Cupid God of Love Angel Art Nouveau Lamp by Auguste Moreau

Elegant and beautiful French tall table lamp with two seductive female musical women figures on the waves of the base. Each woman holds a musical instrument such as a harp, in her ha...

Antique French Art Nouveau Auguste Moreau "La Musique" Spelter Metal Gold Figural Table Lamp on Round Wooden Base with Tag. Circa Late 19th Century. Measurements: 38" H x 15" W x 6" ...

After Auguste Moreau (French, 1834-1917) Patinated Bronze and Leadlight Cherub Table Lamp, after a model by Auguste Moreau, signed to the base "Aug Moreau" and "Collection Francaise/...

A stunning antique Art Nouveau period table lamp in painted cast spelter. This design is by L & F Moreau, it dates from around the 1900-1920’s. The quality i...

This is an Auguste Moreau bronze sculpture of a gypsy lamp. It depicts a naked upper chest young lady and barefoot in the grass who is holding ...

Elegant and beautiful table lamp, Made in France, circa 1900 in cast metal with patinated original bronze finish. The lamp has been freshly rewired sitting on a solid mahogany base i...

A large, splendid Auguste Moreau signed table lamp. Cold painted. Depicts two young ladies picking apples, with a basket of apples at the base. Has the Collection Francaise Foundry c...

Antique TABLE LAMP Brass, Large Decorative Lamp Figural Art Nouveau "Monumental Antique German Art Nouveau Auguste Moreau garniture clock set Large figural table lamp on a round base...

Pair of silverplated Art Nouveau lamps. The vines ends in 2 flowers that are the shades of the lamp. Signed Christofle. Austria, CIRCA 1910.

Art Nouveau desk lamp, circa 1905. Brass and copper frame. Rare iridescent glass shade signed Quezal. Electrified and in very good condition. Height: 60.5 cm Width: 21 cm Depth: 35 cm Weight: 2.6 kg Quezal Art Glass Quezal Art Glass – The Journal of Antiques and Collectibles – April 2003 By Malcolm Mac Neil Some of the most beautiful and alluring art glass made in America during the early part of the 20th Century was made by the Quezal Art Glass and Decorating Company. Often in the shape of blossoming lilies with brilliant gold interiors and colorfully decorated with floral and other motifs inspired by nature, Quezal art glass ranks right alongside the iridescent glass of Louis Comfort Tiffany and Frederick Carder. Quezal artisans created an extensive range of decorative and useful items, including vases, compotes, finger bowls, open salts, candle holders, and shades for lighting fixtures, which are equivalent in terms of beauty and quality of craftsmanship to Tiffany’s Favrile and Carder’s Aurene glass. In recent years, glass collectors have discovered anew the special charms and appeal of Quezal art glass, and collector desirability for this lovely glassware has increased dramatically. The Quezal Art Glass and Decorating Company was incorporated a century ago, on March 27, 1902. It was founded by Martin Bach, Sr., Thomas Johnson, Nicholas Bach, Lena Scholtz, and Adolph Demuth. The factory was located on the corner of Fresh Pond Road and Metropolitan Avenue in Maspeth, Queens, New York. In October 1902, the trademark “Quezal” was successfully registered. By 1904, roughly fifty glassworkers were employed at the works. Martin Bach, Sr. was the president, proprietor, and guiding force behind this successful company. Born in 1862 in Alsace-Lorraine to German parents, he emigrated to the United States in 1891. Before his emigration, Bach worked in Saint-Louis, France, at the Saint-Louis Glass Factory. After Bach arrived in this country, he was hired by Louis C. Tiffany as the latter’s first batch-mixer or chemist at the newly established Tiffany Glass and Decorating Company, in Corona, Queens. After a period of about eight years, Bach left Tiffany and established his own glassworks. By this time, Bach had already started his small family. He and his German-born wife, Anne-Marie Geisser, whom he married in the fall of 1889, in Paris, France, had three children. Two daughters, Jennie and Louise, were born in France and a son, Martin, Jr., was born in Corona. Bach was assisted by Thomas Johnson, an English immigrant, and Maurice Kelly, a native of Corona, both of whom were gaffers or master glassblowers. Johnson and Kelly helped pave the way for Quezal’s early accomplishments and later recognition. Thomas Johnson, like Bach, was a founding member and also previously employed by Louis C. Tiffany. Johnson’s association with Quezal, however, was relatively short lived. Around 1907, Johnson left for Somerville, Massachusetts, where he became involved in making Kew Blas...