Palladian Furniture

The frieze having curved panels of verde antico, overlaid with foliate scrolls of statuary marble. The centre plaque which is dog leg in shape depicts Flora, goddess of flowers and t...

A tall and versatile Palladian manner solid Limestone fireplace surround. A generous moulded top shelf sits above a cushion spacer set with a central unadorned tablet (the whole removable) this in turn rests on a bolection moulded frieze lintel- that’s supported on a set of bolection jambs, with ample return sections giving this piece good projection. The whole displays on a set of splayed foot blocks. This handsome and versatile piece can be used in full with the shelf and tablet as shown in the main image, or can be used as a bolection surround...

A substantial hardwood Palladian manner fireplace surround. A moulded top shelf, with dental check below- a wrap around top cornice of carved egg & dart moulding, below a Bolection s...

Most unusual Early 19th Century painted wood and tole birdhouse in the form of a Palladian villa, the lattice work top over five story arched and arcaded facade, each "window" with p...

A large antique English carved oak mantelpiece in the Palladian style. With full rounded and fluted Doric columns, egg and dart mouldings and a carved ...

A very large antique carved oak and grey Bardiglio marble mantelpiece. This is an extremely well carved English Palladian style oak fireplace of g...

Made from veined Carrara marble and white statuary marble. The centre plaque with a well carved mask of Apollo surrounded by a sunburst. The console jambs are under fluted corbels...

Wonderful set of 6 architectural prints Copper-plate engravings after the original antique architectural drawings by L.Carter Published...

An Extremely Refined 18th Century Chimneypiece in White Statuary Marble by the Renowned Architect James Paine (1717–1789) A moulded breakfront shelf with lambs tongue and leaf and d...

The central frieze is carved with a Rococo vase of flowers, flanked by scrolling motifs. This supports a broken pediment with acanthine modillions to the under-mould. The opening fra...

Antique British neoclassical William Kent mirror. This English polychrome painted parcel gilt frame was created in the early 18th century, circa 1...

A fine early 18th Century carved Georgian Palladian mirror, the overscale cartouche flanked by swan neck pediment having egg and dart carved molding w...

A large late Victorian painted Oak fireplace surround in the Palladian manner. A substantial moulded top shelf with a cornice of dental check sits above a frieze with a central rect...

A pure white statuary marble fireplace in the mid 18th century English Palladian taste. Made in recent years to the highest standards and reclaimed from a fine London property. Cond...

A rare and unusual Palladian style 19th century fireplace in Marrone Breccia and Belgian black marbles, with a marble mirrored overmantel. The top pediment with dental work...

An Impressive 18th Century Palladian Style Fireplace in Statuary and Contrasting Jasper Marbles with Sienna Marble Column Jambs From the London, Westminster workshops of Sir Henry Cheere (1703–1781) made for the 2nd Earl of Ossory for his seat at Ampthill Park, Bedfordshire, probably during improvements made by Sir William Chambers to the principle rooms and for building the two wings, between 1768–1772. The moulded breakfront shelf stepping forward over the jambs is decorated with lamb’s tongue and egg and dart. The frieze centred with a large rectangular tablet which drops into the upper member of the architrave, of choice specimen marble jasper of unusual and rare greenish hues, flanked by yellow coloured Jasper marble panels, the rectangular Jasper end blockings decorated with open sunflower heads with curled petals in statuary, upheld by the three-quarter round, tapering Sienna marble columns with Roman Ionic order statuary capitals and bases fronting the statuary pilasters. The whole rests on Statuary marble blocks. A closely related coloured drawing of a columned fireplace, with no sculptural decoration, from the Cheere's workshop can be seen in the Victoria Museum, D715(2)-1887 (one of 28 coloured designs of fireplaces). In 1769 the young Earl of Upper Ossory bought in the architect Sir William Chambers to extend and modernise the house adding East (kitchen service...