Pair of 19th Century French Bronze Marble Lamps

A stunning pair of French 19th Neoclassical style patinated bronze and ormolu 3 light candelabra. Each candelabra is raised by a square base with ormolu supports and foliate designs ...

A stunning pair of French 19th century Louis XVI style ormolu and Brèche Violette marble lamps. Each lamp is raised by an elegant square base with concave corners...

A beautiful pair of 19th century French Sienna Marble and ormolu candelabra, each with three out swept decorative leaf capped candleholders above a central tapering circular marble s...

With classical scenes depicting frolicking cherubs in relief, the top surmounted with a musical bronze cherub on a vine cast handle with bird and ram masks on a domed and vine cast c...

Pair of nineteenth century bronze table lamps, French, likely depicting the Three Graces - Euphrosyne, Aglaia, and Thalia. Re-wired and PAT tested to UK specifications.

A pair of gilt bronze figural neoclassical lamps with marble bases. The bronzes with gilt surface showing wear but original. The off white marble bases fitted to the bronze figures. ...

18th Century bronze and marble statuettes. Converted to lamps with custom shades.

FINE PAIR OF NEOCLASSICAL ORMOLU-MOUNTED ROUGE MARBLE TABLE LAMPS France, probably Paris, circa third quarter of the 19th century Item # 404LBP26Q A magnificent pair of Neoclassical vases converted into lamps, they are designed loosely after the influential vases of Antiquity known as the Medici and Borhese Vases. Those Kraters were executed in marble and have been widely considered the finest and most well-conceived vases of Antiquity. They have been frequently copied and have been the inspiration for many decorative arts, including the present pair. The original vases feature bas-relief scenes in the Medici vase of a seated Iphigenia beneath a statue of Diana surrounded by Achilles, Ulysses and Agamemnon and in the Borghese vase a scene of drunk Silenius, Dionysus wearing his animal skin garment and Ariadne all together accompanied by a procession of revellers. The present example departs from antiquity, focusing only on the Bacchic revellers and have repeated this motif across the field of the vase. They carry in their outstretched arms wreathes and long drapes of their garments, several carrying in hand the Thrysus. The chorus of figures is loosely reminiscent to the Borghese Dancers, also known as the Dancing Hours, executed in bas relief in marble...