of blacksmith craftsmanship from the 1950s. The wing is marked with both a signature ‘JM’ an...

This rare and finely crafted mid-19th century Ojibwe powder horn, dating to around 1865, is an exceptional example of Eastern Woodlands Native American artistry. Originating from the...

This piece of a pottery vessel, embellished with high relief figures, was made by women of the ethnic group of the Bariba (or Baatonu) in the northern provinces of Benin. The Bariba potters passed their trade from mother to daughter. They didn’t make their vessels on a pottery wheel...

American gilt copper and cast iron full bodied rooster weathervane mounted on stand, Late 19th Century

Polychrome pottery canteen Acoma 1920 Measures: 8 inches height x 6 inches diameter. Clay, mineral pigments, corn cob. A wonderful example of an antique polychrome Acoma Pueblo Pottery...

Early 20th century bronze on Marble slab sculpture of a bronco rodeo cowboy on horse by Austrian artist Carl Kauba. Weighing a heavy 18 pounds with a solid marble base, Kauba has amazing intricate detail from the reins to the cowboys face and horses hoofs. Carl Kauba (1865-1922) Carl Kauba was born August 13, 1865 in Vienna, Austria. The son of a shoemaker, Kauba chose to follow his calling into the world of art. Collectors now rank him in a class with Remington and Russell as one of the great portrayers of American Western. His subjects were typically Native American Indians, Cavalrymen, Cowboys, and Roughriders. In addition to his American bronzes, Kauba produced a lifetime’s worth of Austrian statuary. His work became fully appreciated on both sides of the Atlantic. Carl studied at the Academy of Fine Arts in Vienna under professor Laufenberg. Later he would study at the academies under Carl Waschmann and Stefan Schwartz. Next, he went to Paris in 1886 to further study before he set off for the U.S. Kauba’s fascination with the West was fired by the stories of the German writer, Carl May, whose tales of Western adventure were well known throughout Europe. Most authorities feel that he was about twenty-five years old when he traveled widely throughout the American West. He then returned to Austria with voluminous notes, sketches, and several models of Western sculpture...

This amazing miniature hickory three piece matching child's or doll set is in amazing condition.Sold as a collection of three.They are very hard to find in such good condition and co...

Pair of African Tribal Art mask parchment wall shade sconces. These Art pieces could be used as large wall lamp shade. Iron frame covered with hide w...

Colorful glazed terracotta passata bowl from Southern Italy (Puglia). This rustic 19th century terracotta bowl was used in the Italian c...

A genuine mask hammered in copper from the Dinga / Ding tribe from the south of DR Congo Early 1900, but probably older This kind of anthropomorphic masks are called "ngongo munene"...

A bold and beautifully composed mid-20th century Amish quilt from Lancaster County, Pennsylvania, hand-crafted in the striking “Diamond in a Square” pattern. This expertly pieced and finely hand-stitched cotton quilt features a rich palette of pink, blue, and plum, creating a visually compelling geometric composition. Crafted entirely by hand using repurposed household fabrics, this quilt exemplifies the Amish tradition of turning utilitarian necessity into works of enduring folk art. Its clean lines, color harmony, and masterful stitching make it a standout heirloom piece, equally suited to wall display or thoughtful integration into a sophisticated interior. Dimensions: 42” x 50” Date of Manufacture: 3rd Quarter of the 1900s Place of Origin: Pennsylvania, United States Material: Cotton Condition: Good The Persian Knot Gallery, SKU: 2243 vintage Amish quilt, Diamond in a Square quilt, hand-stitched cotton quilt, pink and blue quilt, antique American quilt, Lancaster County Amish textile, mid century patchwork quilt, repurposed fabric quilt, collectible Amish quilt, handmade vintage quilt, heirloom quality quilt, Amish folk art textile, geometric vintage quilt, sustainable interior decor, quilt for wall display, Amish Diamond in a Square Quilt, American Amish Diamond Quilts, Vintage Amish Quilts, Antique Amish Quilts, Amish American Quilts, Pennsylvania Quilts, Lancaster County Quilts...

