Georgian Furniture

Wonderful set of 9 botanical prints Lithographs after drawings mainly by C.M Curtis Original hand color Published by S.Curtis. Dated 1825 and 1826 Unframed. Free shipping

This is elegant antique George III period flame mahogany secretaire breakfront bookcase, circa 1820 in date.  It is of wonderful quality, has a rich and striking grain, and has been...

This George III Chest Later Painted features the blue and white 'Willow" pattern, a popular style of Chinoiserie decoration. The rectangular top, framed by a painted cartouche, sits ...

Glorious set of 12 prints of English country houses or stalely homes. Chromo-lithographs After the original drawings by Alexander Francis Lydon Published by Mackenzie C.1880 Unfr...

Large antique George III outstanding quality figured mahogany three pilar dining table boasting a magnificent quality figured mahogany top in three sections supported by three fabulo...

Outstanding quality 16 seater antique George III figured mahogany two pilar dining table having a superior quality figured mahogany top with one large extra leaf supported by turned ...

A late Georgian settee having upholstery to front and back with mahogany frame featuring reeded top edge, balustrade turned column arm supports and four tapered ring turned legs to f...

Antique George III quality figured mahogany bow fronted chest of 5 drawers having a quality figured mahogany bow fronted shaped top with a moulded edge above 2 short and 3 long figur...

This English slant-front secretary desk, crafted around 1800, is a fine example of late Georgian furniture (circa 1760–1820). This style is characterized by restrained elegance, clean lines, and refined craftsmanship, combining practicality with aesthetic balance. The desk is made entirely of solid European summer oak—an unmistakable mark of quality, especially since similar desks often feature pine for their interior components. The warm, deep brown color, rich patina, and soft sheen give the piece a distinctive and authentic character. The fall-front is a flat panel fitted with its original brass escutcheon and a working lock. When opened, the writing surface is supported by the two outer top drawers, creating a stable and spacious workspace. The interior is beautifully arranged: directly behind the writing surface lies a recessed well, and behind it a central compartment enclosed by a door, complete with matching working lock and key. Flanking this central section are six small drawers, with open pigeonholes positioned above them, tucked beneath a finely scalloped valance—an elegant layout for organizing correspondence and writing tools. The construction reveals traditional craftsmanship, including exposed dovetail joints connecting the sides to the top. The drawers are fitted with finely pierced brass hardware, and all locks—on the drawers, fall-front, and interior compartment—operate with a single original key, a rare and telling detail of the desk’s authenticity. The piece stands on classic bracket feet, typical of the period. The desk is in excellent condition with no defects. It was gently cleaned and treated with a fresh layer of protective wax in our workshop. This graceful historic desk...

FREE WORLDWIDE SHIPPING Stunning Mottled Patination From our Tea Caddy collection, we are delighted to offer this beautiful Antique Melon Fruit Tea Caddy. The Tea Caddy made from S...

A handsome English sideboard server (or serving console) from the Georgian era - featuring a serpentine moulded top with raised gallery back - enclosing two compartments with tambour...

A stunning antique GeorgeIV Regency breakfast table  in the manner of Gillows, Circa 1820 in date with a matching set of six  Barback dining chairs Circa 1980 in date. The lovely fi...

Rare metamorphic antique George III quality mahogany extending dining table having a quality mahogany top with a reeded edge and 3 original extra leaves standing on 8 turned tapering...

This is an Ironstone pottery, Jug or Pitcher made by the Mason's factory at Lane Delph, Staffordshire, England and is decorated in the Table and Flower Pot Pattern, fully stamped to the base and dating to the earliest period of Mason's Ironstone production, circa 1818. This is a very rare shaped Masons Jug...

This is an early Mason's Ironstone pottery rectangular platter, hand painted in the very decorative basket Japan pattern, produced by the Mason's factory at Lane Delph, Staffordshire...

George III mahogany bow front chest of drawers, circa 1800. With a D shaped single board top, two top drawers and two graduated bottom drawers all with cock beaded moldings and bras...

Glorious set of 15 prints of London buildings Steel engravings. Published by Tallis, circa 1840 Unframed.

Opulent late 19th/early 20th century English George III style writing table or desk decorated in the Chinoiserie revival period of Europe. The desk features a knee hole style case wi...

Rare 28 seater 6 pilar antique George III quality mahogany dining table having a large quality figured mahogany top supported by six turned shaped pedestal columns. Each pedestal co...

An unusual Irish George lII cut-glass mirror. Early 19th century. The arched top mirror plate is set within a frame of faceted blue and white glass studs with applied gilding. This...

