Rosewood Furniture

A very nice pair of vintage, rosewood carved foo dogs from Japan. Excellent condition and patina; makes a fun decor item in any room!

"Danish Mid-Century high chest with 6 drawers, tapered legs, and silver metal drawer pulls. Small veneer chip to left side. Light wear from age. Hole to masonite back."

Solid rosewood frame with beautifully patterned rosewood veneer top.

A late Regency Rosewood stool, of long rectangular form, the turned tapering legs terminating in the original brass castors, reupholstered in d...

Excellent example of Harvey Probber's dining table No. 1287. Rare and beautiful completely refinished book-matched Brazilian rosewood top, apron, and leaves. Complimented by elegant...

Multifunctional 1950’s Danish rosewood side table that cleverly converts into a comfortable stool. Designed by Erik Buch. Excellent original condition. Mid Century Danish Rosewood F...

Rolf Hesland for Bruksbo Mid Century Rosewood Magazine LP Caddy Rack This magazine rack measures: 13.75 wide x 15.75 deep x 17.5 inches high We take our photos in a controlled ligh...

Vintage-modern coffee table featuring two-draw leaves and beautiful rosewood grain, designed by Johannes Anderson. Two additional leaves of 11.5" can open to total 82" long.

Amazing Six Panel Screen Ambush of Tigers made in Hong Kong, it has the label in the back, (check photo). From the 1960s Century. Hand painted and some beautiful bronze details. Very...

A queen-sized Anglo-Indian poster bed stands as a monument to forgotten stories, its dark rosewood bearing the weight of a century. The headboard, adorned with a double-paned mirror,...

Handsome Mid Century Scandinavian Modern pair of cabinets by Rud Thygesen Johnny Sorensen for Hansen Guldborg (a.k.a. HG,). These cabinets are comprised of rosewood with ...

A striking pair of Art Deco style side tables in a polished rosewood veneer in a Macassar style finish. Two tier table top with a circular cut out on a two stepped base. The pair w...

A fine and early Regency period rosewood writing desk set beautifully decorated with delicate mother-of-pearl foliate inlay and complete with its original cut-glass inkwells. This el...

An 1897, Arts and Crafts Bechstein upright piano with a polished, rosewood case, fretwork panels and ornate brass hinges in a stylised floral design. Unique design by Walter Cave, executed by C. Bechstein and exhibited by Maple Co. C. Bechstein is inscribed on a square, brass plaque on the piano fall. The front panel features cupboard doors, which open so as to allow the music desk to fall into place. These doors occupy half the width of the front, so that they fold back out of the way of the player. The candle sconces are concealed behind the doors and brought into use when required. The music desk is in an openwork folkloric inspired design of stylised birds, foliage and flowers. The brass candle holders also feature cut-out stylised bird motifs. The front panel is flanked by two circular fretwork panels backed in fabric that act as a sound box...

The irregular shapes of the robust volumes of the three rocks tables are finished in smoky brown Birds Eye wood veneer in high gloss varnish. Here is prese...

Wall mounted magazine holder in rosewood. Made in Denmark in the 1950s.

Estelle and Erwine Laverne for Laverne originals - Tulip base rosewood lamp table floor lamp. Maker’s mark on underside. Extremely rare example of a piece by E & E Laverne that includes wood of any sort (rosewood) alongside the non-traditional materials for which they are most known. I cannot underscore how exceptionally rare this piece is within the Estelle and Erwine’s oeuvre. It most probably dates from the between the years 1960-1961, as the weighted tulip base is reminiscent of their Champagne chair and the central table evocative of their cafe table that was a part of the Lily collection of the late 1950’s. l Dimensions: H 43.5 inches, W 11.75 inches, D 11.75 inches. ‘The Invisibles” by Elaine M. Salkaln (from the April 18, 2004 New York Times) On the surface, this is a simple design story of a husband-and-wife team, Estelle and Erwine Laverne, who produced exceptionally beautiful, innovative midcentury-modern wallpapers, fabrics and furniture -- designs that are rare today, yet coveted by a few specialized dealers and aficionados. But the story goes deeper -- to a convergence of culture, class, art and love. Sadly, though, the love gets caught up in the grittier details, transforming what would have been a grand romance into a modern American tragedy. Were this a docudrama, it would begin with a scene from the filming of the sci-fi fantasy ''Men in Black II'': in the center of a glass-walled, ultramodern, living room swarming with cameramen, lighting and booms, a little dog jumps up and down on the seat of a tall, sensuously sculptured clear acrylic chair...

