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Pair of Neo-Greek Vase-Candlesticks Attr. to Barbedienne and Levillain, c. 1880

$4,351.59List Priceper set

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H 28.25 in Dm 10.25 in
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Pair of Neo-Greek Gueridons Attr. to L.C Sevin F. Barbedienne, France, c. 1880
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Pair of patinated and gilded bronze high guéridon attributed to L.C Sevin and F. Barbedienne, with for each of them, three paw feet joined by X shaped stretche...
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Neo-Greek Gueridon Attributed to F. Barbedienne, France, Circa 1880
By Louis-Constant Sevin, Ferdinand Barbedienne
Located in PARIS, FR
A similar model was exposed at the 1889 Paris Universal Exhibition ( see picture attached) Patinated and gilded bronze gueridon with four paw feet joined by X-shaped stems, attributed to Sévin and Barbedienne. Round green marble top mounted with a bronze rim adorned with oves and pearls motif. Born in 1821 and dead in Paris in 1888, Louis-Constant Sévin was apprenticed to the parisian sculptor Marneuf. In 1839, he joined the sculptor-modelors Phénix and Joyau, as designer, and designed silver-smith’s objects for famous firms like Denière, Froment-Meurice, Morel and Duponchel. During the Revolution in 1848, C. Sévin joined Morel in London, as workshop manager and designed pieces that Morel exhibited in 1851. Back in France in 1851, C. Sévin went to Limoges and designed models for the porcelain factories of Jouhanneaud and Dubois of which many pieces were exhibited at the Universal Exhibition in 1855. From this date on, he worked for Ferdinand Barbedienne as sculptor-ornemanist until the end of his life. Sévin’s works are considerable, he designed furniture bronzes for the « hôtel de La Païva ». At the London Exhibition in 1862, he was awarded a medal « pour l’excellence artistique des meubles qu’il a dessinés et qui sont exposés par Barbedienne » : for the artistic excellence of the furniture he designed and which is exhibited by F. Barbedienne. He won a second class medal at the Union centrale des Arts décoratifs Exhibition in 1863 and was awarded a gold medal as « cooperator ». F. Barbedienne said that posterity would remember Sévin’s compositions. The most extraordinary object designed by C. Sévin for F. Barbedienne, was a Renaissance style gilded bronze monumental clock...
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Pair of Neo-Greek Wall-Lights Attributed to F. Barbedienne, France, Circa 1880
By Ferdinand Barbedienne
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A pair of neo-Greek wall-light sconces executed in two patina bronze attributed to F. Barbedienne. The central up-turned foliage stem, surmounted by a Greek style vase...
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Pair of Neo-Greek Bronze Candelabras Attributed to G.Servant, France, Circa 1870
By Georges Emile Henri Servant
Located in PARIS, FR
Rare pair of Greek style candelabras made in patinated bronze and gilded bronze, attributed to G. Servant. Each with ten light arms topped by a heron shaped extinguisher. Decorated with various Greek style motifs such palmets, pine cones ans water leaves. Standing on a small triangular architecture presenting a theatre mask and reposing on a tripod base formed with lion paw feet. Georges Emile Henri Servant (circa 1828-1890), who took over his father in 1855 at their foundry, rue Vieille-du-Temple, in Paris, specialized in the production of neo-Egyptian style clocks, very popular in France since 1860’s, and also the making of Greek style decorative objects. He drew considerable attention to the high quality of his bronzes at the 1855 Paris Universal Exhibition and then at the 1862 London Exhibition. At this time Servant exported up to 40% of his production, principally to the United States, where for instance, his clocks were sold with great success by Louis Tiffany Inc. or Hamann & Roche of New York. But his success came really at the 1867 Paris Universal Exhibition, where he was awarded a Gold Medal for his neo-Greek and Egyptian works (Les Merveilles...
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Pair of Neo-Greek Pedestals, attributed to G.Servant, France, Circa 1880
By Georges Emile Henri Servant
Located in PARIS, FR
Pair of patinated and gilded bronze turntable pedestals with for each of them, three paw feet, headed by stylized lion muzzles, ornated with beaded chains and joined by a fine foliate stretcher. The belt is adorned by a banded frieze cast in low-relief representing an ancient scene : “The Battle of the Lapithes and the Centaurs”. These pedestals can be associated with the "Vases de Bacchus", presented by G. Servant at the 1867 Exposition Universelle, on which the similar ornamentation is applied. (Reproduced in « Merveilles de l'Exposition Universelle de 1867 », Jules Mesnard, p°167) Biography : Georges Emile Henri Servant...
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Pair of "Bamboo" Stands attr. to H. Cahieux F. Barbedienne France, circa 1855
By Henry Cahieux and Ferdinand Barbedienne
Located in PARIS, FR
A similar model presented at the 1855 Paris Universal Exhibition Total height : 154 cm (60 5/8 in.) ; Width : 33 x 33 cm (13 x 13 in.) Cup : height 17 cm (6 ¾ in.) Beautiful pair of bronze stands also named Bamboo candelabra. Each rests on three claw feet adorned with lion heads and separated with palms. A bamboo shaped shaft arises from this tripod and is topped with three buds supporting a circular red griotte marble top on which stands a cup in the Ancient style decorated with ivy. The sobriety of the decoration enhances the quality of the bronze cast and the patina shades. The small chains falling from the top animates this work of a sleek design. The model : The design of these stands, inspired from Ancient tripods, is a well-known model in Ferdinand Barbedienne’s production as it was reused many times by the bronze-caster. Designed by the head-decorator Henri Cahieux, this model was edited by the Barbedienne Company as soon as 1855, named Ancient candelabra lamp-holder h. 1m35 and was sold 440 francs. From 1875, these stands were commercialised under the name Bamboo candelabra, tripod, lamp-holder and were offered in three heights : 1m90, 1m70 and 1m35. This model of stand could then be found in all catalogues of the Barbedienne Company. This pair of candelabras allows us to see how F. Barbedienne offered during decades a range of furniture from the designs of his decorator. This type of stand could be seen in different interior decorations of the Second Empire A model similar to ours was presented by the Barbedienne Company at the 1855 Universal Exhibition. For this occasion Empress Eugénie bought it for her toilet at Saint-Cloud Castle. A watercolor by Fortuné de Fournier made in 1860 shows them, set on both sides of a cheval mirror made by the Fourdinois Company. (see photo attached) This model pleased the Empress so much that she ordered two other pairs in 1858 for her boudoirs at Compiègne and Fontainebleau Palaces. Otherwise similar stands took place in the Pompeiian house built in 1856 by the architect Alfred Normand (1822-1909) for Prince Napoléon. Several pictures and engravings of this house show us these candelabras used...
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Antique 1850s French Greek Revival Floor Lamps

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