Pottery Furniture

This pottery bean pot has a very unusual pattern and is in fine condition. The size exceptionally large for a cook or bean pot.

A fine English faux bois strawberry planter pot of salt-glazed terra cotta and of very good scale, from the early 20th century, modeled as a natur...

Beautiful hand thrown pottery vase with fluted and ruffled rim and uneven body. Finished with different shades of blue, this vase is a stunner and eye-catcher that will draw attentio...

This is believed to be a small incense burner made in Japan during the Meiji and early Taisho periods (1868-1920). The design is very simple but b...

Ancient Greek style charger of platter depicting two Olympic runner competing in a race. Beautifully painted in red and black on a yellow ground, with decorative bands, including the...

Pair of Deft-Style Chinoiserie Urn Lamps with Banner-Bearer Decoration A refined and atmospheric pair of chinoiserie urn lamps, decorated in the classic Delft-style manner with whim...

Ceramic table lamp with the original shade that when lit looks like a shade within the shade. No chips, cracks or repairs. Holds three light bulbs. Very high quality in the style ...

A rare and very unusual pair Doulton Burslem Coaching art pottery vases dating from around 1909. The earthenware vases are of tall square column form standing raised on a wide square platform base and is decorated with a two coachman figures to the body with banners, one reading The Coachman and the other An Old Jarvey. A further decoration of horse drawn coaches...

Scandinavian Modern matte chalk white spherical ceramic table lamp with anthracite black and lilac blue splashed accents and small drops. Designed and handmade by Danish ceramic arti...

19Thc Sponge ware pottery pitcher in the smoke ring pattern.The condition is very good.This pattern is the hardest to find.

This Mid Century ceramic vase is a stunning piece from the 1960s, featuring a distinctive beige-brown Fat Lava glaze. Its most notable feature is the unique opening in the body, whic...

Vintage majolica vase features graphic craquelure glaze in dark grey on off-white background. Transparent glaze was used for inner surfaces of the vase, allowing a glimpse at the cl...

This double-spouted vessel originates from the Peru and is distinguished by its sculptural anthropomorphic design. One of the chambers is shaped as a human figure with a triangular f...

Mid Century Studio Pottery Centerpiece or Vase, Europe, 1960s. This is a wonderful mid century piece of studio pottery. Freeform and expressively sculpted, this centerpiece or vase ...