A stunning Mid-Century Modern Danish rosewood credenza. A classic dresser with (6) drawers for optimum storage. A sleek design perfect for any home, of...

Highly desirable Brazilian mid 20th century rosewood four-seat sofa with upholstered cushions Manufactured by Tenreiro Moveis e Decoraçaos Brazil, 1960s Reupholstered some years ago ...

This lovely cabinet has a top with inset Sevres Style porcelain plaque painted with birds, over a case with bronze mounted single door with a faux three drawer façade. The case and l...

This French Louis XV commode is a remarkable example of 19th-century craftsmanship, blending elegance, artistry, and functionality. Expertly constructed from rosewood and mahogany, i...

Elegant Art Deco guéridon attributed to Jules Emile Leleu, France, circa 1935. Expertly crafted in rosewood and walnut veneer, the circular top features refined marquetry inlay, whil...

The design and ornamentation of this centre table is characteristic of Portuguese Baroque furniture dating from the second half of the 17t...

Jorge Zalszupin for L'atelier. Desk veneered in Jacaranda wood with patchwork design. Partition also veneered, very rare, since the most common models for this size have leather-cove...

Fine Victorian Inlaid Rosewood Davenport Desk Item Code: S27-705 A superb quality mid-19th century Victorian Davenport desk, beautifully crafte...

Sculptural Patinated Bronze Square Floor Lamp sitting on a rosewood plinth base by Lawerence & Scott. This iconic design was featured in several of Ma...

Beautiful lounge chairs designed by Giuseppe Scapinelli and manufactured by his own factory Fábrica de Móveis Giesse in Brazil 1950. These lounge chairs have a solid rosewood frame w...

This rare sofa was designed in 1955 and produced by Forma, a company directed by Carlo Hauner (1927- 1996) and Martin Eisler (1913- 1977). This piece is an icon and illustrates some ...

Pair of side tables rosewood. Designed by Aksel Kjærsgaard in 1960s, Denmark. Great original condition.

For FULL item description click on More Details below. Shipping Quote Information The shipping quote stated in the listing was from 1st Dibs and they normally set all the costs and handle all the shipping details. However, if you let us know what 1st Dibs is quoting you and give us your zip code, we can sometimes ship it for less and get it to you faster. For a shipping quote, click on "ASK THE SELLER" under the purchase button and provide your zip code. Offering One Of Our Recent Palm Beach Estate fine Lighting Acquisitions Of An Antique Opium Coffee Table...

Art Deco Desk, Rosewood Veneer, Nickel, France circa 1930 Beautiful straight Art Deco design with slightly curved top. East Indian rosewood veneered, high gloss lacquered and polis...

Danish Modern Rosewood Armchairs This stunning pair of Danish modern armchairs, crafted in Denmark during the 1970s, embodies the timeless elegance of Scandinavian design. Each chai...

Amongst Jorge Zalszupin’s most iconic creations is the Presidential series, composed of a sofa and an armchair, designed in 1959 and produced by L’Atelier. The set is made of molded ...

Rare set of six dining chairs model OD-49 designed by Erik Buck. Produced by Oddense maskinsnedkeri A/S in Denmark.

An exceptional English Regency-period bonheur du jour attributed to John Maclean, ca 1810. A fine early-19th century rosewood and brass-inlaid bonheur du...

A beautiful wall console designed by Ico Parisi produced by Spartaco Brugnoli circa 1950. It is crafted out of Brazilian rosewood and ebonised walnut. The console has two brackets on...

Stunning medium sized writing desk model 530 designed by Gianfranco Frattini and manufactured by Bernini, Italy 1957. This desk is made of nicely grained rosewood and cherrywood vene...

Regency style round rosewood center or dining table, 1950s by Maitland Ward, ebony banding. 48" round table - closed. Perfect for a center table or a bre...