This an amazing carving by the German certified artist Eberhard Bank. This sculpture is of two seals in white dolomite on snowflake black obsidian , seals are marked with monogram EB...

Large Asian rattan handcrafted decorative bowl on bamboo stand. Large vintage tribal handwoven bamboo ethnic round basket. Deep bowl shape, woven with seagrass technique and decorate...

20th century wrought iron hand forged black sunflower andirons with scrolled legs and hitching post loop in the middle these spectacular andirons measure. Tall. Lovely large size.

Stunning little american folkhart water color of a young gentleman. Sitting with his arm over the back of what appears to be a tiger maple chair of the period. In the lower right corner we can see what is a tiger maple table...

Amazing and scarce JUDAICA object, we have here one of the most touching jewish objects we had for a long time, this small silver dowry box was made in Algeria in the early 19th century, it is all covered with symbols of jewish faith and of couples, the sliding lid has 2 flanking birds with hamsa (protective hand) on each side and a flower vase in the middle. one side shows two flanking lions with a tree in the middle and the other side shows again two big and two small birds with a flower bowl in the middle, front side has a key hole and next to it there is the Hebrew inscription ס״ט״" which says Siman tov or in English "a good sign" it is taken from the wedding blessing, underneath the lock there is another inscription with the name ״עזיזה בת אברהם בן חמו״ which is the name of the bride, her father and her grandfathers name. the box is full marked a lot of times with the silversmith mark, every side of the box is marked. this box was probably ordered by the grooms family to hold the jewelry they are giving to the bride as dowry, this type of objects are rare and there are just a few of them on museum collections. DOWRY (Heb. נְדֻנְיָה), the property a wife brings to her husband at marriage; the Yiddish equivalent, nadn, is from the same root. The custom of nedunyah became clearly defined and institutionalized only in the talmudic period. In biblical times, mohar (מֹהַר), whereby the groom bought his wife from her father (Gen. 24:53; Ex. 22:15–16; Hos. 3:2), was the accepted practice. It was then customary that the groom give the bride gifts, and that she bring certain property to her husband's home upon marriage: slaves, cattle, real estate, etc. (cf. Gen. 24:59–61; 29; Judg. 1:14ff.; I Kings 9:16). Evidence of the custom of nedunyah is to be found in Tobit (7:14; 8:21) and in the Assuan papyri (Cowley, Aramaic, nos. 15, 18). Gradually, mohar was superseded by the ketubbah custom according to which the husband merely assumed the responsibility of compensation to his wife in case he divorced her: he had to pay her 200 zuzim if she had been a virgin at the time of marriage, and 100 zuzim if a widow or divorcée (see *Ketubbah). By talmudic times, the institution of nedunyah was prevalent; the father gave a dowry to the bride since the daughter was excluded from paternal inheritance. Fifty zuzim (equivalent to the worth of 180 grams of silver) was the minimum amount a father was obliged to give to his daughter (Ket. 6:5). Parents usually gave much more, according to their social standing. Community funds provided the dowry for an orphan or a very poor girl (ibid.; cf. Sh. Ar., YD 251:8). In case of her father's death, the brothers of a minor girl were obliged to give her the minimum dowry, and the court estimated how much her father would have given her above the minimum dowry. The sum was then taken out of the father's estate and given to the daughter upon majority (Ket. 6:6; 68a–69b). In the absence of such an estimate, each daughter was entitled to receive one-tenth of the value of her father's estate in money, or in valuables (Yad, Ishut, 20:4–7; Sh. Ar., EH 113:4). If the father was unable or unwilling to pay the promised dowry at the betrothal ceremony, the groom could refuse to marry his bride (Ket. 13:5; Ket. 108b–109a). Insistence on exact payment of the promised dowry, however, was frowned upon by later rabbinic authorities (Rema to Sh. Ar., EH 2:1). In certain communities it was customary for the groom's father to make a dowry contribution equal to that of the bride's father (Ket. 102b). The dowry, whether given in real estate, slaves, money, or chattel was recorded in the marriage contract (the ketubbah) and in some instances one-third or one-fifth of the actual value of the dowry was added to the sum mentioned in the ketubbah. Based upon a decree enacted by *Simeon b. Shetah (first century C.E.), the Talmud ruled that the husband and his entire property were liable for compensation as stipulated in the ketubbah, either in case he died (when she collected the sum specified in the ketubbah from the heirs) or in case he divorced his wife (Ket. 82b). For the status of the dowry and the husband's rights and obligations, see below. The rabbinic enactments (Takkanot Shum) by R. Jacob *Tam and by the rabbinic synod of the communities of Speyer, Worms, and Mainz (Germany) stipulated that if a woman died...

