Asian Lighting

A circa 1900 etched copper Chinese lamp with patinated finish. Measurements: Height of body: 12" Height to shade rest: 21" Diameter: 6.5" (base)

This exquisite pair of vintage Chinoiserie table lamps is a vibrant celebration of mid-century artisanal craft and maximalist glamour. Each lamp features a baluster-style ceramic bod...

A beautiful pair of lamps featuring exquisite Sang de Boeuf glaze—a deep, rich red developed through a complex reduction firing process, celebrated as one of the most prized monochro...

A Pair of 19th century Japanese Meiji Bronze Champleve and Cloisonne Enameled Vases Mounted as Lamps. Very rare pair. 8" x 8" x Adjustable height 21" to 24"H.

Fabulous pair of early 20th century hardstone Chinese figural lamps. The finials are jade and come with the original silk shades. They measure 12 1/2 inches high with the base and 11...

Antique Mughal Rajasthan India, bronze temple oil lamp. Oil lamp with 4 wick burners. Fantastic patina and great scale. Used for sacred ceremonies in...

THIS ITEM IS ELIGIBLE FOR FREE SHIPPING! A sleek stemlite table lamp made by Design Line. It features a cast aluminum main base in a conical form. The lamp base is finished in a cla...

Extra-large vintage table lamp features sculptural urn shaped bronze body with elongated graphic neck that gives it a baluster silhouette. The lamp is decorated with enameled cloiso...

Vintage Aladdin style handmade red ceramic Turkish oil lamp, hurricane oil lamp lantern. This oil lamp has a pottery base that evokes an Aladdin's Lam...

This very special Japanese Satsuma Moriage lamp has beautiful colors and a wonderful presence. The repetition of the hand-painted pattern allows...

We present to you an exceptional piece of art, a sculptural bronze lamp dating from the mid-20th century, which majestically combines traditional Thai craftsmanship with a mythologic...

Cube M - outdoor lighting by Bentu Design Concrete Measures: 120 × 120 × H 350mm 7.6kg Light source: AC Led 295lm 3000K AC 110-240V 50-60Hz 3W IP67 Cord: 1m black Bentu De...

The Wall Light No. 001 has a free-form design; the wood bends and curves with beautiful flows to create the design. The handcrafted details on the piece such as the curves, varying t...

This is a lovely pair of large scale Chinese export style jar form table lamps. They are ceramic with a bright marigold cradle finish. The pair are in working order.

Antique Chinese table lamp made from a porcelain vase mounted with wood and brass hardware as a lamp, with an alum red Taishi Shaoshi lion d...

- Vintage Industrial lamp from the 1960s - Made in former Soviet Union - Silver cast aluminium iron top - Iron grid - Stripped glass cover - The socket requires E 27/ E26 ligh...

Out of the ordinary modern organic driftwood table lamp with LED lightbulb ball. This contemporary table lamp was artfully designed by the arti...

THIS ITEM IS ELIGIBLE FOR FREE SHIPPING! A sleek stemlite table lamp made by Design Line. It features a cast aluminum main base in a sculptural tulip form. The lamp base is finished...

Exotic Anglo-Indian Patinated Repoused Brass Oil Lamp with Alligator Handles, Now Electrified  An exquisite Exotic Anglo-Indian Patinated Repoussé Brass Oil Lamp, now electrified. M...

1920s Asian painted porcelain cylindrical lamp 7 x 7 x 22.75 to top of socket 29.25 to top of harp

Contemporary 'Flip' Floor lamp by Sebastian Herkner x AGO Lighting, Ash Materials: - Aluminum - Vegan leather Dimensions: H. 140,5 cm x 26 cm x 24 cm Light Source: E12 Watt: Max ...

Mid-Century Toucan table lamp by H. T. Huang, 1980’s

These colorful 19thc hand-painted porcelain vases have been converted into lamps with decorative scrolled teak bases and custom shades. Each vase features a different delicately pain...

Table Lamp Firenze with base in solid brass in antique gold finish. With black shade included. With 1 bulb, lamp holder type E27, max 40 watt. Bulb not included.

A rare, large antique Chinese famille rose porcelain baluster vase lamp. Measures: 30" height x 18" diameter with the shade. Chinese Famille Rose porcelain vases converted to ta...

Vintage Rabbit Tanaka Corp Halogen Floor Lamp Japan Memphis design home Japan space age design mid century atomic design Table lamp Rabbit Tanaka desk...

Chinese covered and footed rice box of bamboo with a sewn joint attachment, converted for use as a lamp. The surface retains its original lacquer finish and is mounted on a Chinese t...

A single circa 1940's Chinese porcelain table lamp with gilt and floral decoration. Measurements: Height of body: 22" Widest point: ...

