Table Lamp a Sculptural Light Fixture by American Artist Adam Henderson, 2016

Brutalist Style whimsical nautical Brass Fish on a natural white coral core and mounted on a rectangle Wood Base. The Stem is a copper piece of pipe and topped with the socket and ...

Sculptural enlightened table lamp, Maximilian Michaelis Title: The elusive nature of perception, No. 03 Measures: ca. 14 x 50 x 27 cm Material: polished stainless steel, Bel...

Beautiful antique wood table light. Germany, 1900 Lampsocket: E27 (US: E26)

O/5003 - Unusual and elegant tree shaped Table led lamp, one of the first led lamp, created by the young artist Salih Mehci, very famous in France for his incredible huge lightwe...

Gorgeous table lamp with wooden base , made in France during the 1960s. In excellent condition (Original Patina) and in full working order And safe for usage in the World with Euro...

Sculptural lamp with mirror, Maximilian Michaelis Title: The elusive nature of perception, No. 01 Measures: ca. 46 x 56 x 29 cm Material: polished stainless steel, Belgian b...

organic form sculptural glazed ceramic lamp by Arpad Rosti. Dark blue-green and grey in color. Best known for his remarkably inventive lamps, trays and vessels designed in organic, free form shapes, Arpad Rosti was a highly versatile artist, equally at home in both the ceramics and enameling fields. While most of his work was done in either clay or metal, in the late 1940s he also ventured into furniture design when he produced a group of tables in treated wood, mosaic, copper, and glass. His one-of-a-kind furniture was exhibited in 1949 at the Chinese Gallery in New York and written up in the New York Times. As further evidence of his wide-ranging talents, in 1972 he was commissioned to produce a stained glass window for a residence in North Caldwell, New Jersey which New York Times critic Joan Cook described as “a miracle of color and light.” Born in Subotica, Yugoslavia in 1909, Rosti studied architecture at the School of Industrial Arts in Budapest. In 1940, he moved with his wife Ilona to the United States and settled in New York where he became a naturalized citizen in 1945. In 1947 his work was featured in an exhibition organized by the Craftsmen’s Equity and presented at the Barbizon-Plaza Galleries in New York. The organization, of which he was President, aimed to “put craft on a business basis without sacrificing the individuality inherent in handmade articles.” Throughout the 1950s Rosti’s work was regularly chosen for the prestigious National Ceramic Exhibitions at the Syracuse Museum of Fine Arts (now known as the Everson Museum). It was included in seven of these exhibitions between 1946 and 1958 and in 1947 Rosti’s work was singled out by the New York Times critic Edward Alden...

One of a kind ceramic lamp. Made of three hand formed (not turned or molded) ceramic elements of different shapes and colors. The glazes are thick and textural. The light bulb goes o...

Hare & Ballerina sculptural table lamp, hand crafted, moulded and cast. This whimsical table lamp features a playful hare dancing alongside a ballerina by a tree trunk, blending charm and function in a delightful piece of sculptural art. It brings warmth to any space and is sure to bring a smile to your face. The soft glow highlights gold leaf accents on the ballerina's dress and other parts of the lamp, creating a gentle sparkle when illuminated and adding elegance to its delightful design. Hand crafted Hare and Ballerina table...

The Ligne sculptures were made during a summer artist residency at Pilchuck school of glass. As with many of Sabine Marcelis's explorations with light, these objects were born from a curiosity to explore how a material volume can interact with a single line of light and in this case also how two very different ways of working with glass can elevate eachother. Together with talented neon benders, Sabine Marcelis hand-bent each of the neon lights to wrap around the various glass volumes, accentuating their mass and in turn, the glass volumes filtering the light. Dutch-Kiwi designer Sabine Marcelis’s work is at the forefront of contemporary material innovation in product and installation design. She works with glass manufacturers and more, forging partnerships across her industry to bring her ambitiously experimental projects to fruition. Marcelis’s focus is on allowing happenstance sensory experiences to emerge by juxtaposing combinations of unlikely materials and colors. She was educated at the Design Academy Eindhoven and since founding her eponymous studio in 2011 in Rotterdam in the Netherlands, she has built a remarkable roster of clients in fashion, architecture and art. She has created signature pieces for the likes of Rem Koolhaas’s architecture firm OMA, high-fashion labels Fendi and Isabel Marant and luxury beauty brand Aesop. She has also exhibited at the Salone del Mobile in Milan and won Wallpaper* magazine’s Designer of the Year award for 2020. Marcelis was invited to create a sculptural intervention for the interiors of Ludwig Mies van der Rohe and Lily Reich’s iconic Barcelona Pavilion, which saw the debut of the pair’s timeless Barcelona chair in 1929. For her “No Fear of Glass” exhibition, the designer subverted the original request made to van der Rohe to “not use too much glass” by designing chaise longues, pillar lights...