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1963 Serie of 4 Dallux Sconces Attributed to Serge Mouille Brass Glass St Gobain
$21,309.54List Priceper set
About the Item
- Attributed to:Editions Serge Mouille (Manufacturer)
- Dimensions:Height: 20.08 in (51 cm)Width: 7.49 in (19 cm)Depth: 4.34 in (11 cm)
- Sold As:Set of 2
- Voltage:220-240v
- Style:Modern (Of the Period)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:1960
- Condition:Wear consistent with age and use.
- Seller Location:Paris, FR
- Reference Number:1stDibs: LU1013037548772
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Instantly recognizable by their long slender armatures and domed, ovoid shades, the best-known floor lamps and other lighting fixtures of Serge Mouille have become emblems of the organic design of the mid-20th century. Along with Jean Prouvé, Mathieu Matégot and others, Mouille brought a fresh, modern aesthetic to metalwork, one of the most tradition-bound mediums in the decorative arts.
Mouille (pronounced: MWEE) was born to a working Parisian family. At age 15, he took up studies in the metalworking atelier of that École des Arts Appliqués, under the tutelage of the goldsmith and sculptor Gabriel Lacroix. After graduating, in 1941, Mouille worked in Lacroix’s studio and began teaching at his alma mater four years later.
In the early 1950s, bothered by the preponderance of new Italian lamps and chandeliers on the market and consumed with the belief that fixtures by Gino Sarfatti and others were unnecessarily complex, Mouille opened a lighting-design workshop. He quickly won commissions from several French schools and libraries. In 1956, the influential Paris gallerist Steph Simon — who also promoted Prouvé, Charlotte Perriand and Isamu Noguchi — began to show Mouille designs, introducing his work to private collectors. Mouille would continue making handcrafted lighting fixtures at a slow but steady pace until 1964, when he stopped working to begin a long course of treatment for tuberculosis. When it was completed, Mouille returned to teaching at the École des Arts Appliqués for the remainder of his career.
With the biomorphic shades and long armatures of his fixtures, Mouille created one of the most engaging and idiosyncratic lighting aesthetics of his time. Though often described as “insect-like,” his pieces have more in common with the fluid, buoyant forms in the paintings of Jean Arp. (Mouille designed several cylindrical or columnar lamps; though highly collectible, those are interesting outliers in his body of work.)
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