Antique George III quality mahogany 8 day longcase clock having a quality mahogany case with a swan neck pediment, turned columns, mahogany and glass arched shaped door opening to re...

Antique George III quality walnut floral marquetry inlaid candle stand having a quality walnut shaped top with pretty inlaid floral marquetry supported by a turned tapering shaped wa...

A fine antique Georgian Regency period tall case 8 day inlaid mahogany grandfather clock with a rocking figure of Old Father Time, by Andrew Rich of Bridgwater Somerset, circa 1820. The clock is made of the finest figured flame mahogany & inlaid with satinwood stringing, the clock hood with twin arched 'swan's neck' pediment with brass rosettes & a central brass urn shaped finial. The hood door is flanked by a pair of turned columns with gilt brass capitals & bases, the door enclosing a painted dial with gilding & floral spandrel panels. The clock having an unsul feature of a winged Old Father Time, holding his scythe he rocks backwards & forwards in unison with the pendulum. The dial with black Roman numerals and having a seconds dial and also a calendar dial, the clock is signed to the center "Rich Bridgwater" (a prosperous historic coastal town & port in the Somerset area of the Southwest of England). The trunk of the case with carved 'ropetwist' pilasters, the door & base inlaid with satinwood stringing, the clock is raised on bracket feet. The clock has an eight day mechanism & strikes the hours on a mellow sounding bell, the clock chime can be silenced by not winding the chime arbor, original pendulum & weights, winding key is present. The clock is in excellent antique condition & has just been professionally cleaned and overhauled by a professional clocksmith, it keeps very good time, this elegant antique tall case clock...

This early 19th century Georgian drop-front desk is reflective of an era when form and function paired beautifully to bring people amazing pieces. Made from gorgeous walnut this desk...

Early 19th Century George III Mahogany Secretaire Bookcase. Bookcase features a broken swan-neck pediment with fretwork design, above a molded cornice. The upper cabinet features two...

Pair of antique George lII brass candlesticks having a shaped column raised on a round stepped base Measures: H 24.5cm W 11cm D 11cm Date 1810.  

These are a pair of Derby Porcelain "Mansion House" Dwarfs or "Grotesque Punches" both with incised model numbers and dating to the 19th century. Both figures, male and female are m...

Antique George III quality mahogany longcase clock by Dan Williams of Crickhowell having a shaped pediment with three original turned mahogany finials above an arched glazed and maho...

Large Antique George III quality mahogany breakfront bookcase having a swan neck pediment above a dental moulded cornice above four quality figured mahogany glazed doors. The doors o...

A Charming And Very Attractive Matched Set Of Six Yew Wood, Low Back, Kitchen Windsor Dining Armchairs, Having Extremely Well Figured Pierced Splats And Turned Supports To Curved Bac...

A fine English double pedestal desk of mahogany from the 19th century, in the Georgian style, featuring a gilt embossed leather-inset top in a lovely tan hue with mahogany surround, ...

Antique George III quality brass face oak longcase clock by William Lister having a quality oak case with an arched top, two turned columns, ...

Large antique George III quality copper kettle with a shaped handle, spout and lift off lid. In lovely original condition. Dimensions: Height 38.5 cm (15.15 in) Width 41 cm (16.14...

Set of ten very fine quality mahogany and tooled morocco leather dining chairs having shield shaped backs with crisply carved rosettes and "lamb's tongue" borders, the leather with g...

The receiver plate supporting eight candle arms with slip over drop hung drip pans these alternate with upper kick arms these with drop hung canopies and triangular spires, the balus...

GORGEOUS Antique English oak and mahogany georgian era plate dresser, sideboard, hutch cabinet, server or buffet~~early 19th century These pieces, co...

George II Style Chinoiserie Japanned gilt decorated ebonized cane side or desk chair with removable down filled red velvet seat cushion. Beautifully curved cabriole legs with paw b...

Antique George III style mahogany inlaid sideboard, 19th century. With a two board mahogany top, a central drawer with cock beaded moldings and string inlay over two doors with fan i...

Botanical Splendor: A British Watercolor of Tulips, Early 19th Century This early 19th-century British botanical watercolor is a stunning exampl...

Antique George III quality 8 day oak longcase clock by Walker of Nantwich having a quality oak case crossbanded in mahogany, swan neck pediment, reeded columns to the hood, shaped do...

Antique Early 19th Century Georgian Regency Mahogany Dining Carver Chairs – Set of 8 (7 plus 1), Fine Quality. A rare decorative find, this set of eight early 19th-century Geo...

