Large Alabaster Sculptural Lighthouse Lamp

Beautifully carved alabaster marble lamp that is striking and beautiful. This lamp is composed of a marble body and a marble shade and together stand not ...

This antique hand-carved alabaster sculpture of lamp is unsigned, but being attributed to Umberto Stiaccini of Italy and dates to approximately 1890 and done in a Neoclassical Reviva...

Sculptural modern lamp, believed to be Italian, circa 1960s. It has been rewired and is ready to use. The lamp shade is not included.

Pair of sculptural white lamps, in the manner of Diego Giacometti, probably American, circa 1950s. They have been rewired and are ready to use. The pr...

Brutalist sculptural lamp with gilt surface. Angelic in shape and elegant in movement this sculpture is united with illumination. Heavy gilded sculptur...

Italian Design Horse Porcelain Sculpture with Brass table Lamp. Ceramic sculptural Italian Design style horse Bust, supported on brass stand on a black base, with brass double light ...

Austrian bronze Orientalist sculptural lamp Austrian, c. 1910 Height 19cm, width 11cm, depth 7cm The impressive cold-painted bronze lamp is expressive of the taste that prevaile...

Sculptural enlightened table lamp, Maximilian Michaelis Title: The elusive nature of perception, No. 03 Measures: ca. 14 x 50 x 27 cm Material: polished stainless steel, Bel...

Beautiful antique wood table light. Germany, 1900 Lampsocket: E27 (US: E26)

organic form sculptural glazed ceramic lamp by Arpad Rosti. Dark blue-green and grey in color. Best known for his remarkably inventive lamps, trays and vessels designed in organic, free form shapes, Arpad Rosti was a highly versatile artist, equally at home in both the ceramics and enameling fields. While most of his work was done in either clay or metal, in the late 1940s he also ventured into furniture design when he produced a group of tables in treated wood, mosaic, copper, and glass. His one-of-a-kind furniture was exhibited in 1949 at the Chinese Gallery in New York and written up in the New York Times. As further evidence of his wide-ranging talents, in 1972 he was commissioned to produce a stained glass window for a residence in North Caldwell, New Jersey which New York Times critic Joan Cook described as “a miracle of color and light.” Born in Subotica, Yugoslavia in 1909, Rosti studied architecture at the School of Industrial Arts in Budapest. In 1940, he moved with his wife Ilona to the United States and settled in New York where he became a naturalized citizen in 1945. In 1947 his work was featured in an exhibition organized by the Craftsmen’s Equity and presented at the Barbizon-Plaza Galleries in New York. The organization, of which he was President, aimed to “put craft on a business basis without sacrificing the individuality inherent in handmade articles.” Throughout the 1950s Rosti’s work was regularly chosen for the prestigious National Ceramic Exhibitions at the Syracuse Museum of Fine Arts (now known as the Everson Museum). It was included in seven of these exhibitions between 1946 and 1958 and in 1947 Rosti’s work was singled out by the New York Times critic Edward Alden...