Antique Miroir Brot Triptych Mirror from Paris

This fantastic triptych wall mirror was made at the Parisian workshops of Miroir Brot in the 1920s. The mirrors can be folded in or out - the pictures show it hanging flat on a wall...

The french house brot is renowned for its exceptional mirrors. The triptych mirror was invented in 1875 by la maison brot and the model proposed here is a free-standing model, adjust...

This antique mirror, crafted from hand-polished mahogany and originating from Denmark around the 1880s, is a stunning example of late 19th-century design and craftsmanship. The fram...

A carved giltwood mirror of very large-scale and great quality, made by Froom & Cribbs of London. The beautifully carved wooden frame decorated with flowers and foliage. The scrolled arched top centred by an open scallop cartouche with cresting eagle. Both the frame and glass are in good condition. Stamped on the back with important London makers name and address. Froom & Cribbs 1832-1849. At 136 Strand, London. Carvers and gilders, looking glass manufacturers, picture frame makers. William Froom (1791-1865) was christened in 1791 at St George the Martyr, Southwark, the son of William and Martha Froom. He first comes to notice in 1825, when he attended a meeting of more than fifty master carvers and gilders who resolved to resist the demands of journeymen for an increase in wages (The Times 30 June 1825). He followed Fentham & Co (qv) at 136 Strand, using the description, ‘Late Fentham & Co’, on his trade label for many years. By 1829 Froom had entered into a short-lived partnership with William Cribb (qv), which was dissolved in 1831 (London Gazette 3 May 1831). William Froom and his wife Elizabeth Anne had five children born between 1831 and 1840, christened at St Mary-le-Strand.William Froom was a customer of the composition ornament maker, George Jackson & Sons (qv), 1836-1842 (see Jackson account book, V&A Archive of Art and Design, AAD/2012/1/2/3). In the 1839 directory Froom was listed as a looking glassmaker and in the 1841 census as a plate glass manufacturer. He would appear to have retired from business in 1849 from his entries in the Post Office directory. In the 1851 census he was living in Oxford Square...

This mirror, crafted from hand-polished mahogany and adorned with intricate carvings, is a stunning example of Danish craftsmanship from around the 1880s. The rich, deep tones of the...

The mirror of hand-polished mahogany is a beautifully crafted piece of furniture that was made in Denmark during the late Empire period, around the 1840s. The mirror is made from hig...

This mirror, crafted from hand-polished mahogany and adorned with intricate carvings, is a stunning example of Danish craftsmanship from around the 1880s. The rich, deep tones of the...

This mirror, crafted from hand-polished mahogany and adorned with intricate carvings, is a stunning example of Danish craftsmanship from around the 1880s. The rich, deep tones of the...

Tall antique decorative gilt wood mirror with a signed oil painting on the top section some other wonderful features. It’s very hard to show a good image of this mirror & to convey ...

This gorgeous free standing mirror is in stock at our New York warehouse and available for immediate delivery. Also available in custom sizes, finish or material of your choice. Other materials available are African Teak, Black Maple, Bubinga, Cerused Oak, Cerused Gray Oak, Gray Oak, Ebony, Macassar Ebony, Striped Macassar Ebony, Walnut Burl, Sycamore, and Zebrawood. About Costantini Design Costantini is a furniture design and manufacturing company founded in 2002 by artist and designer William C Stuart. The name Costantini comes from his maternal grandfather, a first generation Italian-American. Born in New York City and raised upstate, William majored in studio art at Colgate University with a year abroad in Paris, graduating with honors. In 2001, he traveled to Buenos Aires and fell in love with the culture and craftsmanship instantly. He designed his first collection soon after and opened an art and design gallery in Los Angeles. A decade later, he came home to New York and now has a studio in the famed West Chelsea Arts Building where his works blur the lines between art and functional design. The team of artisans continue to produce the majority of the furniture in Argentina. Aside from private collections, some notable public projects include the Hotel Bel Air, the Sultanate of Oman, Bergdorf Goodman, NoMad Hotels...