These are a fine early set of six ironstone pottery dinner plates made by the Mason's factory at Lane Delph, Staffordshire, England and beautifully decorated in the small vase, flowers and rocks pattern, fully stamped and dating to the earliest period of Mason's Ironstone production, circa 1818. This design is one of Mason's very decorative Chinoiserie patterns called "Small Vase, Flowers and Rocks" pattern, which is one of Mason's rarer patterns with very rich hand gilding and all hand painted, the detail of each plate being different. This Imari inspired pattern is illustrated on page 110 of a Guide to Mason's Patent Ironstone patterns, circa 1813-1848, produced by The Mason's Collectors Club. All plates...

This is a good stone China (Ironstone) coffee can made by the SPODE factory in the early 19th Century, circa 1820. The coffee can is well potted with cylindrical shape and a loop handle with the distinctive Spode kink to it. The piece is beautifully decorated with hand painted enamels in the chinoiserie Kakiemon style, pattern number 2117. It has the Spode Stone China blue printed...

This is a fine example of an English George III period, porcelain serving platter or large oval dish, made by Spode and hand painted in candlelight Pattern 967, during the early 19t...

This is a large, gorgeous 19th Century Refinished George III demilune Console table. It features tapered square legs with inlay details and crotched mahogany around the front. A b...

Antique Early 19th Century Georgian Regency Mahogany Dining Carver Chairs – Set of 8, Fine Quality A rare decorative find, this set of eight early 19th-century Georgian mahoga...

A richly carved late 19th century Irish giltwood console table in the William Kent style, the frieze centered with a dramatic scallop shell, flanked by scrolling acanthus and lion ma...

19th Century Georgian, Sheffield Silver Plate Candlesticks, Pair Pair of English, Georgian, George IV Sheffield silver plate candlesticks. Vintage, distressed silver finish. Silver ...

Outstanding quality antique George III mahogany inlaid bureau bookcase having an outstanding quality carved cornice above a pair of mahogany inlaid satinwood astral glazed doors open...

This is a very decorative oval shaped serving dish or platter by Mason's Ironstone, Lane Delph, England in the "Rock , Leaves and Flowers" Pattern, dating to the very early period of...

This is a wonderful English antique George III sterling silver 10 inch salver, by the world famous silversmith Paul Storr. It has clear hallmarks for London 1811 and the makers mark of Paul Storr. It is typical of his work with the raised gadrooned rim with anthemion at intervals, on four fabulous foliate bracket feet. The salver is engraved with a crest and motto and the underside is later engraved Charlotte J. Parke from C. J. Parke, March 1893' The centre is engraved with a crest above a motto 'True and Fast' and I have researched this crest: The Crest of Parke The crest as engraved upon this George III English Sterling Silver Footed Salver by Paul Storr hallmarked London 1811 is that of the family of Parke. It may be blazoned as follows: Crest: A stag’s head couped sable holding in the mouth a key or Motto: True and fast The family of Parke originally hailed from the County of Cumberland in the northeast of England1 later settling in the County of Dorset at Henbury House, Sturminster Marshal, near Wimborne. Given the evidence of the inscription found on the underside of the salver ‘Charlotte J. Parke from C. J. Parke, March 1893’ it was undoubtedly at one time in the possession of Charles Joseph Parke (died 9th March 1893) of Henbury House aforesaid and gifted to Charlotte Josephine Parke (baptised 4th January 1857 died 2nd January 1941) his third daughter by his wife, Ellen Mary Ethelston. I would venture the following hypothesis that the salver was bequeathed to Charlotte in her father’s will that was granted probate at London on the 20th May 1893. The ‘March 1893’ of the inscription acts as a remembrance of the month of the death of her father. It was noted that Charlotte’s father left an estate worth some £66,892, 19 shillings and one pence, a very considerable sum in the last decade of the 19th Century and even thereafter. Charlotte never married and was living at the time of her death at The Coppice, Sixpenny Handley in the County of Dorset. Her will was proved for probate at Llandudno on the 25th March 1941. She left an estate worth £18,866, 10 shillings and 4 pence. Again, a comfortable sum in 1941. See the photo of Henbury House, Sturminster Marshal, near Wimborne, Co. Dorset. The former seat of the Parke family. The house was destroyed by fire, the remains of which were demolished in the 1990's. There is no mistaking its unique quality and design, which is sure to make it a treasured piece by any discerning collector. Condition: In excellent condition with clear hallmarks and no dings, dents or signs of repair. Please see photos for confirmation. Dimensions in cm: Height 2 x Width 26.5 x Depth 26.5 Weight 0.69 kg Dimensions in inches: Height 1 inch x Width 10 inches x Depth 10 inches Weight 1.5 lbs Paul Storr born in London England in 1771, was to become one of the most talented silversmiths of the nineteenth century. Today his legacy of exceptionally well crafted silver, found worldwide in museums and private collections, leaves one in awe when compared to that of his contemporaries.After having served a seven year apprenticeship from the age of 14, he began his career in 1792 when he went into a brief partnership with William Frisbee. This did not last and in 1793 a new mark, (his initials ‘P S’) was entered. By the beginning of the nineteenth century he had established himself as one of London’s top silversmiths producing, amongst others, commissions for Royalty. In 1801 he married Elizabeth Susanna Beyer with whom he was to have ten children. In 1807 Paul Storr entered into a working relationship with Philip Rundell and by 1811 was a partner, and managing the workshops for Rundell, Bridge & Rundell. During this period he kept his own marks and separate workshop. However it was through Rundell, Bridge & Rundell who were appointed Goldsmith in Ordinary to George III in 1804 that his reputation as a master silversmith grew. His talents lay in being able to transform ideas and designs from Rundell, Bridge & Rundell’s designers, William Theed...

