Isamu Noguchi Issey Miyake, Arizona, 1997

From the prismatic Pleats Please collection to the modular, three-dimensional garments crafted from recycled plastic bottles in his Reality Lab, the captivating fashions by Japanese designer Issey Miyake are all about movement.

Born in Hiroshima, Miyake studied graphic design at Tama Art University in Tokyo before relocating to Paris in 1965, where he studied couture and cut his teeth working for Guy Laroche and Hubert de Givenchy. In 1969, he moved to New York, where he worked for Geoffrey Beene. He returned to Tokyo in 1970 to found his first solo venture, the Miyake Design Studio. It wasn’t until the 1990s, though, that the designer had his breakthrough moment with experimentations in pleating. Some of his earliest explorations were for choreographer William Forsythe’s Frankfurt Ballet Company, with the 1991 performance of The Loss of Small Detail featuring costumes Miyake designed with pleats that complemented and transformed the movement of the dancers.

Though long a staple in couture — from delicate women’s skirts to men’s suit pants — pleats took on new life in Miyake’s hands. By using a heat press to cure his fabrics after his garments are stitched, Miyake was able to maintain the accordion structure of the pleat, turning a series of folds into sculptural, often futuristic forms unbound by the shape of the human body. In 1993, Miyake debuted “garment pleating” in his Pleats Please line, in which the clothes are constructed at a size that is larger than what is intended for the finished product. The pleats are then created — a process that involves folding and ironing and is separate from the joining of seams — and individual pieces are subsequently hand-fed into a heat press. The pleats are permanent and the garments can be worn and washed without losing their shape.

Miyake’s pleats run the gamut in scale, which enabled him to evoke dramatic, sharp silhouettes and flowy movements in equal measure. In essence, he created an entirely new material whose iterations are infinite — a feat of technology as much as fashion.

Other innovations include Miyake’s 1997 Just Before collection, which introduced a series of tube-knit dresses that could be cut as desired, reducing both work and resources. His Reality Lab now investigates new materials, such as a fully recycled polyester. Miyake’s prowess, in fact, captured another iconic figure in the tech world: Steve Jobs, for whom the designer made hundreds of identical black turtlenecks, the late Apple founder’s sartorial signature.

Find a collection of vintage Issey Miyake day dresses, jackets, shirts and other clothing on 1stDibs.

A sculptor, painter, ceramicist and furniture and lighting designer, Isamu Noguchi was one of the most prolific and protean creative forces of the 20th century and a key figure in the development of organic modernism. Noguchi’s sculptures and designs — his chairs and tables as well as his timeless Akari lamp and other lighting fixtures — share a common spirit: one of lyrical abstraction, tempo and flow and harmonious balance.

Noguchi was born in Los Angeles to an American mother and Japanese father, and spent most of his childhood in Japan. He returned to the United States at age 13, went to high school in Indiana and enrolled at Columbia University to study medicine. At the same time, he took night courses in sculpture. 

Within three months, Noguchi left college to pursue art full time. Noguchi was awarded a Guggenheim Fellowship in 1927 and traveled to Paris to work under Constantin Brancusi. It marked a turning point. Inspired by Brancusi, Noguchi embraced abstraction and began to sculpt in the expressive, rhythmic style that would be the hallmark of his work.

Once back in New York, Noguchi was introduced to design by what would become a lifelong collaboration creating sets for choreographer Martha Graham. His first industrial designs were in Bakelite: the sleek Measured Time kitchen timer created circa 1932, and his famed Zenith Radio Nurse intercom, from 1937. 

Ten years later, Herman Miller introduced Noguchi’s now-iconic glass-topped coffee table with an articulated wooden base. His washi paper and bamboo Akari light sculptures, handmade in Japan, debuted in 1951. In the late 1950s, Noguchi designed for Knoll, creating such pieces as his dynamic Cyclone table and rocking stool.

For collectors, Noguchi’s furniture and lighting designs remain his most accessible work — they have the same power and presence that Noguchi brought to his art.

Find vintage Isamu Noguchi floor lamps, table lamps, coffee tables and other furniture on 1stDibs.