Pair of Tall Candelabra O Candelabrum, Neogothic Style, Wrought Iron, Spain

Pair of candlesticks. Bronze, 18th century. Pair of bronze candlesticks, which still maintain a strong influence of Spanish Baroque models, especially in the turned axis, with promin...

Two bronze candlesticks. Twentieth century. Two practically equal bronze candlesticks with a triangular base on legs (these with vegetal elements finished in claws holding balls) ...

Pair of candlesticks. Bronze (blued and gilt). France, circa 1800. A pair of six-light bronze candelabras, a type often called "tripod" due to their shape. A base with three projections, placed on inverted truncated pyramidal architectural elements and with reliefs and medallions on the exterior faces, serves as the base for three seated sphinxes made of burnished bronze with gilded tails. From their backs, three upward-facing rods emerge, each ending in children's heads with butterfly wings. These sphinxes are decorated with raised candelabras secured by an openwork band (note the spiraling bouquet inside). From the heads, a circular shape with projections emerges, on which the actual shaft of the candelabra rests, topped with a pomegranate on a floral arrangement. The arms of the candelabras, ending in lighters, feature delicate scrolls and rooster heads. Note the varying textures of the material and the great amount of detail present in the architectural, vegetal, and figurative elements. The design of these vase shaped candlesticks was enormously successful, and numerous variants with slight modifications were subsequently created, including sphinxes and goat heads. On April 16, 1787, François Rémond (c. 1747–1812) supplied Daguerre with eight “girandoles en trepied” (as they were often known in literature), identified by some experts as the eight candlesticks of this model purchased from Daguerre by George, Prince of Wales, later King George IV, for Carlton House. The largest, ten-light model with a vase and rooster heads, was created around 1786. A pair of this model is recorded in the 1836 Inventory of the Legendre de Lucay collection, and another pair is known to have been commissioned for Marie Antoinette's Salon des Nobles at Versailles. Compare this example with the griffin chandelier...

Pair of candelabras. Rouge Griotte marble, gilt bronze. France, possibly Napoleon III, 19th century. Pair of candelabras with seven lights each made of marble and mercury-gilded bro...

An unusual and gutsy pair of 19th century Italian Baroque style wrought iron torcheres or candelabra. With braided iron arms and legs, hand cut iron leaves and punch decorated shaft....

Pair of Monumental gilded cast iron glass light candelabras, each with five arms having scrolling decoration, raised up on circular stems with ring decoration terminating in shaped f...

A striking pair of antique wrought iron five-light candelabra floor stands, showcasing a beautifully aged blackened finish. These stately candleholders feature twisted iron detailing...

Made from hand wrought iron and repurposed antique elements, this pair of French candelabra lamps has a total of six sockets and a total height ...