Dilke, French Painters of the 18th Century, in an Outstanding Cosway Binding

A sumptuous extra-illustrated copy with Cosway-style binding by Bayntun of Bath. London: Eveleigh Nash, 1910. Octavo, 8 1/4 x 5 3/8 (210 x 137 mm),pp. i-xii, 382. Illustrated with ...

London: Arthur L. Humphreys, 1907. 12mo.; 6 3/8 x 4 3/4 in. (160 x 122 mm); pp. vii, 323, [6], rubricated title. Bound by Sangorski & Sutcliffe (stamped in gold at the bottom of fro...

French Furniture of the 18th century by Pierre Verlet and Penelope Hunter-Stiebel (Translator). University Press of Virginia, Charlottesville, VA, 1991. First edition thus hardcover ...

Title: "The Valley of Inspruck: An 18th-Century Engraved Perspective" This elegant original antique engraving, titled "The Valley of Inspruck," showcases a serene view of the Innsbruck Valley. The artwork is delicately rendered, capturing the grandeur of the mountains and the pastoral tranquility of the valley. The print depicts a detailed landscape scene, replete with towering craggy peaks that loom over a peaceful settlement nestled in the valley. A striking feature is the contrast between the ruggedness of the natural environment and the cultivated lands and architecture, indicating a harmonious coexistence of humanity with nature. It was published as directed on January 1, 1792, by T & G Egerton of Whitehall for the author. Albanis Beaumont is credited with the original design ('Del.' for delineavit, indicating he drew the initial illustration), and Cornelis Apostool is noted for the engraving work ('Sculp.' for sculpsit, indicating he engraved the image). The publication of this print during the late 18th century aligns with a time when there was a heightened interest in natural beauty and the picturesque, reflected in the art and literature of the Romantic period. This print would have appealed to those with an appreciation for both the aesthetic and the sublime qualities of the European landscape. The publication by T & G Egerton, a reputable firm known for their work in the arts, and the involvement of a skilled artist and engraver like Beaumont and Apostool, respectively, underline the quality and desirability of the print. It is a piece that would attract collectors of fine engravings and admirers of European landscapes, offering a window into the aesthetic values and artistic endeavors of the late 18th century. As a historical piece, this print offers a view into the past, inviting contemplation of the rich cultural and natural heritage of the Innsbruck area. It is a valuable collectible for enthusiasts of antique maps and prints...

The antique garden print you've described, titled 'Buitenplaats met tuin uit de 18e eeuw,' features a rare chromolithographic plate created by G....

18th century French terracotta statue with Madonna and child.

Vanity Fair; A Novel Without a Hero. With Illustrations On Steel and Wood By the Author. London: Bradbury & Evans, 1848 / Vanity Fair; A Novel Without a Hero. With Illustrations On ...

Set of three 18th century French Reliquaries. Carved wood with metal repousse over the wood Each piece contains the original Latin pages framed in o...

A very intriguing 18th century glove in wood and leather with iron protrusions. One's hand is inserted into the glove with positions for all fingers - like a baseball glove. The orig...

An antique map titled "Principatus Benearnia, La Principaute De Bearn" created by the renowned Dutch cartographer Willem Janszoon Blaeu. It depicts the Principality of Bearn, a histo...