Bernard Rooke Large Totem Brutalist Sculptural Studio Floor Lamp England C1970

Postmodern Italian height adjustable floor lamp by Arteluce - Model "Club 1195". The design attributed Pier Giuseppe Ramella. Circa 1985. The lamp has a powder coated metal circular...

Post Modern "Grip" floor lamp by Italian architect and designer Achille Castiglioni (1918-2002) for Flos. Labelled. Circa 1985. The lamp has a powder coated steel base, rising on an...

Large totem shaped double sided pottery table lamp. Circa 1970. The lamp has been re-wired with black white 3 core and a UK plug added. The cable length is 1.7 metres. The po...

A set of four Brutalist brass and solid oak candlesticks. Circa 1970. There are a few signs of use to the finish as expected with age and use, the brass having the original patina. ...

A monumental ceramic TOTEM floor lamp by Bernard Rooke, England, featuring two blue glass roundels. A beautiful sculptural piece, made up of ceramic elements in natural tones of te...

An organic and Brutalist style Floor Lamp with Dragon Fly and Leaf design. No chips or cracks. Easily rewired for all regions. Bernard Rooke (born 1938) is a British artist and studio potter. Rooke has exhibited his "Brutalist" ceramics and painting both in the UK and abroad with work in many collections both public and private including the Victoria and Albert Museum, Cleveland Museum of Art, Nuffield Foundation, Röhsska Museum in Sweden and the Trondheim Kunstmuseum in Norway. Bernard Rooke attended Ipswich School of Art studying painting and lithography before going on to study at Goldsmiths College of Art. It was while studying here that he decided to take up pottery. Although unfamiliar with this craft and tradition, he found that working with clay provided new opportunities for freedom of interpretation and creativity. In 1960 Rooke set up his first pottery in Forest Hill in South London along with Alan Wallwork. It was a very small room with enough space for a small electric kiln. He was initially using mainly hand building, coiling, blocking and slabbing techniques. While researching ideas, he was supporting himself by part-time lecturing at London University, Goldsmiths College and St Mary's College. In addition, Rooke's membership of 'The Craftsman Potters' Association' enabled him to show his work in a shop in Carnaby Street in London. In 1967, both the need for a larger working space and becoming disillusioned with living in London spurred Rooke into moving out of the city and to an old mill building in Swilland in Suffolk. Rooke wanted to widen the range of work so as to become more commercial. With the birth of his son, Aaron, and much needed work to be done on the mill, it was important to be able to make a living. In 1968, the Grand Metropolitan Hotel commissioned Rooke to make 120 standard lamps, 120 table lamps as well as a 24 foot long ceramic mural and another 9 foot high, which incorporated interior lighting. The money from the commission helped to pay for much needed restoration work on the mill. By the 1970s, a gallery space was opened in the windmill and run by Susan Rooke, Bernard's wife, selling work to locals and tourists as well as to American airmen based nearby. The vision for Mill Gallery was beginning to develop and alongside this a reputation was building bringing in a good source of income. Sons Aaron and Felix were becoming more involved with the running of the pottery, giving Bernard more time to develop new ideas and designs and more time to continue with his painting. In 2004, the Rooke family decided not to sell to the public through the gallery anymore and close the pottery to concentrate more on painting and printmaking. In 2017 Bernard's lighting was featured in the Exhibition: “Glass, Light, Paint & Clay” at the Peterborough Museum and Art Gallery. The exhibition featured four artists: Bernard Rooke, John Maltby...

Brutalist pottery lamp by Bernard Rooke. Stamped. Rewired.

Dramatic Brute ceramic floor lamp from the Studio of Bernard Rooke. One of England's Mid-Century master ceramicists. Interesting use of cast forms and a variety of glazes. A ...