A Pagoda Style Japanese Lantern which is lit with electricity. The gilt metal framework is well patinated and indicative of older version of a candle lit lantern. The shape and lig...

Collaboration art piece for Bangkok Design Week 2022 Ango + Krit Phutpim (Design director/ co-founder Dots studio) Forms found in nature such as the hexagonal structure of the hone...

A beautiful large antique Chinese carved fluorite lamp on a bronze base with a custom "Pagoda" shade in red silk and vintage metallic trim. Newly re-wired with a gold silk cord. The ...

Vintage industrial light made in former Soviet Union during the 1970s.It features a white porcelain body and a ribbed glass cover. The socket requires E27/ E26 light bulbs. New wire....

A wonderful quality and unusual colour pair of 19th Century Chinese Rose medallion porcelain vases / lamps. Having this rare yellow ground with the classical Cantonese floral decorat...

THIS ITEM IS ELIGIBLE FOR FREE SHIPPING! A sleek stemlite table lamp made by Design Line. It features a cast aluminum main base in a sculptural tulip form. The lamp base is finished...

SEE THIS AND OUR GARDEN ART EXHIBITION IN NEWPORT, RHODE ISLAND UNTIL OCTOBER 10, 2022 Light house lovers delight. Original hand painted colors of red, white, and blue This unusua...

Circa 1900-1920 Japanese vase now mounted as a lamp. Antique cobalt & orange floral reserve porcelain vase made for the Western market, mounted as a lamp in the mid-20th century. Som...

Pair of antique (19th century) Chinese export porcelain vases in the Famille Rose style, later mounted as table lamps.

Mushroom lamp designed by h220430, Satoshi Itasaka. This work's theme is nuclear. We human being treats this difficult materials for electric energy or weapon. This woks tell us su...

Exceptional stain and textured glass table lamp, made by worldwide known Stain glass artist Shimala Peleg. Handmade masterpiece that will bring wa...

Wonderful pair of mid century Chinese Abacus Lamps made in Honk Kong.

Antique Chinese brass and enamel lamp with carnelian and turquoise stones on a carved wood base. Shown with an off-white linen 12” diameter mo...

Chinese Export Prunus Vase, Now as a Lamp Early 20th Century, China Dimensions: Height: 24 in Diameter: 7 in Bring home this beautifully crafted Chinese E...

Combining elements of the past and the future, this wall lamp displays a unique fusion of Space Age and Art Deco styles. Made with organic rattan, its curved layers create a gentle, ...

Boho Chic Rattan Floor Lamp offers sculptural bohemian elegance and organic warmth, a versatile statement piece for refined interiors. We sell items as acquired, without restorin...

THIS ITEM IS ELIGIBLE FOR FREE SHIPPING! A sleek stemlite table lamp made by Design Line. It features a cast aluminum main base in a conical form. The lamp base is finished in a cla...

Made in the 20th Century, these charming foo dog table lamps consist of blanc de chine bodies on wooden bases. They are newly rewired and equipped with double bulb sockets with metal...

The lamps are early Thomas Britt design. Made for him in India in the early 70s. Bamboo like shape of the vertical, 1”D. The overall height is 58”. The lampshade is 12”D at the botto...

Kangxi style powder blue vase lamp. Rich powder blue vase drilled for electric with vintage Chinese style mounts. Newly electrified with black silk cord, ...

Large powder blue and gilt Kangxi lamp Large Kangxi style vase previously drilled and with custom Oriental motif bronze mounts fitted for electricity with...

THIS ITEM IS ELIGIBLE FOR FREE SHIPPING! A sleek stemlite table lamp made by Design Line. It features a cast aluminum main base in a conical form. The lamp base is finished in a cla...

Industrial wall light made in former Soviet Union during the 1970s. It features a grey metal body and a frosted glass cover. The porcelain sockets requires E 27/E 26 light bulbs. New...

Pair of exceptional and finely carved busts of a man and a woman in traditional Indonesian head scarves. Both busts were carved by the same hand, in Klung...

A circa 1900's Persian pierced light fixture with 4 candelabra interior lights. Measurements: Height: 23" Diameter: 18.5".

Elegant Chinoiserie Ceramic Lamp, probably Chinese, circa 1940s or earlier. It has been rewired and is ready to use. The lamp shade is NOT included. The height with the shade is 32"....

"D" by Bentu Design Wall lamp or sconce. Outdoor lighting. Three sizes available. Concrete Sizes 8.2 × 8.2 × 6 cm 8.2 × 8.2 × 16 cm 8.2 × 8.2 × 26 ...

Jewel One by Ango is a sculptural handcrafted floor lamp that merges jewellery-like craftsmanship with architectural presence. Formed through hand-welding and finished with tradition...