We are delighted to offer for sale this rare and important suite of twelve original John Gee 1779-1824 Regency bergère Rosewood with brass inlay dining chairs Where to start, these are as rare as they come, an original suite of John Gee chairs and twelve no less! They have rosewood frames, brass inlaid and period bergère seats with later mate removable cushions. I have included a brief history on John Gee below along with some of is later sales and so on Most likely if you are a collector and follower of fine furniture, you would have seen this design many times before, these are the originals, where it all began, the first edition period pieces by one of the great cabinet makers of the late 18th to early 19th century. The craftsmanship is as fine as they come In terms of the condition, they are all structurally sound, the finish is original and they haven’t been professionally restored so far as I can see. There are some small losses which is quite normal to the brass work and some punches to the bergère again consistent with age and use, they are after all, over 200 years old. We have deep cleaned hand condition waxed and hand polished them from top to bottom, I can have them fully, professionally restored for the cost price should the new owner wish, they can be made as gallery perfect as possible X2 Carver dimensions Height:- 84.5cm Width:- 52cm Depth:- 59cm Seat height:- 45cm X10 standard chair dimensions Height:- 84.5cm Width:- 46.5cm Depth:- 53cm Seat height:- 46cm Please note all measurements are taken at the widest point Gee, John 49, Wardour Street, Soho, London; chair maker and turner (fl.1779–c.1824) Also listed as Gee & Sons (1809) and Gee, Thomas Ayliffe (1804– 09) In about 1779 John Gee replaced Thomas Ayliffe as partner to Benjamin Crompton, who had been Turner in Ordinary to George III since 1762. On 14 October 1787 Gee was sworn in as turner ‘jointly with Thos. Ayliffe his partner’, but his name, unlike Ayliffe's, does not appear in the Court and City Register until 1799. Ayliffe was the fourth member of his family to be a turner to the King, so Gee was probably the junior partner. In 1790 Lord Wilton bought chairs for the Music Room at Heaton Hall, Lancs. ‘2 June 1790 Aycliffe & Gees Bill for chairs etc. £49 8s.’. From 1799, when he is described as ‘Chair-maker, 49 Wardour Street, Soho’, Gee is listed in London directories. In 1803 he is called ‘Chairmaker & Turner to His Majesty’ and this title occurs regularly in entries up to 1823; in most directories, however, this appointment is omitted. Gee is also included in the list of master cabinet makers attached to Sheraton's Cabinet Dictionary, 1803. The last directory listing for Gee is 1823–24. On 8 November 1804 Thomas Ayliffe Gee was appointed Turner in Ordinary to the King jointly with his father and briefly, in one directory of 1809 the firm is listed as ‘Gee & Sons, Turners & chair makers’. John Gee's name is shown in the Court and City Register until 1831, well after his apparent retirement. Charles Holme Bridges, who succeeded Gee at 49 Wardour St in 1824 received a royal warrant in 1822 but is first entered as a turner in the 1832 Register. Gee's productions have been identified through stamped marks: ‘J GEE’, ‘GEE’, l GEE’, ‘Jn. G’ and a crown, J within G, and ‘GEE WARDOUR ST’ have been noted. Certain chairs are stamped with initials: ‘RR’, ‘GL’, ‘GH’, ‘IT’ and ‘WG’ have been noted. These are probably the marks of individual chairmakers in Gee's employ. His seems to have been a substantial undertaking. The following summary list records chairs by Gee in the order of their emergence: Pride's of London, 1962, 6 chairs, painted trophies on green and brown background, stamped ‘J GEE’. Bearne's Sale Rooms, 1964, settee, 2 armchairs, 7 chairs, stamped ‘J GEE’; 8 chairs, brass inlay, stamped ‘J GEE’. Sotheby's, London, 19 June 1970, lot 80, 4 chairs, simulated rosewood, gilt, stamped ‘GEE’ and ‘RR’; Sotheby's, London, 23 October 1970, lot 170, 6 chairs, simulated rosewood and brass inlay, stamped ‘GEE’ and ‘GL’ (some only); Sotheby's, London, 11 June 1971, lot 192, 2 armchairs, ebonised and gilt, stamped ‘GEE’; Christie's, London, 20 January 1972, lot 64, 8 chairs, ebonised, stamped ‘I GEE’ and ‘GH’; Bearnes & Waycotts, 1974(?), armchair, painted. Christie's, London, 31 October 1974, lot 98, 3 chairs, gilt, one branded ‘Jn. G’ twice with crown, the other two branded with crown, and with trade label of Copworth Bros. & Harrison, 22 Old Bond Street, Carpet & Cabinet Manufacturer to Her Majesty; Pride's of London, 1975, 6 chairs, simulated rosewood and brass inlay. Temple Newsam House, Leeds, 1976, 2 armchairs, ebonised and painted, stamped J within G and ‘IT’. Mrs G. M. Douglas, Bath, 1978, 3 chairs, painted green, stamped ‘GEE WARDOUR ST’ and ‘WG’. Sotheby's, London, 14 November 1979, lot 277, 2 chairs, painted with flowers, one stamped ‘GEE’. Private House, Monmouthshire, 1985, 8 chairs, ebonised, all stamped ‘GEE’ and ‘IT’, and 2 settees, en suite, both stamped ‘GEE’ and (?) ‘WP’. SOANE MUSEUM, 4 plain splat back chairs...

