1 Volume. Edward Fitzgerald, The Rubaiyát of Omar Kháyyám.

Author: FITZGERALD, Edward. (Omar Khayyam) Title: Rubaiyat of Omar Khayyam. The Astronomer Poet of Persia. Rendered into English verse. Publisher: London: Macmillan & Co., Ltd....

From the library of John A. Spoor an elegantly bound Rubáiyát by Club Bindery. Omar Khayyám, Translated by Edward Fitzgerald. Rubáiyát of Omar Khayyám; The Astronomer-Poet of Persia. Rendered into English Verse. London: Bernard Quaritch, 1872. Third Edition. 8vo, 8 1/4 x 6 inches (210 x 153 mm); xxiv, 36, (xiv) pp. Beautiful dark maroon morocco binding by Club Bindery 1892 (gold stamped on bottom of inside cover), gilt titling and gilt fillets on turn-ins and board edges, marbled endpapers, t.e.g. Pictorial bookplate of John A. Spoor 1921 on inside front cover by Emery Walker. Elegantly printed with text within decorative frames on each page. Spine lightly rubbed, small tear to the inside front endpaper. [Potter, 137] Condition: Near Fine Edward Fitzgerald continually revised and rearranged his version of the Rubáiyát, which was first published privately by the author in 1859, through four distinct editions during his lifetime. This third edition settled on 101 quatrains (as opposed to 75 in the first edition and 110 in the second), which is how it solidified. 500 copies were printed. A RARITY. In this third edition the translator is not credited on the title page, nor is the introductory text. Fitzgerald said of his Persian translations that they were "All very well, but very little affairs..." (from the Bibliographical Note in the 1926 Shakespeare Head Press edition, which we are offering, inventory #416) This copy bears the bookplate of Chicago business mogul John A. Spoor. An avid book collector, he assembled a notable and impressive book collection during the late 19th and early 20th century, which was auctioned in 1939 by Parke-Bernet New York over the course of 6 days. The Morgan Library holds a number of books with the Spoor bookplate in its collections. This bookplate was engraved by Emery Walker (1851 – 1933), an engraver, publisher and photographer active in the Arts and Crafts movement, whose work in type design inspired the evolution of private presses in the UK, among them William Morris' Kelmscott...

A lovely edition of the poetry of Omar Khayyám, whose verses fed the orientalist craze of fin-de-siècle Europe. Khayyám, Omar / Translated by Edward Fitzgerald / Decorated by Thomas...

A sumptuously bound copy of this noted work, presented here in a highly decorative Bumpus binding, with exquisite gilt detail and watered silk pastedowns. The 1907 edition of the wo...

This is the first McCarthy translation of this popular text by the Persian polymath. London: David Nutt / Chiswick Press, 1889. 12mo, 6 3/4 x 4 1/8 in (170 x 105 mm) pp. lxii + clv...

A lavish production and VEDDER's MASTERPIECE, The Rubaiyat was a great success and helped establish Vedder as a major American artist. Khayyám, Omar / Illustrated by ELIHU VEDDER / ...

This superb and most eyecatching leather bound library edition of the famous translation of the Rubaiyat presented by Willy Pogany, published by George G Harrap and Co Ltd, London, w...

New York: Charles Scribner's Sons, 1920. FIRST EDITION, 8th Printing. 8vo, 7 1/2 x 5 1/8 inches (190 x 130 mm); pp. vi, 305, printed in 11 pt Old Style type on wove paper. Dark blu...

Fitzgerald, F. Scott. The Beautiful and the Damned. New York: Charles Scribner's Sons, 1922. First edition, first state. Rebound in ¼ leather and cloth boards, with raised bands, gilt titles, and tooling to the spine. Gilded edges. New archival cloth slipcase. Presented is a first edition, first state of F. Scott Fitzgerald’s The Beautiful and the Damned. The book was published by Charles Scribner’s Sons in New York in 1922. It is presented here, rebound, in gorgeous blue ¼ leather and cloth boards, with raised bands, gilt titles, and gilt tooling to the spine, and a new archival slipcase. The Beautiful and the Damned was Fitzgerald’s second novel, following his debut This Side of Paradise. The book is an exploration of the nouveau riche, New York City nightlife in the 1920s, and the inner dynamics of two young and reckless newlyweds. Semi-autobigraphical, Fitzgerald modeled the characters of Anthony Patch and Gloria Gilbert on himself and his new spouse Zelda Fitzgerald and the story draws circumstantially upon the early years of Fitzgeralds' tempestuous marriage. Fitzgerald started writing The Beautiful and the Damned in August of 1920, while in Westport Connecticut. Having reflected upon the criticisms of his debut novel This Side of Paradise, Fitzgerald sought to improve upon the form and construction of his prose in this second book. He relied heavily on editorial suggestions from his friend Edmund Wilson...

Handsome Riviere Sangorsky & Stucliffe binding of the plays by the author of the beloved Peter Pan. London: Hodder and Stoughton, 1947. 8vo, 8 1/2 x 5 1/2 inches (215 x140 mm); pp. xii, 1272. Binding by Sangorski & Sutcliffe (stamped in gold at the bottom of front turn-in) in blue crushed morocco with gilt fillets on covers and turn-ins, title in gilt, five raised bands with gilt outlined compartments, striped head and tail bands, a.e.g. —Cutler 93 A lush volume containing most of J. M. Barrie's (1860-1937) plays, 26 out of the 38 he wrote, of which 12 are one-act plays. This work was reprinted several times from its first issue in 1928, attesting to the popularity of his works for the theater, many of which discuss social concerns. The Twelve Pound Look (1910) concerns a wife leaving her 'typical' husband once she can gain an independent income. Other plays, such as Mary Rose (1920) and Dear Brutus (1917), revisit the idea of the ageless child and parallel worlds. However, Barrie's most lasting fame comes from creating PETER PAN, which is included in this volume, and had its first performance at the Duke of York Theatre in 1904. In 1911 Barrie would develop the play into a novel "Peter and Wendy...