Antique Fall Front Secretary Desk in solid oak, England, late 18th to early 19th Century. This is a wonderful English antique fall front secretary desk in solid oak with brass fitti...

Presenting a gorgeous 19th century Irish country squires mahogany Hunt table. This table was made in the late 19th century circa 1880, and is made of solid mahogany and sits on 8 legs with padded hoof feet. 2 drop leafs on either side supported by swinging gate legs on either side when upwards. Beautiful interlocking detail to the side leafs and central section. Oval in shape …. it would comfortably seat 8 people. Made in Ireland. This is a ‘Hunt’ table and not to be confused with an Irish ‘Wake’ table. Whilst ‘Hunt Tables’ and ‘Wake Tables’ are similar in shape and design their original purposes could not be more different. Wake Tables were made and used by indigenous Irish people for 2 purposes: (1) As a full functional dining table and (2) the central section had to be of sufficient width and length to support a coffin for the purpose of ‘waking’ the deceased in their home. Wake Tables were almost always made of oak, as this was the most common wood found in Ireland and therefore available to the ordinary (and poor) Irish Folk. Sometimes they might also be made of elm or sycamore. Hunt Tables. however, we not made for the purposes of holding a coffin or ‘waking’ the dead. They were made for the ruling classes, nobility or gentry for the sole purpose of use on the day of the ‘hunt’. This would be the fox hunting season of Fall and Winter, where the participants in the ‘hunt’ would gather at the local manor house early in the morning and the snacks and refreshments would be displayed for eating and drinking on the ‘hunt’ table. Hunt Tables are almost always made of mahogany which was an expensive and exotic hardwood imported from Cuba and the West Indies. When not in use they would be put up against a wall with the leafs down and items would be displayed on top. This table is obviously a ‘hunt’ table because: (1) It is made of mahogany (2) the central section is not wide enough to safely hold at coffin at rest. We are of the firm opinion that this is in fact an Irish-made Hunt Table due top the legs and padded hoof feet which more closely resemble the feet one would find on an Irish Wake Table...

Masterpiece in Cut Glass and Lead Crystal. c1890-1900 Antique Anglo Irish Traditional style Cut & Leaded Crystal Chandelier. This is a beauty!...

PRESENTING an AMAZING, EXTREMELY RARE and EXTENSIVE Early 19C Davenport Longport Imari China Dinner Service from circa 1805-1820. HIGH REGENCY PERI...

A good antique Georgian engraved silver gilt Vinaigrette by William Simpson, Birmingham, 1826. The vinaigrette having an engraved engine turned hinged lid with a floral border, the g...

An Extremely Attractive Early 19th Century French Sycamore Farmhouse Kitchen Dining Table, To Comfortably Seat 12 People, Having Well Figured Thick Plank Top Of Excellent Colour And ...

A very fine antique secretary/ bureau. With writing desk, 2 large and 2 small drawers and hidden secret letter compartments. Decorated with original brass ornaments and handles. Two ...

Antique 19th Century Mahogany Octagonal Drum Counting Table – Fine Quality Games Table An early 19th-century octagonal drum counting table crafted from mahogany with softwood carcas...

An elegant lowboy or side table in quarter sawn oak having three plank top with molded edge and rounded corners over three drawers with longer center drawer over two lower drawers al...