Mexican Architectural Models
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Place of Origin: Mexican
Feliciano Bejar Caja De Jano Bubble Box Magiscope Refraction Sculpture Op Art
By Feliciano Béjar
Located in Hyattsville, MD
Feliciano Béjar Ruiz Magiscopic red perforated glass aluminum box. Bejar was a Mexican artist, best known for a style of sculpture called Magiscopios which involved various material...
Category
Late 20th Century Modern Mexican Architectural Models
Materials
Aluminum
19th Century Spanish Colonial Santos Shrine With Gilt Wood
Located in Stamford, CT
19th century Spanish Colonial shrine for a Santos or statue of the Virgin Mary in the form of a church likely from New Mexico. Topped with three crosses with traces of gilding, two c...
Category
19th Century Spanish Colonial Antique Mexican Architectural Models
Materials
Wood, Giltwood
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18th/19th Century Spanish Colonial Carved Painted Wooden Santo Altar Figure
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19th century Spanish Colonial carved giltwood Triptych of Virgin Mary & Christ Child
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18th Century Spanish Santos
Located in Dallas, TX
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Rare Aztec Colonial Polychromed Wood Sculpture! Holy Imagene Bultos Santos Icons
Located in Peoria, AZ
MUSEUM PERFECTION !
AZTEC INFLUENCED
LATIN AMERICAN
COLONIAL ART
AMAZINGLY RARE PIECE !
Approx. 14" x 8" x 2 1/2"
After Hernán Cortés conquered the Aztec empire, painting and sculpture schools were set up within missions to produce art for Roman Catholic worship in Spanish America to promote Christian evangelization. The works that emerge from this period are great historic treasures and tell us much about this time in history. Icons were important in this conversion process.
Here is an Imagene that was likely employed in a church from the 17th century. It features 5 elaborately carved faces and figures depicting angels and saints.
This piece is magnificent for many reasons, but the most important reason is that this piece illustrates the bridge between the Spanish and Aztec art schools.
The Aztecs had developed the most splendid feather art in the world. Feather mosaics (arte plumario in Spanish, amantecayotl in Nahuatl), were created by specially trained and talented Aztec nobles. The blue green iridescent color of hummingbird feathers had made them a regular form of tribute to Aztec rulers and art that featured these feathers were incomparable.
The Spanish art instructors adopted feathers into traditional Catholic imagery and this piece shows the result of such hybrid. Here feathers are
prominently sculpted into the background and were polychromed with sensational hues to reflect the native love and cultural appreciation for feather art. Few feather mosaics survive because of their temporal frailty, but the wood worked feathers in this piece give scholars and collectors a lasting indication of how Aztecs stylistically used the feathers in their pieces.
Aztec religious leaders wore headdresses and garments made of feathers - and here these saints appear to be wearing feather headdresses!
Even after centuries, the colors of this piece are incredibly compelling. Fragments of the rich blue green pigment that was applied to mimic the hummingbird feathers are still present. The golds, yellows and browns display spectacular understanding of complementary colors.
What's more this piece also shows Aztec sun imagery incorporated into the design! On the reverse side of the Saints' faces we see a vivid blue sun burst type design which clearly was an Aztec motif of the period and has no comparable counterpart in Catholic holy treasures...
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Feliciano Béjar Glass, Steel and Brass Magiscope Sculpture
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