Mid Century Modern Square White Marble Base Gibbing Table Lamp for Hansen MINT!

British-born designer, interior decorator and author T.H. Robsjohn-Gibbings was one of the great American tastemakers in the middle decades of the 20th century. Much like Edward Wormley, Robsjohn-Gibbings was a design classicist by education and inclination, but he would come to create some of the most gracious and livable modern furnishings of the era.

Robsjohn-Gibbings studied architecture at the University of London, then held various jobs that included designing décors for passenger liners and working as the art director of a film studio. In the early 1930s, while employed by the upper-crust interior designer Charles J. Duveen, Robsjohn-Gibbings experienced an epiphany during a visit to the British Museum.

Examining the furniture depicted on ancient Greek ceramics — lithe stools and klismos chairs — he realized that he had found a design touchstone. By 1936, Robsjohn-Gibbings had moved to New York and set up a showroom on Madison Avenue for his modern reinterpretations of Classical Greek designs. Aided by contacts he’d developed while working with Duveen, he quickly established a clientele that included Elizabeth Arden, Doris Duke and Thelma Chrysler Foy.

Through his writings for magazines and books, Robsjohn-Gibbings earned a public following and was established as an urbane arbiter of taste. From 1943 to 1956, he produced an understated line of modernist furnishings for Widdicomb, which included one of the icons of the period: the tiered, biomorphic Mesa coffee table (1951). Robsjohn-Gibbings moved to Athens, Greece, in 1966, and created a new line of antiquity-inspired pieces for the firm Saridis. The series turned out to be his swan song.

Collectors’ interest in Robsjohn-Gibbings was reignited in the 1980s when the 200-plus pieces from his 1936–38 commission for the Bel-Air estate of Los Angeles socialite Hilda Boldt Weber — pared-down neoclassical pieces rendered in blond wood (with the occasional flourish) — came on the market. (Up until then, the collection had remained in the house, despite its having changed hands several times.) 

But his work for Widdicomb remains his most widely known, appreciated for its elegance and generous proportions. Robsjohn-Gibbings despised the stern aesthetic associated with his Bauhaus contemporaries, and a keynote of his modernist pieces is that they have no sharp angles. His chair and sofa frames, table legs and even many cabinets feature softly contoured edges. In whatever style he designed, Robsjohn-Gibbings was guided by simplicity and timelessness. He wanted his furniture to be lived with happily.

Find antique T.H. Robsjohn-Gibbings coffee tables, dining tables, credenzas and other furniture on 1stDibs.

In 1908, cabinetmaker Carl Hansen opened his first small workshop near Odense, Denmark, where he created furniture by hand in the preferred Victorian style of the times. Later, Carl Hansen Søn would become one of the most prestigious furniture manufacturers in Denmark. The firm has produced timeless masterpieces of Scandinavian modernism by iconic designers Hans Wegner, Arne Jacobsen, Børge Mogensen and others.

Hansen expanded his operations by 1915 due to high demand. The larger factory allowed room for more modern machinery and a staff of many journeymen who produced a small series of their most popular pieces, including coffee tables, cabinets and sculptural, inviting armchairs. The firm became known for marrying the finest handmade craftsmanship with efficient production processes.

The Great Depression of the 1930s saw worldwide furniture sales plummet, and many furniture manufacturers were forced to shutter their workshops. At the age of 23, furniture maker Carl Hansen’s youngest son, Holger, took control of his father’s factory and piloted it through the era’s uncertain waters. 

Holger Hansen’s youthful enthusiasm, innovative spirit, and intuitive business savvy kept their company afloat. He believed in the quality of the firm’s work and the cutting-edge designs that were produced at its factory, which emerged from modest beginnings to become a pivotal piece of the history of Danish furniture. 

Owing to Holger’s leadership, Carl Hansen Søn emerged from the Great Depression and entered into creative alliances with many acclaimed Danish masters of mid-century design, including Kaare Klint, Børge Mogensen, Arne Jacobsen, Ole Wanscher, Frits Henningsen and Poul Kjærholm. 

None of these partnerships proved as prolific as their relationship with Hans Wegner, however. In 1949, the cabinetmaker moved to Denmark’s Funen Island and was staying in Holger’s family home, as the then-Carl Hansen CEO had commissioned Wegner to create a chair for the company that was similar to his popular China chair of 1944. 

Wegner began to work closely with the company’s craftsmen and devised a streamlined chair with a Y-shaped back and woven paper-cord seat. The legendary Wishbone chair, which still involves nearly 100 processes and takes weeks to make, has been in continuous production since its 1950 debut.

Family-owned since its inception, Carl Hansen Søn has manufactured some of the most extraordinary chairs, sofas and lounge chairs for living room relaxation in the history of design. Their dining room tables and chairs run the gamut in style and functionality, from everyday comfort to elegant entertaining. The company’s impressive roster of contemporary designers includes renowned Japanese architect Tadao Ando, the Vienna-based design firm EOOS and celebrated American industrial designer Brad Ascalon. They remain the world’s largest producer of Wegner’s furniture and still enjoy a collaborative relationship with the Hans J. Wegner Studio.

On 1stDibs, find vintage Carl Hansen chairs, case pieces and other furniture.