Large Victorian Cast Metal Converted Gas Neoclassical Sculptural Floor Lamp

Beautiful vintage gilt metal and brass floor lamp in the style of Tommaso Barbi. Belgium, 1960s. Lamp sockets: 3 x E27 (US E26).    

A rare wooden sculptural floor lamp, hand-crafted and signed. Dedicated to the splendors of the sun and shade as is the title "Sol Y Sombra". This French mid-century sculptural flo...

Unique, Extraordinary Handmade Pair of French Mid-Century (1940s) Modern Neoclassical floor lamps, standing lamps or sculptures in hand-forged iron in the style of Alberto and Diego ...

The Paris based label has distinguished themselves since their launch, with their iconic use of shagreen mixed with brass and other exotic materials. All furniture is handcrafted by ...

The Paris based label has distinguished themselves since their launch, with their iconic use of shagreen mixed with brass and other exotic materials. All furniture is handcrafted by ...

This contemporary sculptural ceramic floor lamp has a trumpet shaped double-layered ceramic body in a matte pink glazed finish on a hand-...

Wonderful tripod floor lamp of gilt metal with yellow, green and red patina showing through the bronze colour. Represents a lotus flower or water lily, with a large tray-like leaf...

Italian postmodern Sculptures and floor lamps in metal, glass and marble, 2000s Pair of sculptures and floor lamps with a humanoid shape, in metal...

Large lighted geometric abstraction sculpture / floor lamp 'obscurite' by architect / artist / designer Raphael "Pangilinan in yellow pine, mylar and LED lights. Pieces can be commis...

A very fine pair of French 19th-20th century neoclassical style patinated cast iron figural torchères by A. Durenne, Paris, each representing a figure of a standing young maiden, her arms raised forward while holding a a flaming urn gas light (Now electrified) with a frosted glass flame, each raised on a veined grey marble column stand, both cast-signed 'A. Durenne, Paris'. Antoine Durenne was an internationally renowned French art founder. He attended École Nationale Supérieure des Beaux-Arts in 1842. Durenne purchased a small foundry in Sommevoire, near the Val d'Osne, Haute-Marne, France and established The Durenne firm, circa Paris, 1900. Cast-iron had been in production during the 18th century but its inferior status to the more fashionable and delicate wrought iron had generally confined its use to architectural work. By the early 19th century, however, rapid developments of the Industrial Revolution combined with the simultaneous burgeoning of a new middle class provided the impetus for a dramatic Expansion in its application and in a short space of time a proliferation of iron foundries across Europe and America thrived on the production of everything from inkstands to railway stations. The use of cast-iron for garden ornament became particularly widespread at this time, as the possibilities for its mass-production at a fraction of the cost of bronze made it the material of choice for outdoor statuary...