Andre Dubreuil Pair of Lacrima Wall Appliqués by Daume

Artist and furniture creator André Dubreuil rejected the label "designer” and dismissed the notion of form over function. He’s on record as having said, "if we were merely functionalists we would still be sitting on rocks." Dubreuil's passion was to catch a person's attention and hold it — he did that with outwardly sculptural chairs, wrought iron tables and other furnishings. 

Though his works serve their intended function quite well, Dubreuil intentionally masked their purpose in favor of producing pieces that bring delight to the beholder — as exemplified in his Spine chair, created in 1986. Arabesque lines bring form to his work by way of an almost lace-like structure in slender, curving metal table frames and chair legs. It's art that bears a resemblance to furniture. 

Originally from Lyon, France, Dubreuil came from a wealthy pharmaceutical and medical research family. He had a classical upbringing, surrounded by ornate furniture and lavish decor, and so became accustomed to the finer things in life.

As a teenager, he moved to London to study drawing and drafting at the Inchbald School of Design. Dubreuil became a painter and worked as an antiques dealer before he fell in love with decorating. In 1981, he opened a workshop — alongside three colleagues, including British furniture designer Tom Dixon — creating decorative furniture from salvaged pieces of scrap metal and automotive parts. 

Dubreuil drew on the work of French cabinetmaker André-Charles Boulle and Louis XV-era furnishings as well as French Art Deco and Emilé-Jacques Ruhlmann. He eventually produced a body of work in patinated steel, copper, marble and colored glass for clients including Louis Vuitton and Chanel that would be just as much at home in an art gallery as it would be in a parlor or dining room.

Dubreuil passed away in 2022, leaving behind a magnificent array of furnishings that invite admiration and uplift any space.

Find vintage André Dubreuil tables, seating and lighting on 1stDibs.

For collectors, Daum is a name in the first rank of the French makers of art glass, along with those of Émile Gallé and René Lalique. Led in its early decades by the brothers Auguste (1853–1909) and Antonin Daum (1864–1931), the company, based in the city of Nancy, established its reputation in the Art Nouveau period, and later successfully adopted the Art Deco style.

In 1878, lawyer Jean Daum took over the ownership of a glassworks as payment for a debt and installed his sons as proprietors. Initially, Daum made glass for everyday purposes such as windows, watches and tableware, but the success that Gallé enjoyed at the 1889 Universal Exposition in Paris — the international showcase for which the Eiffel Tower was built — inspired the Daum brothers to begin making art-glass pieces. They produced popular works of cameo glass, a decorative technique in which an outer layer of glass is acid-etched or carved off to reveal the layer below, but Daum became best known for vessels and sculptures in pâte de verre — a painstaking method in which finely ground colored glass is mixed with a binder, placed in a mold and then fired in a kiln. 

Though early Daum glass was never signed by individual artists, the firm employed some of the masters of the naturalistic, asymmetrical Art Nouveau style, including Jacques Grüber, Henri Bergé and Amalric Walter (whose first name is frequently misspelled). Daum also collaborated with furniture and metalware designer Louis Majorelle, who created wrought-iron and brass mounts for vases and table lamps. In the 1960s, Daum commissioned fine artists, most notably Salvador Dalí and sculptor César Baldaccini, to design glass pieces. As you see from the works offered on 1stDibs, Daum has been home to an astonishingly rich roster of creative spirits and is today a state-owned enterprise making pâte de verre figurines.