A giving joy beautiful French Fayence Floor Vase fantastic Art Nouveau pattern - Impressing Colours Manufacturer unknown - marked Design Period 1915 - 1925 Country of Manufacture : France H / height: 46 cm ~ Gew. / weight: 4550 grs DM / diameter max: 28 cm ~ DM oben / diameter inner rim: 19.8 cm .... an ode to Southern France A Legend of Provence by Adelaide Anne Procter (30 October 1825 – 2 February 1864) The lights extinguished, by the hearth I leant, Half weary with a listless discontent. The flickering giant-shadows, gathering near, Closed round me with a dim and silent fear. All dull, all dark; save when the leaping flame, Glancing, lit up a Picture's ancient frame. Above the hearth it hung. Perhaps the night, My foolish tremors, or the gleaming light, Lent power to that Portrait dark and quaint, — A Portrait such as Rembrandt loved to paint, — The likeness of a Nun. I seemed to trace A world of sorrow in the patient face, In the thin hands folded across her breast: — Its own and the room's shadow hid the rest. I gazed and dreamed, and the dull embers stirred, Till an old legend that I once had heard Came back to me; linked to the mystic gloom Of that dark Picture in the ghostly room. In the far south, where clustering vines are hung; Where first the old chivalric lays were sung; Where earliest smiled that gracious child of France, Angel and knight and fairy, called Romance, I stood one day. The warm blue June was spread Upon the earth; blue summer overhead, Without a cloud to fleck its radiant glare, Without a breath to stir its sultry air. All still, all silent, save the sobbing rush Of rippling waves, that lapsed in silver hush Upon the beach; where, glittering towards the strand The purple Mediterranean kissed the land. All still, all peaceful; when a convent chime Broke on the mid-day silence for a time, Then trembling into quiet, seemed to cease, In deeper silence and more utter peace. So as I turned to gaze, where gleaming white, Half hid by shadowy trees from passers' sight, The Convent lay, one who had dwelt for long In that fair home of ancient tale and song, Who knew the story of each cave and hill, And every haunting fancy lingering still Within the land, spake thus to me, and told The Convent's treasured Legend, quaint and old: — Long years ago, a dense and flowering wood, Still more concealed where the white convent stood, Borne on its perfumed wings the title came: " Our Lady of the Hawthorns " is its name. Then did that bell, which still rings out to-day, Bid all the country rise, or eat, or pray. Before that convent shrine, the haughty knight Passed the lone vigil of his perilous fight; For humbler cottage strife or village brawl, The Abbess listened, prayed, and settled all. Young hearts that came, weighed down by love or wrong, Left her kind presence comforted and strong. Each passing pilgrim, and each beggar's right Was food, and rest, and shelter for the night. But, more than this, the Nuns could well impart The deepest mysteries of the healing art; Their store of herbs and simples was renowned, And held in wondering faith for miles around. Thus strife, love, sorrow, good and evil fate, Found help and blessing at the convent gate. Of all the nuns, no heart was half so light, No eyelids veiling glances half as bright, No step that glided with such noiseless feet, No face that looked so tender or so sweet, No voice that rose in choir so pure, so clear, No heart to all the others half so dear, So surely touched by others' pain or woe, (Guessing the grief her young life could not know,) No soul in childlike faith so undefiled, As Sister Angela's, the " Convent Child. " For thus they loved to call her. She had known No home, no love, no kindred, save their own. An orphan, to their tender nursing given, Child, plaything, pupil, now the Bride of Heaven And she it was who trimmed the lamp's red light That swung before the altar, day and night; Her hands it was whose patient skill could trace The finest broidery, weave the costliest lace; But most of all, her first and dearest care, The office she would never miss or share, Was every day to weave fresh garlands sweet, To place before the shrine at Mary's feet. Nature is bounteous in that region fair, For even winter has her blossoms there. Thus Angela loved to count each feast the best, By telling with what flowers the shrine was dressed. In pomp supreme the countless Roses passed, Battalion on battalion thronging fast, Each with a different banner, flaming bright, Damask, or striped, or crimson, pink, or white, Until they bowed before a newborn queen, And the pure virgin Lily rose serene. Though Angela always thought the Mother blest Must love the time of her own hawthorn best, Each evening through the years, with equal care, She placed her flowers; then kneeling down in prayer, As their faint perfume rose before the shrine, So rose her thoughts, as pure and as divine. She knelt until the shades grew dim without, Till one by one the altar lights...

Nice Italian pottery vase have blue tone ground and flower foliate motif. Signed Italy and numbered. Minor glaze skips, normal and consistent with age.  

Later version of a 20thc stoneware lamp with original blue paint. newly wired with new linen shades. Great look and ready to connect and use. stamped 1993 on back.

Anthracite black glazed and vertically incised vase designed and produced by ceramic artist Ejvind Nielsen in the small Danish town of Hvidovre in the 1960s. Nielsen is known for his...

For your consideration, a planter by Architectural Pottery designer Lagardo Tackett, double cone hourglass. Planter Stamped by maker. Representing the epitome of California mid-centu...

A fantastic Italian modernist pottery vase by Gianni Tosin. With Gambone style mottled blue glaze and raised cream colored 'lava' decoration. Stamped I...

Circular dusty blue and gray ceramic wall vase made by hand. With a soft shaped ear on each side and a flat base this item can be used standing or hanging on a wall. It has organic d...

Barbara Garrett (1930-2020) pair of Organic Mid Century Modern Pottery Owls. Both pieces with fabulous textured mottled glossy glaze wh...

This expressive mid-century studio pottery vase features a classic bottle-form silhouette accented by richly layered glazes and hand-painted decoration. The vessel is finished in a w...

A stunning mid century modern pottery table lamp by Jørgen Holstein of Copenhagen from the 1970s. When light catches the beautiful glaze different shades of blue are visible and als...

A very beautiful hand-crafted pottery artwork tray with abstract and figural design. A beautiful piece for a wall, table, vanity, or other. Colors include black, white, red/burgundy/...

