Large Pinecone Suspension Lamp in Transparent Glass Gold for Fontana Arte

Architect and designer Paola Navone has had an enormous impact on modern furniture design. For over 40 years, she has created interior furnishings for residential and hospitality spaces. She has traveled the world and infused her experiences into her creations, developing a strong appreciation for the architecture and design of Asia. This includes the use of bamboo in much of her furniture, as well as in the simple, natural look of her works.

Not adhering to a single style, Navone’s work reflects a range of influences. She is just as comfortable fashioning a simple, rustic footstool as she is creating an opulent pendant lamp. From her sofas and armchairs to the design of her table lamps and vases, the eclectic variation demonstrates her versatility and innovation.

Navone was born and raised in Turin, Italy. She studied architecture at Turin’s polytechnic school and graduated in 1973. Shortly after, she moved to Milan and entered the world of interior design and architecture. She also worked as a product designer, event organizer and teacher.

Throughout the 1980s, Navone was part of the Memphis Group — a collective of designers and architects who challenged the conventions of traditional design — and associated with such notable designers as Ettore Sottsass and Alessandro Mendini. She also belonged to the avant-garde design group Studio Alchimia, which shared many affiliations with the Memphis Group.

In 1983, Navone won the Osaka International Design Award and in 2000, she was named the AW Architektur Wohnen Designer of the Year. In 2011, she won the ELLE Decor International Design Award. In recent years, Navone has collaborated with Crate Barrel and clothing retailer Anthropologie and continues to work with companies across the architecture and design industries.

On 1stDibs, browse Paola Navone seating, lighting, tables and more.

Best known for its elegant and innovative vintage lighting fixtures, the Milan-based firm Fontana Arte pioneered one of the key features of 20th-century and contemporary Italian design: the union of artistry and industry wrought by partnerships between creative talents — chiefly architects — and entrepreneurial businesses. Fontana Arte is further distinguished by having had as artistic director, in succession, four of Italy’s most inventive modernist designers: Gio Ponti, Pietro Chiesa, French transplant Max Ingrand and Gae Aulenti.

The bread and butter of the glassmaking company that Luigi Fontana founded in 1881 was plate-glass panels for the construction industry. In 1930, Fontana met Ponti — then the artistic director of the Richard Ginori ceramics workshop and the editor of the influential magazine Domus — at a biannual design exhibition that became the precursor to today’s Milan Design Triennale, and the two hatched an idea for a furniture and housewares firm. Fontana Arte was incorporated in 1932 with Ponti as its chief of design. He contributed several lamps that remain among the company’s signature works, including the orb-atop-cone Bilia table lamp and the 0024 pendant — a stratified hanging sphere.

The following year, Fontana Arte partnered with the influential Milan studio glassmaker and retailer Pietro Chiesa, who took over as artistic director. Chiesa’s designs for lighting — as well as for tables and items including vases and ashtrays — express an appreciation for fluidity and simplicity of line, as seen in works such as his flute-shaped Luminator floor lamp and the 1932 Fontana table — an arched sheet of glass that is held in the permanent collection of the Museum of Modern Art.

Six years after Chiesa’s 1948 death, the École des Beaux Arts–trained Max Ingrand took over as head of design at Fontana Arte. Ingrand brought a similarly expressive formal sensibility to wares such as lamps and mirrors, but he also had a masterful eye for the manipulation of glass surfaces — whether they be cut, frosted, acid-etched or sand-blasted. His classic design is the Fontana table lamp of 1954, which has a truncated cone shade and curved body, both of which are made of pure, chic white-frosted glass.

Following Ingrand, the often-audacious Italian architect Gae Aulenti served as the company’s artistic director from 1979 to 1996, and while she generally insisted that furnishings take second place aesthetically to architecture, she made an exception for Fontana Arte pieces such as the Tavolo con Ruote series of glass coffee and dining tables on wheels, bold lighting pieces such as the Parola series and the Giova, a combination flower vase and table lamp. As a key incubator of modern design under Aulenti’s tenure, Fontana Arte remained true to its long-held commitment — creating objects that have never been less than daring.

Find vintage Fontana Arte lighting fixtures such as pendants, table lamps and more on 1stDibs.