Elegant lines and beautiful on this single tall back chair design by Niels Koefoed, solid and sturdy in beautiful solid rosewood new knoll fabric, stamped on the bottom with Danish control tag. A very rare accent desk chair.

Quality antique 19th Century William IV rosewood tea caddy, having a quality shaped rosewood top opening to reveal a fitted interior of a glass tea mixing bowl and a tea lidded compa...

A solid rosewood X-base campaign table with leathered marble top. Designed by Edward Wormley for Dunbar.

Pierre Jeanneret Desk, 1960's Rare “Writing Table for Junior Officers” in rosewood. Rectangular top supported on one side by a tripod base and on the other by a long, double-sided...

Vintage Danish rosewood bookcase by Johannes Sorth for Nexø Møbelfabrik, Bornholm, Denmark Very versatile tall book case with shelves, cabinet and drawers, also functions as a high s...

A rare and important Art Deco period Century of Progress Display Cabinet designed by Wolfgang Hoffmann (Austrian, 1900-1969) for Romweber Company, Batesville, Indiana, United States of America. circa 1933-1936 Created for the 1933 Chicago World's Fair, one piece design, having a rectangular showcase top with glass panel sides and a pair of sliding glass doors, over solid wood chest fitted with four drawers affixed with horizontal pulls, flanked by cabinet doors, opening to shelved interior. Rosewood, mahogany, richly figured blonde - golden birch or primavera, and glass. Signed, original label to drawer interior, featuring 1933 World's Fair mark impressed. **Please note, at the time of writing this, a matching sideboard - buffet (shown in last photo) is currently available separately** Provenance / Acquisition: Property from the important and iconic collection of Mr. James I. Rafftesaeth Jr., Dallas, Texas Acquired from highly reputable auction house, Heritage Auctions, Dallas, Texas. 2022 Design Signature Auction catalog #8091 History: Wolfgang Hoffmann was born in Vienna, Austria in 1900. He is the son of famous architect, pedagogue and Wiener Werkstatte cofounder, Joseph Hoffmann (1870-1956). Early on, following his father’s s interests, he was trained in the decorative arts and design. Wolfgang Hoffmann once reminisced, “I spent eight years at the Realschule, then three years went to a special architectural school, where I perfected my technical knowledge of architecture and general construction. From this school, I was graduated to the Kunstgewerbeschule [Studying under Oskar Strnad and Josef Frank in Vienna]. After finishing this school, I had one and a half years of practical in a well known architect’s office. Thereafter I worked in my Father’s office for two years”. Hoffmann met his future wife, Polish immigrant Pola (1902-1984) when they were both studying at the Kunstgewerbeschule. Joseph Urban (1872-1933) was needing an assistant for his architectural business in New York and contacted his friend and colleague, Joseph Hoffmann in Vienna. Hoffmann recommended his son Wolfgang. Urban hired him and sent a first class passage ticket to Vienna for Wolfgang to travel to New York. Wolfgang married Pola and traded his ticket for two tickets to America in steerage, arriving in New York City in December of 1925. Leaving the Urban office after nine months, Wolfgang and Pola formed an independent design practice with offices on Madison Avenue in Manhattan with the purpose of creating contemporary interiors and industrial designs. Early work included theaters, stores, and apartments mostly in New York City. During the late 1920’s and early 1930’s the Hoffmanns designed custom furniture for private clients. Some of these examples were shown in the February 1929 issue of House and Garden. Curiously, the examples’ design was attributed to Urban and the production to Pola Hoffmann, Inc. Established in the fall of 1928, the American Designers’ Gallery was “devoted exclusively to showing objects and interiors for practical use… by fourteen American architects and designers”. Its members included the Hoffmans and Urban as well as ceramist Henry Varnum Poor (1888-1971), architect Raymond Hood (1881-1934), artist designer Winold Reiss (1886-1953), graphic designer Lucien Bernhard (1896-1981), decorator Donald Deskey (1894-1989), and architect Ely Jacques Kahn (1884-1972). The Hoffmanns’ work was included in the American Designers’ Gallery’s two showcase events, its 1928 and 1929 exhibitions. Their dining alcove at the 1929 event featured a bench with a dinette table and two chairs in American walnut designed by Wolfgang and a rug by Pola. Lucien Bernhard, fellow Austrian immigrant who settled in New York a year before the Hoffmanns, operated the gallery and decorating service Contempora with Munich resident Bruno Paul (1874-1968). The Hoffmanns, occasionally participating with Contempora, designed a number of outstanding interiors, including the constructivist living room of 1930 for Mrs. O.R. Sommerich at 40 East 66th street. In 1934, Donald Deskey commissioned Wolfgang to design birchwood furnishings for the eclectic apartment at 625 Park Avenue belonging to Helena Rubinstein. In 1931, Wolfgang exhibited his work at the Pennsylvania Art Museum and the Museum of Modern Art in New York City. The same year, with Kem Weber (1889-1963) he organized the second and final exhibition of AUDAC- “Modern Industrial and Decorative Arts”- at the Brooklyn Museum. At this event, the Hoffmanns showed the dining room previously included in the American Designer’s Gallery’s 1929 exhibition in the Chase Bank Building lobby at 145 West 57th Street in Manhattan. In 1932 Wolfgang was asked to assist Urban in developing the color scheme for the 1933-34 Chicago World’s Fair “A Century of Progress”. He was also commissioned to design the interior and furniture for the fair’s lumber industries house. There he executed its living and dining rooms furnished by Kroehler Manufacturing Company of Chicago; the boys’ room by Shower Brothers...

