Brutalist Ceiling Lamp by Svend Aage Holm-Sørensen, 1960s

Acid treated and torch-cut pendant designed by Svend Aage Holm Sørensen in the early 1960s. Manufactured by Holm-Sørensen & Pedersen in Denmark, circa 1970. Makers mark present to th...

A large 'Silhuet 2' pendant lamp by Jo Hammerborg. Organically-shaped aluminium shade alloyed with brass. Manufactured by Fog & Mørup in Denmark circa 1970-75. Measurements: Height: ...

The ceiling lamp, known as "Onion" and created by the renowned designer Sven Aage Holm Sørensen in 1960, represents a brilliant chapter in Danish lighting design. Made of brass, this...

Danish designer Svend Aage Holm Sørensen (1913-2004) is known for his self-produced lighting designs dating from the 1950s, ‘60s and ‘70s. Despite the desirability of his designs on the vintage market, there is a lack of biographical information on the designer and his eponymous manufacturing company. The Danish designer Svend Aage Holm-Sørensen (1913-2004) possessed an artist eye and a very good understanding of the potential of materials, and he understood how to innovate with these. To this day, Holm-Sørensen's style as a designer addresses not only the Nordic market, but also the international interest in the designer's distinctive and experimental expression. Sven Aage was known for being able to draw sketches on almost everything: envelopes, theater programs, even tram tickets he used to sketch his vision. It is speculated that Holm Sørensen designed lights for well-known Danish lighting manufacturers Fog & Mørup and Lyfa in the 1950s, before establishing his own lighting company, Holm Sørensen A/S to produce and distribute his own designs. Holm Sørensen’s style varies greatly, with designs from the 1950s truly reflecting the mid-century modern lighting style, with clear influences from the De Stijl and Bauhaus movements. His attenuated floor and table lamps contain the classic tri-pod base that was popular at the time, referencing such designs as H. Th. J. A. Busquet’s Pinocchio Lamp (1954). From the 1960s onwards, Holm Sørensen’s style changed utterly. His designs diverged from colorful, geometric table lamps and floor lamps, to pendants with raw finished brass and copper surfaces. These pendant lamps showcase Holm Sørensen’s interpretation of the Brutalist style, which was popular from the 1950s to the mid-70s. Originally coined by the Swedish architect Hans Asplund...