Vintage folk art terracotta charger - large size - hand made and cold painted with a bird and flowers within an elaborate border - varnished finish to the front and back - unsigned -...

African Tribal Art parchment wall shade sconce featuring a large triangle hide form stitched on iron and hand painted surface. These Art pieces could be used as wall lamp shade. Ir...

A beautiful Austrian early 20th century, carved wood bird, mounted on a stand for hanging. The tradition of these in Austria called "Viechtauer" birds goes back to the early 19th cen...

Rare Pre-Columbian Chimu Stirrup Vessel – Sea Plant or Fungi Motif – 12th–14th Century AD, Peru An intriguing and rare Chimu stirrup vessel from Pre-Columbian Peru, dating to the 12...

Very large colorful glazed earthenware passata bowl from southern Italy (Puglia). This rustic 19th century terracotta bowl was used in ...

Native American Cochiti drum with sides painted in red, white and blue with black stripes. Made of wood and hide. Period: Early 20th century Origin: So...

Handcrafted Moroccan Moorish glass perfume bottle or rose water sprinkler with raised embossed silvered metal floral design over amber glass. The pressed glass bottle in Art Deco, Art Nouveau style is oval shape with curved sides and hand decorated with embossed metal silvered overlay. This has a long metal top spout that unscrews so the bottle can be filled to pour the perfume or rose water into this little luxe bottle. This is a recycled vintage French perfume bottle Reve D'Or and mark in the bottom by "L T Piver Paris". Handcrafted in Marrakech, Morocco by skilled artisans that used recycle perfume bottle and add the metal overlay...

Early 20th Century Large Noah’s Ark A larger than usual example of an early 20th Century hand carved / painted pine Noah’s ark. With lifting roof and sectioned lifting central hul...

Beautiful folk art toy piece made by La Familia Castillo. Handmade in clay and painted with acrylic paint. Created by master artisan Soledad Martha Hernández and her son Marco Anton...

This vintage and substantial Folk Art rendering of the Eiffel Tower was made during the 1970's, presumably in the United States and lights up, providing a subtle red glow to accent the piece and the space. The tower is composed of intricately cut softwood panels, backed with a plastic sheeting or acetate with a clear gloss finish. This unique Folk Art light...

Sotto il titolo Animal house, che richiama il famoso film ma con il quale non centra, Naka ha raccolto una serie di opere dove l’animale è protagonista in un contesto antropico. Il p...

African Tribal Art parchment wall shade sconce featuring a large triangle hide form stitched on iron and hand painted surface. These art pieces could be used as wall lamp shade. Ir...

This incredible Roman micro-mosaic portrait of a woman shows off a woman warrior in all her glory. Not only interesting because of its age, but the subject...

Unusual handmade factory task chairs, late 1920s, early 1930s. Retain original gray painted surface. Wonderful patina. Nice design.

Very large scandinavian rug from the 60s. Flat weaving technique (rillakan), wool on linen. Traditional geometrical patterns in pink, white and ...

Royal House Antiques Royal House Antiques is delighted to offer for sale this very nice circa 1920 Art Deco casino chip / poker set in the original wood case with Bakelite handle A...