Contemporary Japanese style floor light. Rather sculpture than lighting. Made of rusted steel, ceramic, and wood. Base is metal. Ivory part is ceramic in Japanese traditional style. Top twin panels...

Full Moon by Ango is a sculptural handcrafted pendant light created from carefully hand-selected natural silk cocoons. Designed as part of Ango’s Moon Series, the piece is conceived ...

A circa 1920s etched and polychromed middle eastern metal table lamp. Measurements: Height of body: 17" Height to shade rest: 26" Diameter: 7".

A fine Pair of 19th century Japanese Imari Porcelain and French Gilt-Bronze Mounted Thirteen-Light Celadon Torchere Candelabra. The bottle-shaped Japonisme vases with a Royal red background, decorated with parcel-gilt and black soaring eagles in the hunt within a forestall scene. Each Vase fitted and surmounted with a French 19th century Louis XV Style 13-Light scrolled candelabrum and all raised on a circular pierced gilt-bronze plinth. circa: 1880. Imari Porcelain (????) is the name for Japanese porcelain wares made in the town of Arita, in the former Hizen Province, northwestern Kyushu. They were exported to Europe extensively from the port of Imari, Saga, between the second half of the 17th century and the first half of the 18th century. The Japanese as well as Europeans called them Imari. In Japanese, these porcelains are also known as Arita-yaki (???). Imari or Arita porcelain has been continously produced up through the present day. Characteristics Though there are many types of Imari, Westerners' conception of Imari in the popular sense is associated only with a type of Imari produced and exported in large quantity in mid-17th century. This type is called Kinrande. Kinrande Imari is colored porcelain with cobalt blue underglaze and red and gold overglaze. The color combination was not seen in China at that time. Traditional Ming dynasty color porcelain used dominantly red and green, probably due to scarcity of gold in China, whereas gold was abundant in Japan in those days. The subject matter of Imari is diverse, ranging from foliage and flowers to people, scenery and abstractions. Some Imari design structures such as kraak style were adopted from China, but most designs were uniquely Japanese owing to the rich Japanese tradition of paintings and costume design. The porcelain has a gritty texture on the bases, where it is not covered by glaze. There is also blue and white Imari. Kakiemon style Imari is another type of Imari, but it tends to be categorized separately in Europe. History "Imari" was simply the trans-shipment port for Arita wares. It was the kilns at Arita which formed the heart of the Japanese porcelain industry. Arita's kilns were set up in the 17th century, when kaolin was discovered in 1616 by the immigrant Korean potter, Yi Sam-pyeong (1579–1655). (He may also be known by the name, "Kanage Sambei".) Yi Sam-Pyeong, along with his extended family of 180 persons, left Korea on the offer of a privileged position in Japan. This decision was made after the occurrence of certain Japanese invasions of Korea. After Yi Sam-Pyeong's discovery, his kilns began to produce revised Korean-style blue and white porcelains, known as "Shoki-Imari". In the mid-17th century there were also a lot of Chinese refugees in Northern Kyushu due to the turmoil on Chinese continent, and it is said one of them brought coloring technique to Arita. Thus Shoki-Imari developed into Ko-KutaniImari. Ko-Kutani was produced around 1650 for both export and domestic market. Blue and white porcelain continued to be produced and they are called Ai-Kutani. Ko-Kutani Imari for the export market usually adopted Chinese design structure such as kraak style, whereas Ai-Kutani for the domestic market were highly unique in design and are accordingly valued very much among collectors. Ko-Kutani style evolved into Kakiemon style Imari, which was produced for about 50 years around 1700. Imari achieved its technical and aesthetic peak in Kakiemon style, and it dominated European market. Blue and white Kakiemon is called Ai-Kakiemon. Kakiemon style transformed into Kinrande in the 18th century. Kinrande used blue underglaze and red and gold overglaze, and later some other colors. Imari began to be exported to Europe because the Chinese kilns at Ching-te-Chen were damaged in the political chaos and the new Qing dynasty government stopped trade in 1656–1684. Exports to Europe were made through the Dutch East India Company, but the designation "Imari Porcelain" in Europe connotes Arita wares of mostly Kinrande Imari. Export of Imari to Europe stopped in mid-18th century when China began export to Europe again, since Imari was not able to compete against China due to high labor cost. By that time, however, both Imari and Kakiemon style were already so popular among Europeans, Chinese export porcelain copied both Imari and Kakiemon style, which is called Chinese Imari. At the same time, European kilns, such as Meisen also tried to copy Imari and Kakiemon. Export of Imari surged again in late 19th century (Meiji era) when Japonism flourished in Europe. Thus in western world today, two kinds of Imari can...