Chippendale Girandoles

Late 19th c., shaped mirror glass framed by giltwood foliate scrolls. The particular shape with "Rocaille" friezes with floral motifs in Louis XV style is further embellished by the ...

One large French modern neoclassical double arm metal wall light / sconce / girandole with mirrored backs in the style of Mathieu Mategot. The metal frame is pierced and the mirror h...

Petite pair of two candle mirrored wall sconces from the sumptuous Belle Époque era. Foliate scrolls with full leaf motif bobeche. Priced as a set. See...

Exceptional Adam style giltwood girandole.

English Regency giltwood convex mirror, circa 1810. Featuring elaborate carving at top and bottom of acanthus leaves and scrolls, with two single graceful girandole. Bull's-eye mirro...

Pair of American gilt carved wood girandole mirrors with flanking eagles on rock plinths perched to flee , upper and lower acanthus carved floral motif, ebonized reeded circular mold...

A George III Giltwood Pier Mirror In the Manner of Thomas Johnson An exceptionally detailed design; the superb carved decoration housing a shaped rectangular plate and undulating mirrored borders; the inner frame closely tied to the outer frame and leading the eye around the mirror. The grandiose masterful carving incorporating C-scrolls, flowering branchwork, stylized icicles, acanthus leaves, and distinctive architectural follies and figures which firmly place this mirror within the canon of Johnson's greatest designs. The confident execution is a great testament to the technical prowess and artistic creativity of one of the greatest carvers and designers of the eighteenth century, circa 1760. Provenance Edward Cecil Guinness, 1st Earl of Iveagh, Farmleigh, Co. Dublin, (1880?-1927); The Earls of Iveagh, Farmleigh, Co. Dublin & Elveden Hall, Suffolk (1927-2018). Thomas Johnson (1723-1799) Thomas Johnson was one of the most skilled carvers and furniture designers in Georgian England. Drawing inspiration from the Fables of Aesop, the rococo, China, and the idealised rustic life, his work is whimsical, exuberant and witty. Chippendale borrowed freely from his work. Johnson was a founder member of the 'Antigallican Society', a group who excoriated the French taste. In addition to its relation to Johnson's designs, this mirror also reflects the influence of Lock, the great master with whom he worked for a period. Lock published many sketches and pattern books, including A New Book of Ornaments for Looking Glasses in 1752, introducing several idiosyncratic features which Johnson would adopt such as the small decorative urns...

With original gilding. Broken arch pediment with central shell carving over a beveled mirror plate set within a frame with carved shaped corners , backplates that once held candle arms.

These are from the Thomas Devenish Collection (documented below; see provenance). This pair of mirrors represents the transition period of rococo to neoclassical aesthetic which cont...

Pair of narrow, rectangular gilt bronze girandoles with beveled mirror and twin candelabra, circa 1890. Ornately decorated frame with openwork of fleur-de-lis, renaissance architectu...

Beautiful English convex mirror with girandole arms. Mirror i topped with a carved eagle and resting on leaf and floral carvings. Label on back indicating it was sold in Dover, E...

Pair of Venetian painted and gilt girandole mirrors with carved floral crest , gilt side carvings & the original three arm candle cluster . Mirr...