Nature Animals Posing in Still Life Art, European Italian Coffee Table Book

A beautiful, colorful, soft, still life painting of a bouquet of spider mum flowers, circa late-19th century to early 20th century. Painting artwork, hand-painted in oil paint, depic...

A beautiful art glass animal sculpture, Folk Art design, circa mid-20th century. Sculpture is hand-blown art glass of farm animals, from base to top, a horse, dog, cat, and rooster. ...

The 'Paris Berlin 1900-1933 ' is a soft-cover book covering an exhibition from July 12-November 6, 1978, at The Centre Pompidou, Paris, France. Book cover...

A beautiful Italian seashell framed print, circa late-20th century, Italy. Seashell print is from Florence, Italy, as reads on back white label. On fro...

The third series of photographs by fine Taxidermists Sinke & Van Tongeren. After observing and analysing so many 17th century paintings, they were inspired to create a new series of work focused on still life masterpieces. They chose photography as the medium to portray their Fine Taxidermy work interpreted through vanitas still lifes. The collection, ‘Les Peintures des Taxidermistes’, comprises eight works. Vanitas still lifes were enormously popular in the 17th century, often inspired by biblical themes and the saying that “All is vanity...

Oil on canvas depicting a still life with game, fowl, and fruit, circa 18th century or earlier. It shows a variety of elements, including game and fowl (dead hare, peacock and exotic...

The brilliant colors of this French nature morte are quite impressive, allowing the imagery to be seen crystal clear. Oil enhancements have been applied to this 20th-century transferred image to evoke similarities to the painting that it is after, which is currently housed in Le Louvre Museum in Paris. Our version is incredibly well-done and true to the Alexandre François Desportes original, which is entitled Game, Fruit, Flowers, and a Dog (1712). A variety of felled game (a rabbit and six birds) and a hunting rifle are displayed next to a stone fountain with a mythical creature mascaron water feature. The gadrooned basin is not filled with water, but rather a woven basket of blueberries next to a cluster of fruits including peaches and cherries (there is also a blue and white ceramic bowl full of peaches on a stone to the right of the fountain). Vibrant flowers in a wicker basket sit atop the thickly molded entablature of the cream-colored fountain. A pink rose bush grows on one side of the fountain, opposite from large, verdant bushes that obscure most of the blue sky. Laying beneath the fountain basin is a white hunting dog with black markings on its ears and face. Desportes was born in 1661 in Champigneulle, in northern France, later studying in Paris with the Flemish painter, Bernaerts. Initially, Desportes was a well-respected portrait painter, living in Poland during his mid-thirties to paint aristocrats such as King John III Sobieski. Upon the king’s death, Desportes returned to Paris and switched his focus to painting animals and floral arrangements. Both Louis XIV and Louis XIV commissioned Desportes to paint portraits of their favorite hunting dogs. Desportes would often join the kings on royal hunts, where he would travel with a notebook for still life sketches...

Copy of a still life painting in a classical style showing servant with bread by table set with game - deer, boar, birds, fish and fruits.