Lovely set of four antique Victorian rosewood dining chairs, having a lovely quality set of four antique Victorian dining chairs with a quality rosewood balloon back rest above an up...

Origin: Denmark Designer: Kai Kristiansen Manufacturer: Schou Andersen Møbelfabrik Era: 1960s Materials: Rosewood Measurements: 19″ wide x 19″ deep x 31″ tall, Seat: 18"

Side table with built-in drawer, made of rosewood, model K.T No. 152, made in classic Danish design from the 1960s. The integrated drawer offers practical storage space, which makes...

Set of 6 Dining Chairs and 2 Armchairs in Rosewood with Black Leather by Kurt Østervig, 1960's Additional Information: Material: Rosewood and black leather Style: Mid century, Scand...

A stunning Edwardian rosewood occasional or lamp table of exceptional quality, finely carved with beautifully rich patination, fine grain and line inlaid with marquetry panel detail ...

his carved Altar table from China was made from solid Rosewood in about 1900 - 1940's and still maintained very good condition. This table has beautiful open carving works of two dragons playing fire balls...

Mid-Century Modern two piece entryway cabinet and hanging wall mirror in rosewood, circa 1970s, Denmark. This set features natural rosewood grains accented with a unique ceramic tile...

Rare pair of Sergio Rodrigues Paraty arm chairs. Newly upholstered. In excellent condition.

Italian Mid-Century (1950s) rosewood sideboard with 5 teak doors having a rectangular brass handle and supported on low tapered square legs (Attributed to OSVALDO BORSANI)

Beautifully made Rosewood Jewelry Box. 2 Triangular Lids open to reveal a velvet lined interior. Carved handle makes it easy to access interio...

French midcentury rosewood round end table with a floral inlaid top of mother of pearl and ebony supported on three scroll legs connected with a stretcher base (JULES LELEU). Jules...

This pair of Art Deco armchairs by René Prou represents the designer’s refined, curvilinear aesthetic and elegant sense of proportion, paired here with dramatic black lacquered wood ...

A fabulous pair of rosewood end tables with rosewood frames and a decorative tiled top. These beautiful pieces are stamped, "Made in Denmar...

Jules Leleu (1883-1961). Rosewood marquetry, with gilded bronze accents side table. Signed, numbered and dated 1953. Measures: Height 21”, length 27”, depth 19”.

Pair of side tables in rosewood designed by Knud Joos and made by Jason Furniture Denmark, great original condition.