Moroccan Tribal Khoumya Dagger

Moroccan Khoumya Tribal hand -crafted and hand-carved dagger with brass scabbard and a chiseled wooden grip. Hand made by Moroccan artisans and is one-of-a-kind. Good condition wit...

R.S. Berkely silver plated flugelhorn, model FLU669, 2006. If used for playing, this horn is suitable for intermediate and professional trumpeters. Recognized for its durable con...

Pewter passover tray, Germany, 18th century. The outer rim has wriggle- work engraving of the order of the Seder service, along with a pair of birds fl...

A pair of early 20th century buckle sample boards, thick card with cord sewn steel buckles and hand numbered in graphite. Faded green backing paper with a pleasing red boarder, s...

Antique Victorian Micromosaic Brooch with Gilded Framing, Italy early 20th Century A Victorian micromosaic brooch with a central floral bouquet motif and the inscription "ROMA". Sur...

Handmade brooch in the form of an antler in silver gilded. In the middle a Victorian gold medal dated 1895. Austrian hallmark and silver hallmark.

An Intricate Jerusalem Textile, made in Jerusalem, 1886. Double-sided large pouch. Wool thread embroidered on cotton net. One side has a lion and stag holding flags reading “Jerusalem” in Hebrew, which flank a crowned Ten Commandments. Titled in Hebrew “Swift as a deer, strong as a lion” (Ethics of the Fathers 5:20). “Jerusalem” is seen in large lettering, atop a pair of birds and flowers. Top scene of the reverse side is titled “Mount of Olives”, amongst a plethora of olive trees, and a cluster of buildings is titled “Chulda the Prophetess”, (where her and others tombs reside). Main scene is titled “The Western Wall”, which features the wall and outer structures with turrets and Cyprus trees. The Hebrew date of “1886” is revealed on the bottom corners. This delicate textile, incredibly vibrant in color after 130 years of being created, is a masterful, exceedingly rare work of art produced in Jerusalem by an unknown woman --- likely quite young, a teenager --- as a gift to an unknown individual. Too complex to be a “tourist trinket”, as we know of one other similarly-made textile that is in the collection of the Israel Museum, and is dated 1876: see the book “Jewish Folk Art: From Biblical Days to Modern Times”, page 122. A clue to where perhaps this was made is in the depiction of the lion and stag holding flags, as they are identical to those featured on the crest of Moses Montefiore. In the 19th century, Montefiore gave enormous sums of money to purchase land for Jewish settlements and establish schools in Palestine. This textile most likely hailed from a school for girls funded by Montefiore, and was made as either a gift for Montefiore himself, or another wealthy donor. As to the actual purpose of this textile, since it is in the form of a large pouch, its intended purpose might have been to hold a tallit (prayer...

Rare Alsace carved wooden Torah Pointer (YAD), 18th century. The body of the pointer is engraved in its first part with a decoration of palmettes and stripes. It then continues with...

An Eastern European Kethubah Strikingly Decorated in Papercut Form, and with the Central Traditional Hebrew Text of a Most Uncommon Petite Appearance. Uni...

Brass Hanukkah Lamp, Salonika, Greece, 19th century. Openwork backplate with scrolled branches; three stylized flowers support central triangular c...