"The Hobbit" by J.R.R. Tolkien, Second Edition, 1954

Jones, Robert (Bobby) Tyre, Jr., Golf Is My Game. New York: Doubleday & Company, Inc., 1960. Second edition, inscribed and signed by Bobby Jones on first free endpaper. Presented in ...

Hawthorne, Nathaniel. The Scarlet Letter, A Romance. Boston: Ticknor, Reed, and Fields, 1850. Printed Cambridge: Metcalf and Company. Second edition...

Rand, Ayn. The Fountainhead. New York: The Bobbs-Merrill Company, 1943. First edition printing. Octavo. Rebound in modern half red Moroccan leather and marbled boards, with gilt tooling and titles to the spine, and the original dust jacket bound-in. Presented is a first edition printing of The Fountainhead by Ayn Rand...

Fitzgerald, F. Scott. The Beautiful and the Damned. New York: Charles Scribner's Sons, 1922. First edition, first state. Rebound in ¼ leather and cloth boards, with raised bands, gilt titles, and tooling to the spine. Gilded edges. New archival cloth slipcase. Presented is a first edition, first state of F. Scott Fitzgerald’s The Beautiful and the Damned. The book was published by Charles Scribner’s Sons in New York in 1922. It is presented here, rebound, in gorgeous blue ¼ leather and cloth boards, with raised bands, gilt titles, and gilt tooling to the spine, and a new archival slipcase. The Beautiful and the Damned was Fitzgerald’s second novel, following his debut This Side of Paradise. The book is an exploration of the nouveau riche, New York City nightlife in the 1920s, and the inner dynamics of two young and reckless newlyweds. Semi-autobigraphical, Fitzgerald modeled the characters of Anthony Patch and Gloria Gilbert on himself and his new spouse Zelda Fitzgerald and the story draws circumstantially upon the early years of Fitzgeralds' tempestuous marriage. Fitzgerald started writing The Beautiful and the Damned in August of 1920, while in Westport Connecticut. Having reflected upon the criticisms of his debut novel This Side of Paradise, Fitzgerald sought to improve upon the form and construction of his prose in this second book. He relied heavily on editorial suggestions from his friend Edmund Wilson...