George Andreas Monographia Elephant Portfolio Complete 18 Pc Set

This artwork is a finely executed ink drawing with wash, possibly from the late 18th or early 19th century, bearing an inscription that reads, "The letter killeth but the spirit give...

An early 18th or 19th century architectural concept drawing of opposing lions with marble top likely as a console table. Marked in early ink to lower r...

This is a truly unique antique box, not only does it have a faux book front. Fine inlay detail to the top - showcasing birds but it has a very cool hidden document storage...

“The Allegory of Civilization: A Historical Collage of Progress and Virtue” This monumental and highly unusual large-scale decoupage tableau—measuring 44.25 inches wide by 35 inches high—is an extraordinary and densely composed visual compendium of 18th- and 19th-century figures of global significance. Executed in a monochrome palette with light hand-tinting, the work comprises hundreds of individual portrait engravings and narrative vignettes intricately collaged together to form a panoramic composition of historical, cultural, scientific, literary, and military figures, interspersed with allegorical and architectural elements. This form of assemblage is rooted in the 19th-century practice of *papiers collés* and popular scrapbooking traditions, but this work surpasses decorative craft in both ambition and intellectual scope, bordering on the encyclopedic. The hand-cut images appear to have been culled from period illustrated books and engraved portrait sources—most notably from publications such as *The Illustrated London News*, *Harper’s Weekly*, and *The Eclectic Magazine*—as well as engraved frontispieces and serialized pictorial histories. The result is a vast visual lexicon of Enlightenment and Romantic thought, likely intended as a celebration of moral, intellectual, and national achievement. At the composition’s apex, presiding over the assembled figures, is a classically draped winged allegory—possibly *Fame* or *Liberty*—holding a trumpet and laurel branch. The mountainous background, waterfalls, architectural ruins, and pastoral settings lend the piece a theatrical and didactic ambiance, evoking 19th-century didascalic panoramas. A partial identification of historical figures visible in the composition includes: * **George Washington** – Posed centrally, gesturing outward with one hand; he appears multiple times in the scene and is shown in both military uniform and formal dress. * **Napoleon Bonaparte** – Recognizable by his uniform, bicorne hat, and stern gaze; appears in profile and frontal portraits. * **Benjamin Franklin** – Seen holding a scroll; a common figure in Enlightenment iconography. * **William Shakespeare** – Near the lower central register; recognizable from the famous Chandos portrait derivative. * **Johann Wolfgang von Goethe** and **Friedrich Schiller** – Likely placed in the literary cluster with other Germanic figures. * **Florence Nightingale** – Shown in nurse’s cap and shawl, likely near a grouping of women in medical service. * **Queen Victoria** and **Prince Albert** – Appearing in regalia, along with a number of courtly figures. * **Ludwig van Beethoven**, **Franz Liszt**, and **Niccolò...

2 Volumes. Edmondo de Amicis, Constantinople. Bound in 3/4 brown calf and marbled boards. The covers and raised band spines display gilt-tooled detailing with green and black morocco...

1 Volume. The Memoirs of Joseph Grimaldi. Edited by "Boz." Bound in full red morocco with colored inlay on front cover. Gilt-tooling on the covers and raised band spine. Top edges gi...

This handsome SIGNED copy of Les Trophées comes from the celebrated library of the French collector and bibliophile Guy Bigorie, who often collected bibliographic "truffles", in the ...

This is an antique copy of Grandeur des Romains by Montesquieu. An Anglo-German book printed in French, depicting the rise and fall of the Roman empire, dating to the Victorian perio...