Table Lamp by Porcelaine de Paris

Pair of vintage French Porcelain de Paris table lamps by Paul Hanson circa Mid 20th Century. These large and heavy pair of lamps are done with a French Chinoiserie design known as Fl...

Pair of porcelain lidded urns, in ginger jar form, decorated in a black and white toile hunt scene, on graduated giltwood base. Stock ID: D9365.

We kindly suggest you read the whole description, because with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. Eleg...

Vintage "Porcelaine de Paris, France" French Country Toile "Hunt Scene" Porcelain Jardinierie Table Lamps in Black and White with Gold Metal Bases - a Pair. Circa Late 20th Century. ...

Table lamp in porcelain decorated with colorful flowers and a bird. Underside with under-glaze blue stamp 'Porcelaine de Paris, France, fondee en 1773'. Sh...

A pair of 1970s Belgian Carrera marble lamps by Porcelaine de Bruxelles with brass fittings and orignal labels. Re wired with antique gold cord flex, switch and PAT tested. With new ...

Lamp consisting of a large block of pyrite fixed on a bent, polished steel base. Recent cotton lampshade, redone to match the original. Overall height: 69 cm (27.16 inches) Base height: 45 cm (17.7 inches) Diameter of the lampshade: 32 cm (12.6 inches) Base width: 13 cm (5.12 inches) Base lenght: 21 cm (8.3 inches) Biography Claude de Muzac (1935-2022) was a highly talented decorator and artist. With subtlety, precision and daring, Claude de Muzac set out from her beginnings around 1960 to showcase the rarest and strangest objects, from dog bones to paintings by her contemporaries, in surprising, precious and poor materials, Plexiglas, enamel and scales, art objects that had suffered or no longer suffered the velvet and gilding of an overly 19th-century frame. After studying drawing at Paul Colin’s studio and working as a window dresser, she was hired by Daniel Cordier, with whom she trained in the presentation of artworks. She soon opened her own boutique where she offered frames of constant inventiveness, playing with contrasting materials and matching colors. Her famous clients included Georges Pompidou, Peter O’Toole, André Malraux, Edmond de Rothschild, Man Ray, and the list goes on. Some, like Max Ernst, chose the frame and painted for the frame. As for Serge Poliakoff, he came in every day and commissioned frames, and in one of his favorites, which was made of lapis lazuli, he painted a large blue composition. Her customers are often her friends, and her friends become her collaborators, so she surrounds herself with those she loves, inspiring them to create new objects and jewelry that she presents in her Grotte-galerie. The unclassifiable intuition that makes Claude de Muzac’s work so beautiful is certainly this quality of entourage. Shadows become frames, pedestals become faces, and the other is each time for her a new form of inspiration, of rapprochement or opposition, of respect and passion. Source: « Claude de Muzac », la Galerie Parisienne.

A very good quality pair of 19th century Paris porcelain vases or lamps. Each depicting classical Roman figures with a burgundy ground.

Grégoire de Lafforest 'Armen' Table Lamp for DCW éditions Paris, France. Inspired by geometric shapes and mathematical objects, Armen is a game of imbrication and balance between tw...

art deco DES LAMPES RUE DE LISABONNE PARIS" MAZDA table lamp This rare, original table lamp from the well-known MAZDA company captivates with its simp...