Northern Plains hair drop. Beaded blue with red accents. Quilled drops having tin cones and yellow feather fluffs with long black horsehair drop. Period: 19th century Origin: Great Plains - Northern Plains, Native American Size: 6" x 35" overall Family Owned & Operated Cisco’s Gallery deals in the rare, exceptional, and one-of-a-kind pieces that define the history of America and the Old West. Our pieces range from American Indian to Cowboy Western and include original items of everyday life, commerce, art, and warfare that tamed America’s frontier. Our 14,000 square foot gallery opened in 1996 in beautiful Coeur d’Alene, Idaho. Personal Service Cisco’s operates on old fashioned values – honesty and integrity, and all of our items are backed by our money back guarantee. We appreciate the opportunity to earn your business. Whether you desire assistance with a jewelry purchase, choosing a gift, identification, or even selling – we hope to be your trusted source. Native American, garments, Blackfeet, headdress, collectibles, antiques, Native American beadwork...

Southern plains Hightop Moccasins Item Number: AG2312 Exceptional Kiowa/Comanche hightop moccasins dyed with yellow ochre. Adorned with a single be...

Mid-20th Century folkart carved wood outsider art figures Dimensions in inches: H 34” x W 11” x D 27” Age: 1950 - 1960 Origin: Holland Condition: Fair Overview We sometimes create ...

This contemporary abstract marble sculpture is by Czeslaw Budny, a Polish-Canadian artist in the constructivist style circa 2022. This unique sculpture i...

19th century hand-stitched and quilted American Amish Crib Quilt in a” Diamond in a Square” pattern from Lancaster County, Pennsylvania. The quilt has a very fine hand stitching with primary colors of ivory, pink, burgundy, and navy blue. The Amish community in Pennsylvania hand craft the quilts for their own use using the material that they had on hand. It is a beautiful example of an upcycling and reuse of material that has utilitarian functions but is also a representation of the art and culture that is woven into it. Dimensions: 32” x 32” Date of Manufacture: 4th Quarter of the 1800s Place of Origin: Pennsylvania, United States Material: Cotton Condition: Good Amish Crib Quilts, Amish American Quilts, Pennsylvania Quilts, Lancaster County Quilts...

American gilt copper three masted ship weathervane with flags mounted on stand, late 19th century. Measures: 8" square at base.

A fine antique 19th century Persian Qajar period (1789-1925) glazed pottery mosaic tile group, circa 1880. This large mosaic comprises four sizable tiles set in a stone frame, the g...

Antique copper bowl with lid, 18th century Beautiful and richly decorated antique copper pot with lid with a very attractive decorated dec...

A set of colorful Mexican alebrije figurines depicting four animal friends drinking "Corona" beer and having a good time. This humorous Folk Art piec...

Figurative Apache olla with crosses made inside, vertical triangles that connect in a geometric web. After an olla was filled to the brim with wild grass s...

An outstanding example of early 20th-century American folk textile art, this Amish quilt from Lancaster County, Pennsylvania, is crafted in the traditional “Sunshine and Shadows” pattern. Composed of hand-cut and hand-stitched cotton squares in earthy tones of green and brown, this quilt reflects the Amish community’s dedication to functional craftsmanship and minimalist beauty. The fine, consistent hand stitching and carefully composed color gradations create a striking visual depth, highlighting the geometric precision of this beloved pattern. Made using repurposed materials, this quilt stands as a testament to sustainable artistry and cultural heritage. Whether used as a bed covering or displayed as a wall textile, it adds warmth, history, and authenticity to any space. Dimensions: 84” x 85” Date of Manufacture: 1st Quarter of the 1900s Place of Origin: Pennsylvania, United States Material: Cotton Condition: Good The Persian Knot, SKU: 2201 early 20th century Amish quilt, Sunshine and Shadows quilt, antique American quilt, green and brown quilt, hand-stitched patchwork quilt, Lancaster County quilt, vintage Amish textile, repurposed fabric quilt, sustainable folk art, handmade cotton quilt, collectible antique quilt, Amish craftsmanship, American textile heritage, heirloom patchwork quilt, quilt for interior decor, American Amish Quilts, Vintage Amish Quilts, Antique Amish Quilts, Amish Sunshine and Shadows Quilts, Amish Trip Around the World Quilts, Amish American Quilts, Pennsylvania Quilts, Lancaster County Quilts...