Our stoneware Torin Sculpture is handcrafted using slab-construction techniques. FINISH - Dipped glaze, pictured in verdigris DIMENSIONS Base: 13.5” x 9" Height: 16” Made to or...

Rare vintage covered serving platter or dish is decorated with hand painted stylized fruits, flowers, and leaves decor. The lid features apples and flowers, and the platter - small ...

A pair of Model DL/30 table lamps made by Annelise and Per Linnemann-Schmidt for Palshus in the 1960s. The colour of both handmade decorated lamps is Green with Blue details. They ha...

Rare ceramic TV lamp features two ballet dancers, man and woman, in front of abstract graphic background, sculpted in Art Deco style. Other examples o...

1980s California Pottery signed by artist Leon For your consideration, a handmade artisan glazed ceramic bowl, studio pottery. Stoneware with clean neutral colors. Dimensions: 11...

19thc Crock lamp that has been turned into a lamp from an original 19thc pottery crock. It is newly wired and new linen shade. The blue cobalt blue floral ...

"Vivid Verdure": Set of 11 Vintage Green Majolica "Lotus" Plates, by The Haldon Group Dated 1983 A vibrant and collectible set of eleven vintage majolica-style pottery plates, produced by The Haldon Group in 1983. Modeled with a striking, high-relief "Lotus" pattern, these plates are a superb example of the late 20th-century revival of Victorian naturalism. Each plate is entirely covered in a rich, emerald green glaze that pools beautifully in the recesses of the molding, creating depth and highlighting the intricate details. The design features a central lotus flower surrounded by large, overlapping ribbed leaves with textured veins and curling stems. The Haldon Group was renowned in the 1980s for their high-quality decorative ceramics that paid homage to antique English and French faience, often rivaling the originals in modeling sharpness. Markings: Printed Mark: The reverse bears the distinctive black logo of The Haldon Group (a stylized "H") and the copyright date ©1983. Condition: Excellent vintage condition- The green glaze remains glossy and bright. No chips or cracks observed. Measurements: Diameter: 8 1/2 inches (21.6 cm) Historical Context: Founded in the late 20th century, The Haldon Group became famous for their "majolica" style wares, particularly their teapots and service ware. Their "Lotus" and "Cabbage" lines are highly sought after today by "Grandmillennial" style collectors who mix them with antique Dodie Thayer or Wedgwood green glazed...

Matte White Speckled Moon Jar by Jason Fox. A Southern Californian for over half his life, Contemporary Ceramic Artist Jason Fox draws upon his classical education in Architecture a...

Vintage pheasant tureen with tail ladle was made in Italy by Mancioli Company. The bowl with the lid on forms a shape of a pheasant; the ladle forms its tail. It is decorated in rus...

Beautiful 19th C spongeware pottery teapot. Scallop edges on top and bottom.

Very charming pair of large 19th century Chinese export porcelain Famille rose baluster vases, multi-panel motif decorated with palace figures within courtyard and pavilion settings, with floral and bird designs, all surrounded by a profusion of lush flowering vines, with white ground and mounted with porcelain gilded dragon reliefs...

Chinese pottery bowl support by three legs. Age: Chinese, Han Dynasty, B.C. 206 - A.D. 220 Size: Diameter 23.7 C.M. / Thickness 11.7 C.M. Condition: Well-preserved old burial condit...

China, Ancient Bronze “Money Tree” Yaoqian Shu with original pottery base, Han dynasty (25 BCE – 220 CE) Dimensions: 155cm, 62 inches high A sculpted terracotta pottery base in the form of a tortoise with attendants and inserted with five individual bronze pole segments with twenty four individual hanging bronze open work money “branches” attached in tiers, four per tier and topped with a figure of a bronze phoenix as apex most bearing varying degrees of malachite and azurite encrustation from ancient burial. Important Description Details: Pottery "tortoise" base: 14.5" high and 11" wide Bronze sections: 7pcs pole bronze sections approximately 8" length each 1pc top "phoenix" bronze section approximately 7" high and 6" wide 20 pcs long bronze hanging wings approximately 10" long and 5" wide each 4 pcs short bronze hanging wings (near top) approximately 7" long and 4" wide each Total 32 pcs with ancient green and blue azurite patina. Catalog reference: Schneible Fine arts catalog - 35 Years Collecting Treasures- Number 11p. 28 (see photos) Provenance: Provenance: Private family collection formerly exhibited “Asia Week” New York City, Fuller Building, Zabriskie Gallery, 2008. History of money trees: In the late Han Dynasty tombs...

