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Maison Baguès, “Urn with Flowers”Lamp circa 1950
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£1,989.98
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€2,250
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CHF 2,138.04
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About the Item
Maison Baguès,
“Urn with Flowers”Lamp circa 1950
French Glass
Gilt Metal «Vase of Flowers» two-lights Table Lamp
Designed as a both faces crystal vase which crystal leaves and flowers on a gilt-metal stem
Since the 1860s, the renowned French luxury lighting atelier Maison Baguès has been pro-ducing pieces that are highly valued across the world. Each piece is hand assembled, using traditional techniques.
Depending on the source you consult, French luxury lighting atelier Maison Baguès was launched in Paris in 1860, or in Auvergne in 1840. Still active today, the brand remains an exemplar of French design savoir-faire.
Under founding metalsmith Nöel Baguès’s direction, Maison Baguès began as a specialist in liturgical bronze candlesticks, before late-19th-century technological advancement—and the 1880 managerial arrival of Nöel’s son, Eugène—saw the broadening of the atelier’s range to include bronze fixtures for newly-invented electrical lighting. Expansion drove the following decades, as Eugène, together with his own sons, Victor and Robert, continued to swell out the atelier’s Art Deco-tinged output. By the 1920’s, Maison Baguès’s collections included gilded iron fixtures—the iconic Parrots
Foliage hand-strung crystal chandeliers and complexly carved wall sconces —as well as metal gates, accent tables, and stair bannis-ters (which still adorn Parisian locales like the Porte Dorée and the Théâtre des Champs-Elysées).
Delicate and detailed, Maison Baguès’s bespoke designs and metalwork attracted the social elite. In 1928, eminent bourgeoisie décorateur Armand-Albert Rateau famously used a se-lection of Maison Baguès accessories to furnish the townhouse interiors of haute couturist Jeanne Lanvin. Beyond Rateau, the atelier was commissioned by many chic interiors icons like Raymond Subes and the legendary decorating firm Maison Jansen. Notably, the Maison Jansen collaboration underscores the majority of Maison Baguès’s design on today’s vin-tage market, where the atelier’s pieces, seldom marked or labeled with the Baguès name, are often advertised as “supplied by Jansen” or “Jansen Style.”
On the heels of such collaborations, Baguès continued in the interwar period to expand into the international consciousness and market, culminating in the establishment of retail branches in New York, Cairo, London, Brussels, and Rome. The atelier experienced a brief hiccup amid the Great Depression, passing into the hands of bankers, before Victor Ba-guès’s son, Jean-Pierre, repurchased the company in 1957 and revived its collection with new work. Standouts from this later oeuvre include the Perroquet gilt-metal sconces with cut crystal elements; the Imitation Bamboo Coffee Table; and a Maison Charles-designed metal floor lamp—all designed ca. 1960s.
Today, Maison Baguès devotes most of its energies toward preserving the company’s herit-age through restoring and re-editing their catalogue’s most beautiful models for large French and international decoration offices, such as Alberto Pinto, Pierre Yves Rochon, and Nina Campbell.
- Attributed to:Maison Baguès (Manufacturer)
- Dimensions:Height: 25.6 in (65 cm)Width: 13.78 in (35 cm)Depth: 8.67 in (22 cm)
- Power Source:Plug-in
- Voltage:220-240v
- Lampshade:Not Included
- Style:Art Deco (In the Style Of)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:circa 1950
- Condition:Wear consistent with age and use.
- Seller Location:Saint-Ouen, FR
- Reference Number:1stDibs: LU2612343260952
About the Seller
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