19th Century Country Sheraton Grain Painted Wash Stand, circa 1820, a hand crafted pine washstand hand painted in a faux mahogany grain, with shaped...

Very large colorful glazed earthenware passata bowl from Southern Italy (Puglia). This rustic 19th century terracotta bowl was used in ...

These "spring palace paintings" (春宫畫), Chinese erotic porcelain figurine were historically given to brides and young couples, sometimes as a form of "sex education" in a culture wher...

1920’s Felix The Cat Wooden and Leather Toy This 1920s Felix the Cat toy is a collectible vintage toy featuring the iconic character Felix the Cat. These t...

Northern Plains beaded possible bag. Sinew sewn and beaded on softly tanned hide using colors of red white heart, pea green, greasy yellow, royal blue and...

A beautiful Austrian early 20th century, carved wood bird, mounted on a stand for hanging. The tradition of these in Austria called "Viechtauer" birds goes back to the early 19th cen...

Germantown Moki blanket with spider woman crosses. Exceptional collector piece. 5'1" x 6'11" Period: Late 19th Century Origin: Southwest - Navajo, Na...

This large and striking Folk Art pottery sculpture is unsigned, but believed to have been done in Mexico or South America in a contemporary Folk Art style. The sculpture is a study of a young woman of color wearing a brightly printed dress and accessorized with large deep red rose earrings...

Joseph Abraham Bolinsky (American, b. 1917) Untitled Bronze,, manner of Lynn Chadwick,, Classic modernist form,, Wonderful patina,, Profession: Sculptor, educator Studied: Columbia...

This beautifully hand-crafted Amish quilt, created in Lancaster County, Pennsylvania circa the mid-1900s, showcases the classic “Block and Star” pattern—an enduring design that reflects the harmony of geometry and tradition within Amish quiltmaking. The quilt features a soft, refined palette of lavender, gray, and pink, with each cotton piece meticulously hand-cut and hand-stitched. The exceptional workmanship and fine needlework speak to the quiet discipline and artistry passed down through generations within the Amish community. Crafted from repurposed household fabrics, this quilt embodies a spirit of resourcefulness, where everyday materials were transformed into objects of beauty and lasting significance. More than utilitarian, it is a cultural artifact—woven with meaning, memory, and the values of simplicity and sustainability. Now a highly collectible form of American folk art, this quilt’s delicate craftsmanship and visual appeal make it ideal for wall display, offering both historical depth and aesthetic grace. Please note: Some colors may appear distorted in photographs—please refer to the video for accurate color representation. Dimensions: 36” x 56” Date of Manufacture: 2nd Quarter of the 1900s Place of Origin: Pennsylvania, United States Material: Cotton Condition: Good The Persian Knot, SKU: 2240 Amish Block and Star Quilt, American Amish Block and Star Quilts, Block and Star Quilts, Vintage Amish Quilts, Antique Amish Quilts, Amish American Quilts, Pennsylvania Quilts, Lancaster County Quilts...

This handsome leather studded trunk with antique brass nailheads is a 20th Century American piece which is a decorative object or makes an incr...

Folk art hand shirred and hooked rug in wonderful colors on a black mottled background. Wool on linen, American, New England circa 1830's. The colors of the flowers are perfectly bea...

We are delighted to offer for sale this stunning original Victorian Antique Jaques of London faux leather folding book chessboard with the original Staunton Chess set dating to circa 1880, a travel chess set in the form of checkers pieces and lastly a Jacques of London Rosewood Chess clock...

This set of seven Folk Art wooden box letters were made in Canada is circa 1965 and were once mounted on a carnival sign for either a ride or an at...

This exquisite vintage African tapestry, dating to the mid-1900s, features a flat-woven kilim textile hand-crafted using natural dyes in striking indigo blue and white. The alternati...