Vintage majolica table lamp features hand-painted country landscape with flying ducks or geese, evocative of a hunting scenes in traditional English paintings. Minimal white backgrou...

Beautiful hand-turned polychrome Mata Ortiz geometric vase by Luz Elva Gutierrez, circa 1990s. The vase has a beautiful geometric pattern and measures 5.25"D x 3.75"H. #2388 Mata Ortiz or Casas Grandes pottery...

From a small collection of five Persian hand painted pottery vases is this stylish earthenware bottle shaped vase hand painted with artichoke floral designs dating from the early to ...

Article: Ceramic stoneware object Designer and producer: Gerhard Liebenthron Information: Gerhard Liebenthron, Bremen 1925 †2005 Decade: 1980s This original vintage Studio...

Portuguese Majolica Palissy charger plate in the manner of French potter Bernard Palissy with a detailed naturalistic design in high relief featuring a snake, lizards, tortoise, frog, and butterfly...

Product Description: The unik series designed by Lisa Larson in the Gustavsberg factory is composed of 9 kinds of tiles with different motif-designs. Besides different motifs there ...

Article: ceramic pottery vase. Origin: Germany. Producer: Walter Gerhards, Germany. Decade: 1970s. This original vintage pottery object was designed and produced by WALTER...

Tall Scandinavian ceramic art statement piece. Handmade organic modern asymmetrical sculptural textured bottle vase glazed in warm caramel brown, maroon and bright red colors. Curved...

Fantastic and rare to find a beautiful tile top table with a locking tilt mechanism. Fabulous ironwork and such illuminating colors, very serene and Mediterranean. No cracks or chips...

Beautifully Weathered Gouda Plateel Vase or Planter The Netherlands Early 20th Century This is a special piece of early 20th century Dutch ‘plateel’ pot...

Round wall mirror by Villeroy Boch in orange glazed terracota, Germany, 1960s-1970s German Midcentury-Modern orange terracotta glazed ceramic circular mirror...

A wonderful Joseon Dynasty (1392-1897) Korean pottery bowl/ dish with a beautiful muted glaze, color, and nicely aged patina. As this is not our area of expertise, we are listing...

Rural Charm: Whieldon-Type Creamware Cow Creamer Whieldon-Type Creamware Cow Creamer and Cover Circa 1770 This delightful and historically important piece is an 18th-century cow cr...

Brutalist Art Pottery, Studio Ceramic by Brenda Williams. Northern California artist. Dramatic form, technique, wonderful glaze and color.  

A stylish mid-century Danish Bornholm terracotta pottery sculpture of a nude maiden sat on a rock her arms raised by Lauritz Adolph Hjorth. The figure is glazed in white with element...

Spanish terracotta mixing bowl (like the French “tian” of similar form) circa 1920 glazed in a burnt umber with contrasting scalloped design around the rim in buttery yellow tinged w...

A sgrafitto carved and slip decorated centerpiece bowl by the Bauhaus trained potter Frans Wildenhain. It displays various fantastical tribal figures and a stippled banding of dots i...

Sculptural Modernist bowl or tray is decorated with hand-painted decor in pastel colors with gold accents on complex textured glaze background. Playfully shaped piece features four ...

Scandinavian Modern decorative vide-poche bowl designed and handmade by ceramic artist Ludvig Kyhn in the 1950s. Cream glaze with relief lines and hand-painted image of a white bird ...

Vintage ceramic ginger jar with lid is decorated with abstract graphic motifs in sgraffito technique; the gar is glazed in brown to grey salt glaze with striking splashes of differe...

Frances Palmer footed cream glazed earthenware vase with ribbed vessel flanked by curved handles. The vase is signed and dated 2019 on verso. Dimension...

Great used condition. Ballard and Brothers Pottery crock lamp with newly made linen shades. Wonderful condition, great pattern. Working condition.