Chandelier in brass Murano glass Carlo Nason Pierre Cardin 1969

Best known for creating groundbreaking fashion designs from the 1950s onward, Pierre Cardin enjoyed great success in other design fields, most notably furniture. Cardin’s chairs, cabinets, tables and other pieces share many of the keynotes of his clothing designs. They are simple, geometric, elegant and cool.

Cardin was born in a village near Venice, Italy, and raised in central France. Always interested in fashion, he left home at age 17 to train with a Vichy tailor. After the end of World War II, Cardin moved to Paris and worked for a succession of couture houses, before taking a job with Christian Dior in 1946. Cardin went solo in 1950, and quickly won attention for his novel style.

Unlike Dior’s famous New Look, Cardin’s clothes de-emphasized a woman’s curves; his breakthrough pieces like the Bubble dress had, instead, a sculptural quality. In the following decade, Cardin introduced bright tunic dresses and shifts, marketed as the Space Age look and accessorized with vinyl hats and visors.

In the 1970s Cardin expanded his design work into furniture, jewelry and automobiles. (Later, licensing agreements would put Cardin’s name on goods ranging from perfume to sunglasses.) Cardin’s furniture pieces — inspired, perhaps, by the rediscovery of Art Deco design in that decade — feature simple, symmetrical forms, lacquer and figured veneer finishes, and accents in metals such as aluminum and brass.

Whether you are looking for a vintage cocktail dress or a chest of drawers to keep it in, as you will see on 1stDibs, Pierre Cardin offers an option in either that is timelessly chic.

A mid-century modern reference for today’s Murano glassmakers, Carlo Nason influenced the current tradition of glassmaking on an island renowned for it for hundreds of years. Celebrated for their exceptional designs, Nason’s lighting fixtures are sought after by collectors worldwide.

Learning to design and craft pieces from the family vetreria — rather than partaking in any formal training — Nason was working with the maestros at his family’s company furnace, V. Nason C., attached to their family home by the time he was 11 years old. Although his roots are in Murano glassmaking, he took inspiration from the clean lines and natural colors of the Japanese metal vases he had seen in his youth at Milanese fairs.

Wanting to produce modern glass lamps, Nason worked with his family friend Gianni Mazzega of Mazzega Murano. For his Cascata chandelier (Italian for “waterfall”), which debuted in the 1960s, Nason achieved the effect of cascading water through an inverted pyramid of hanging glass plates, each individually mouth-blown and suspended from a chrome-plated frame for a dazzling, Art Deco–styled display.

The 1970s and 1980s were productive and creative years for Nason as the sole and independent designer at Mazzega Murano. His prolific career has also seen him design for other lighting manufacturers like I TRE, Murano Due and Kalmar.

After a mere four years as a glassmaker, Carlo Nason had his creations displayed at the Corning Museum of Glass in New York. The credit for the artisan’s pieces that were included in “Glass 1959” went to his family’s company, but the designs were all authored by Carlo.

Stepping away from the traditional, vibrant Murano stylings, Nason kept true to his inspiration, working with modern and simple forms that are relatively free of color. Nason told Palainco in a rare 2019 interview that his emotions inspired the shapes. And his legacy includes fixtures that are irreplicable and unreproducible, too — Nason made lighting pieces with multiple layers of glass that would be too costly or difficult to recreate today, and some designs were made with processes and materials now unavailable or banned in the glassmaking world.

Find an array of vintage Carlo Nason table lamps, floor lamps, decorative objects and more on 1stDibs.