Verner Panton Opal Glass "New Wave" Pendant for Holmegaard, 1984

Verner Panton introduced the word “groovy” — or at least its Danish equivalent — into the Scandinavian modern design lexicon. He developed fantastical, futuristic forms and embraced bright colors and new materials such as plastic, fabric-covered polyurethane foam and steel-wire framing for the creation of his chairs, sofas, floor lamps and other furnishings. And Panton’s ebullient Pop art sensibility made him an international design star of the 1960s and ’70s. This radical departure from classic Danish modernism, however, actually stemmed from his training under the greats of that design style.

Born on the largely rural Danish island of Funen, Panton studied architecture and engineering at Copenhagen’s Royal Danish Academy of Fine Arts, where the lighting designer Poul Henningsen was one of his teachers. After graduating, in 1951, Panton worked in the architectural office of Arne Jacobsen, and he became a close friend of Hans Wegner's.

Henningsen taught a scientific approach to design; Jacobsen was forever researching new materials; and Wegner, the leader in modern furniture design using traditional woodworking and joinery, encouraged experimental form.

Panton opened his own design office in 1955, issuing tubular steel chairs with woven seating. His iconoclastic aesthetic was announced with his 1958 Cone chair, modified a year later as the Heart Cone chair. Made of upholstered sheet metal and with a conical base in place of legs, the design shocked visitors to a furniture trade show in Copenhagen. 

Panton went on to successive bravura technical feats. His curving, stackable Panton chair, his most popular design, was the first chair to be made from a single piece of molded plastic.

Panton had been experimenting with ideas for chairs made of a single material since the late 1950s. He debuted his plastic seat for the public in the design magazine Mobilia in 1967 and then at the 1968 Cologne Furniture Fair. The designer’s S-Chair models 275 and 276, manufactured during the mid-1960s by August Sommer and distributed by the bentwood specialists at Gebrüder Thonet, were the first legless chairs crafted from a single piece of plywood.

Panton would spend the latter half of the 1960s and early ’70s developing all-encompassing room environments composed of sinuous and fluid-formed modular seating made of foam and metal wire. He also created a series of remarkable lighting designs, most notably his Fun chandeliers — introduced in 1964 and composed of scores of shimmering capiz-shell disks — and the Space Age VP Globe pendant light of 1969.

Panton’s designs are made to stand out and put an eye-catching exclamation point on even the most modern decor.

Find vintage Verner Panton chairs, magazine racks, rugs, table lamps and other furniture on 1stDibs.

Holmegaard has been creating quality glassware for almost two centuries. The legendary glassworks has collaborated with scores of celebrated designers over its long history, including Arne Jacobsen, Louise Campbell, Bodil Kjær and many others, with each artisan crafting vases, bottles and other serveware and decorative objects that are widely loved by collectors and art connoisseurs alike. Today Holmegaard is a powerhouse of functionalist modern Danish glass design.

Holmegaard Glassworks was the dream of Danish Count Christian Danneskiold-Samsøe, who petitioned the king of Denmark for permission to build a factory. Sadly, by the time permission was granted, the count had passed away, leaving his dowager, the Countess Henriette Danneskiold-Samsøe, to carry on her late husband’s dream in 1825. The factory was established in the town of Fensmark in the Holmegaard bog, where rich peat could be harvested and used to fuel the high-temperature kilns required to produce glass there.

The factory initially produced only simple mouth-blown green glass packaging bottles — the need was for glassware that was merely functional. It wasn’t until the 1920s that it made progress as a significant entity in the world of design. There was a fruitful partnership to create dinner glassware with the Royal Danish Porcelain Factory and glass artist Oluf Jensen. This was followed in 1925 by Holmegaard’s hiring Jacob Eiler Bang as the glassworks’ first in-house designer.

Bang was trained as an architect and was working on the Danish Pavilion at the International Exhibition of Modern Decorative and Industrial Arts — the fair that brought the Art Deco style to worldwide attention — when his efforts caught the attention of Holmegaard. Bang believed in the concept of making things that were “beautiful, strong, practical and cheap.” His seductive, functionalist designs for vases, decanters, bottles and other objects — guided by the theories that underpin Scandinavian modernism — garnered acclaim for both Bang and Holmegaard, and he became known as one of the fathers of functionalism in Danish glassware.

Holmegaard went on to work with Per Lütken, who created intricate objects that redefined the factory’s style and Danish glass design as a whole. Lütken produced over 3,000 pieces for the glassworks, including the revered Provence bowl, one of the pieces for which the glassworks is best known. The brand went on to work with other notable artists including Otto Brauer and Jacob Bang’s son, Michael Bang, whose Palet range, Fontaine wine glass range, and Mandarin lamps are among Holmegaard’s most iconic creations.

Today, Holmegaard Glassworks is owned by Rosendahl Design Group. It is Denmark’s largest manufacturer of glass in addition to being the oldest and most historic.

Find vintage Holmegaard sconces, vessels, decorative bowls, tableware and other pieces on 1stDibs.