19th century Rosewood Walking Stick with Dagger and Hoof Handle

exceptional piece is finely hand carved, brass mounted with rich patination and fine grain. The fabulous curved horn handle is raised over a ring turned, elegantly tapering walking ...

Malacca walking stick with finely carved palm wood (boxwood) handle from the 19th century. Antique patina. Total length 93.3 cm, handle diameter 4 cm.

This is a beautiful antique oriental ladies silver handled walking stick, circa 1880 in date   The striking stick features an ornate silver Crutch handle featuring profusely embossed...

An Intricate Jerusalem Textile, made in Jerusalem, 1886. Double-sided large pouch. Wool thread embroidered on cotton net. One side has a lion and stag holding flags reading “Jerusalem” in Hebrew, which flank a crowned Ten Commandments. Titled in Hebrew “Swift as a deer, strong as a lion” (Ethics of the Fathers 5:20). “Jerusalem” is seen in large lettering, atop a pair of birds and flowers. Top scene of the reverse side is titled “Mount of Olives”, amongst a plethora of olive trees, and a cluster of buildings is titled “Chulda the Prophetess”, (where her and others tombs reside). Main scene is titled “The Western Wall”, which features the wall and outer structures with turrets and Cyprus trees. The Hebrew date of “1886” is revealed on the bottom corners. This delicate textile, incredibly vibrant in color after 130 years of being created, is a masterful, exceedingly rare work of art produced in Jerusalem by an unknown woman --- likely quite young, a teenager --- as a gift to an unknown individual. Too complex to be a “tourist trinket”, as we know of one other similarly-made textile that is in the collection of the Israel Museum, and is dated 1876: see the book “Jewish Folk Art: From Biblical Days to Modern Times”, page 122. A clue to where perhaps this was made is in the depiction of the lion and stag holding flags, as they are identical to those featured on the crest of Moses Montefiore. In the 19th century, Montefiore gave enormous sums of money to purchase land for Jewish settlements and establish schools in Palestine. This textile most likely hailed from a school for girls funded by Montefiore, and was made as either a gift for Montefiore himself, or another wealthy donor. As to the actual purpose of this textile, since it is in the form of a large pouch, its intended purpose might have been to hold a tallit (prayer...

Brass Hanukkah Lamp, Salonika, Greece, 19th century. Openwork backplate with scrolled branches; three stylized flowers support central triangular c...

Hand carved wooden Torah pointer, Germany, circa 1880. Folk Art Judaica. Every item in Menorah Galleries is accompanied by a Lifetime "Certificat...

Antique Hanukkah lamp, cast brass, rivets, Algeria, circa 1880. Crescent-shaped back plate, with eight gates, a vase with flowers, apertures in veget...

A true collectors item, this travail de maîtrise/master's work, made in France in the 19th century, dated 1879, a wooden three spoke wheel, mounted on a contemporary iron base, a rar...

This is a very good quality antique Vesta case, all handmade from various hardwoods and having well detailed shell inlay, dating to the 19th Century, Circa 1880. The case is all han...

Brass Hanukkah lamp Menorah, Poland, circa 1810. Cast in Bench form, on four feet. The backplate is cast and pierced featuring scrollwork. This lamp was made by the technique known as "sand casting". This process begins with a wooden mold that was carved out to create negative space, which in turn is used to make the inverse form or shape to be used for the casting of metal. The mold is pressed into fine sand mixed with clay, then removed, and molten brass poured into the impression. When a mold wears out, a casting from that mold is often used as the mold for the next generation. Those later lamps...