Hans Agne Jakobsson Brass Wall Lamp, Midcentury from Sweden

This is a set of 2 wall lamps in patinated copper by Swedish lighting master Hans-Agne Jakobsson. They have a unique patina which is the result of time and use for almost 70 years. M...

Rare pair pine wall lamps. They provide a warm atmosphere and even better when lighted. Made of thin stripes of pine delicately nailed with a brass nail to the massive pine frame. Mi...

One of most influant Danish architect of the early 1900. Brass wall lamp that can be used down or ud and even on the side. Large reflector with a long arm. Elegant, minimal and classical at the same time. A true master piece produced by lighting manufacturer Fog & Morup in Denmark. _____________________________________________________________ Niels August Theodor Kaj Gottlob, usually known as Kaj Gottlob, (9 November 1887 – 12 May 1976) was a Danish architect who contributed much to Neoclassicism and Functionalism both as professor of the School of Architects at the Royal Danish Academy of Fine Arts and as a royal building inspector. After qualifying from Borgerdyd School in 1905, Gottlob attended the Technical School (1905-1908) and the Royal Academy, graduating as an architect in 1914. At the time, he was one of the young neoclassicists who used to meet at the Free Architecture Society (Den fri Architektforening). He taught at the Technical School (1915–17) and was an assistant at the Royal Academy's Building School (1917–24). Between 1912 and 1923, he travelled to Greece, London, North Africa, Italy, Paris and Vienna. After first working as an assistant at the Academy's School of Architecture in 1917, he was appointed professor in 1924. In 1936, he succeeded Kristoffer Varming as royal building inspector and, in 1938, gave up his post as professor at the Academy. As a young man, Gottlob showed interest in classical architecture, influenced in part by the English Arts and Crafts movement. Works in the 1920s include a residence at 45 Dalgas Boulevard (1924) and St Luke's Church in Århus (1926). But like his peers, he soon turned to Nordic Neoclassicism, appreciating its sober, contemporary style. This can be seen in his Danish Student Hostel in Paris, completed in 1929. Though it was hardly international modernism, it was something of a breakthrough for Scandinavia. In designing Ørstedhus in 1934, Gottlob maintained some of the classical ideals, especially with the symmetry and hierarchical form of the facade. Standing on the corner...

Nice set of 3 pine and copper wall lamps. They provide a warm atmosphere and even better when lighted. Made of thin stripes of pine delicately nailed with a brass nail to the copper plate that is the back and sides. Minimal details. When can get more upon request. ______________________________________________________________ Hans-Agne Jakobsson naît à Hvadhem sur l’île de Gotland en Suède. Menuisier de formation, il poursuit à Göteborg des études d’architecture qui lui permettent d’intégrer le département de design industriel au sein de General Motors. Très vite, sa passion du bois le rattrape et il s’oriente alors vers des créations plus artisanales. Il devient ainsi le collaborateur de designers célèbres tels que Carl Malmsten ou le très radical Werner West. De ces années d’apprentissage naît une profonde passion pour la lumière, la subtilité et la magie de l’éclairage. Installé dès 1950 à Markaryd dans le sud de la Suède, il propose ses créations dans sa boutique du centre-ville. L’anecdote raconte qu’un soir de Noël, trouvant son espace trop sombre, il crée dans l’urgence une suspension en pin. Son succès est tel qu’il décide de fonder en 1951 sa propre entreprise Hans-Agne Jakobsson A/B. La région de Markaryd est une région bordée de lacs et de bois sombres. Jakobsson ne s’inspire pas directement de la nature mais de l’atmosphère si particulière qui se dégage de ces paysages, où la lumière semble être en conflit perpétuel avec la nuit. Influencé par le modernisme, il s’intéresse également très tôt aux nouveaux matériaux qui apparaissent dans les années 1950. Le laiton le passionne tout particulièrement. Il l’associe naturellement au verre pour créer des modèles dont les plus monumentaux orneront les bâtiments publics, les salles de concert ou les églises. Il n’oublie pas pour autant les intérieurs de ses contemporains et crée de nombreuses lampes, lampadaires ou appliques n’ayant pour frontières que les limites de son imagination. Viendront au milieu des années 1960 les modèles en laiton et fils de soie qui connaissent un immense succès et propulsent Jakobsson parmi les créateurs les plus influents de sa génération. Le travail d’un autre grand créateur, le danois...

Wall lamp model V-361 designed by Hans-Agne Jakobsson. Produced by Hans-Agne Jakobsson in Markaryd, Sweden.

Svend Aage Holm Sørensen (1913-2004) was a Danish industrial designer and architect educated from he Royal Danish Academy of Fine Arts in Copenhagen, who made significant contributi...

Brass Sconce with a Golden Brown Glass shade made by Hans-Agne Jakobsson in the 1960s. A classic piece for a beautiful home. * Brass wall lamp with golden-brown glass shade * Desig...

Single Sconce by Hans Bergstrom for Ateljé Lyktan. Designed and manufactured in Sweden, circa 1960's. Copper, Rewired for U.S. standar...