2 Adolf Meyer, J.ST.21 Lamp, Zeiss Ikon, 1928, Bauhaus, Modena Pavarotti Theatre

Sculptural chandelier with a unique combination of reticello and Pulegoso finis. The reticello bowl what indicates the decade. It's made by overlapping two filigree bowls spiralizer in opposite directions. Before Carlo Scarpa and Dino Martens works in the 1940s, reticello was made without bubbles in the middle of each square of clear glass resulting by the nesting. It's simply because it was considered a flaw to see the bubbles. On the next decade, the overlapping was done on the Piera as the bubble trapped by the canes was then considered a plus. The 14 leaves have a central striped clear stem and the feathers are made in Pulegoso. My friend Sergio Rossi, master of Murano, when he saw the picture said "the times when Pulegoso was made in the Crucible". Full batch of Pulegoso was made by Barovier for the lighting and Venini or Seguso for accessories. The Pulegoso finish, from puleghe (chips, the chemical dust that is added to create an infinitive number of bubbles inside the glass mass) is a signature of the Barovier chandelier. Reticello has white filigree...

An extremely large suspension piece. This design is univerversally attributed to Barovier & Toso and is composed of a beautiful crossed tessere ambra design. The central design is s...

This is the version from Vistosi with the big murrina in the center of the body. Designed by Alessandro Pianon. Made in lattimo opaline glass cased over with taupe gray. Mouth-blow...

Extraordinary suspension made for Leucos by Toni Massari. Heavy Venetian glass has 3 incalmo. The inner is black outside and white inside, which is a typical design of Renato Toso (...