Floorlamp in Enameled Metal and Stainless Steel by Oscar Torlasco for Lumi

Tobia Scarpa is a near-legendary figure in the world of design. Renowned for a wide range of creations—many developed in collaboration with his wife, Afra—his work occupies a prominent place in the history of Italian design. It comes as no surprise that Italian lighting manufacturer Flos has frequently enlisted Scarpa’s visionary talent throughout his career. Design One striking example of his avant-garde style is the Tamburo lamp. True to its name—tamburo meaning "drum" in Italian—the lamp features a bold, round, abstract form set at a 60-degree angle on a distinctive stem. Green rings are attached to both sides of the green frame using Allen bolts, creating a design that feels both futuristic and evocative of the Memphis movement—bold, unconventional, and defiant of norms. A matte plastic diffuser is fixed at the front by the dark green ring...

Curved like a drawn bow, this sculptural Italian floor lamp from the 1950s/60s captures the spirit of mid-century experimentation. Elegant in its silhouette and commanding in presenc...

A stylish floor lamp from 1970s Italy, attributed to Reggiani. This distinctive piece features two chrome stems with upward-facing shades, casting a gentle, ambient glow towards the ...

Floor lamp model 399 (from cornalux series) with structure in nickel-plated metal, lacquered metal and cast iron. The lamp bulb is adjustable in height achieved by a bracket that allows the lamp to be slid up and down the lamp stem. This lamp was designed by the Italian duo formed by Angelo Ostuni & Renato Forti and manufactured by O-Luce in 1958. Measurements: H 141 x Ø 24 diameter (base 20cm). Founded in 1945 by Giuseppe Ostuni, Oluce is the oldest Italian design company still operating in the lighting world, a unique production excellence which translates passionate aesthetic and technological research into the potential of light into actual form. Over the years, Oluce has succeeded in building a collection structured like a tale, rich and multifaceted, inhabited by products that transcend fashion to become Italian design icons. Its relationship with the design world begins In 1951, Oluce successfully took part in the IX Triennale, presenting – in the lighting section curated by Achille, Livio and Pier Giacomo Castiglioni – a Luminator designed by Franco Buzzi. As was typical at that time, the company instantly gained visibility on the international panorama thanks to Domus magazine. Major success was then reasserted by Tito Agnoli with nominations at the second edition of the Compasso d’Oro awards, in 1955, for his two lamps (the 363 floor lamp and a special bookshelf model). In 1956 these were followed in rapid succession by two more nominations: one for a remarkable table lamp in polyvinyl slats and another for a pendant lamp (mod. 4461) with double perspex shade. Then, there was the noteworthy 255/387 lamp (known as ”Agnoli”), a spot light supported...