Cuma Table Lamp by Ugo La Pietra for Artemide / VeArt, Italy 1993

Very rare Cuma table lamp by Ugo La Pietra for Artemide/VeArt. This collaboration is due to Artemide acquiring the Venetian company one year prior. Each glass component is blown or m...

A pair of Murano glass vases-lamp prototypes by Ugo La Pietra for Poggi.

Ugo La Pietra original prototype of "Triangolo", 1966. A study on transparency and color shades, a geometric representation of the visual experimentation generated during the Italia...

'Prototype' Floor Lamp by Ugo La Pietra for Banci (IT, circa 1980s) Dual copper cone lamp shade. Top cone can be lifted by handle to orient the light projection. Black powder-coated...

Large scale glass table lamp by VeArt, Italy. The lamp features a single-piece construction with a rounded base and flared shade form in glossy opaque glass. When illuminated, the gl...

This table lamp, designed by Ernesto Gismondi for Artemide in Italy during the 1970s, is a fine example of mid-century modern lighting design. It showcases the designer’s signature b...

'Ecate' table lamp by Toni Cordero for Artemide. Designed and manufactured in Italy, circa 1990. A stone-like, cast-bronze base and conical stem with both brass and steel chain-mai...

VeArt is a Murano Workshop which designed and produced Glass artefacts. The present lamp is made of white opaline glass. It has three on positions, bottom, top, and both on. The bas...

An exquisite sgraffito lamp by renowned Italian designer Ugo Zaccagnini, featuring a beautifully crafted shade composed of evenly spaced walnut dowels that create an elegant interpla...

A beautifully proportioned and sculptural table lamp by Ugo Zaccagnini, featuring a soft robin’s egg blue crackled glaze with subtle tonal variation and surface depth. The gentle craquelure enhances the organic curves of the ceramic body, lending the lamp a tactile quality and a sense of quiet movement. The original rosewood cap and base provide a rich material contrast—dark, refined, and architectural against the delicate surface of the glaze. This interplay of texture and tone reflects the studio’s deep sensitivity to form and finish. Zaccagnini, one of Italy’s most respected 20th-century ceramicists, worked at the intersection of tradition and modernity. Known for his sculptural forms and refined glazes, his work was widely exhibited and retailed through top galleries and luxury decorators in postwar Europe and the United States. This lamp’s silhouette is bold yet fluid—equally at home in a richly layered interior or a clean-lined, organic modernist space. The cool, pale blue makes it a versatile design element: it can act as a subtle pop of color in a neutral room, or as a cool, calming contrast against deeper hues and dark woods. Designers such as Gio Ponti, Billy Baldwin, or Kalef Alaton...