Malaysian Books

Gardner's Art through the Ages. by Fred S. Kleiner (Author), Christin J. Mamiya (Author), Richard G. Tansey (Author)11th Edition. In the mid 1920's a teacher at The School of the Art...

by Tina Jorstian & Poul Erik Munk Nielson Light Years Ahead depicts Poul Henningsen's role in the evolution of light fittings. From the very outset h...

Steel Canvas The Art of American Arms Hardcover Book by Robert Lawrence Wilson.Wilson offers the first book on the extraordinary spectacle of America's ...

Vintage Boho 'The Art of Florence' Book: A timeless journey through Florence's artistic heritage, blending rustic charm and scholarly insight. Perfect for the cultured American home.

Collodi, Carlo. Pinocchio: The Story of a Puppet. Philadelphia and London: J. B. Lippincott, [1920]. Illustrated by Maria L. Kirk. Gift Edition. In the publisher's original gray cloth boards, stamped with green and orange, illustrated cover label and top edge gilt. With 14 color plates and numerous border illustrations and decoration throughout. Presented with a new archival slipcase. Presented is a charming English edition of Carlo Collodi’s children’s tale, Pinocchio: The Story of a Puppet. This book was published in Philadelphia and London by J. B. Lippincott, as a special "Gift Edition," circa 1920. It features 14 full color plates by illustrator Maria Kirk and numerous border and chapter decorations throughout the book. It is presented here in its original gray cloth boards, stamped in green and orange, with a beautiful illustrated cover label of Pinocchio in a forest. The book is protected by a new custom archival slipcase. Collodi’s La Storia di un Burattino (trans: The Story of a Puppet) first appeared in serial form in the Italian weekly publication for children, Giornale per i bambini. The first installment was published on July 7, 1881 and continued for nearly four months and 15 chapters. Following the mischievous adventures of an animated marionette named Pinocchio, the original series was written as an educational tale of warning to Italian children, stressing the importance of morality, responsibility, and obedience to one’s parents and authority. In the original, serialized version, the flawed and irresponsible Pinocchio is penalized and hanged for his numerous poor decisions and faults of character at the end of Chapter 15. At the request of his editor and by the demand of his many readers, Collodi resumed his serialized story in February of 1882. In these later chapters, Chapters 16–36, the Fairy with Turquoise Hair rescues and revives Pinocchio and eventually transforms him into a real boy. Pinocchio acquires a deeper understanding of himself and his moral responsibilities, making the story more palatable for children. In February 1883, the story was published in Italy as a single book, illustrated by Enrico Mazzanti. It was a huge publishing success. The Adventures of Pinocchio is the world's third most translated book, after the Bible and The Little Prince. Pinocchio was first translated into English by Mary Alice Murray in 1892, whose translation was added to the widely circulated Everyman's Library in 1911. The first US edition was published in 1901, translated and illustrated by Walter S. Cramp and Charles Copeland...

Reference Chinese Art Book, Chinese Export Art in the Eighteenth Century Additional information: Title: Chinese Export Art in the Eighteenth Century Publisher: Country Life / Charle...

"The Art of the Surfboard" first edition book signed by legendary surfer Greg Noll (As well as author Drew Kampion and Jed Noll, Greg's son), circa 2007. The book, written by longtim...

Fabrics The Decorative Art of Textiles Spectacularly illustrated with richly colorful, sumptuously textured photographs, Fabrics is an enthusiastic trip through the history, technol...

An absolutely sublime collectible coffee table book: « Michelangelo: The Complete Sculpture. » Printed and bound in Japan by Abrams, 1982. With text by Frederick Hartt (though the bo...

WWI Trench Art Book Created by German and Austro-Hungarian Soldiers Circa 1914-1918 This rare collection of seventy-four trench art postcards offers a historic and remarkably intima...

London: Cassell and Co., 1896. First Edition. Small 8vo., 7 3/8 x 5 inches (188 x 127 mm), pp. viii + 452 + 4 of publisher's advertising. Red calf binding by Root & Son (stamp on f...

The Spiritual in Art: Abstract Painting 1890-1985 Art Book. Judi Freeman, Carel Blotkamp Abbeville Press, 1987 - Art - 435 pages. Paperback. Traces the use of geometric signs by the Nabis and other French artists and relates this to the development of abstraction. The author describes some of the sources of ideas about the symbolism of geometric signs, in particular the writings of Helena P. Blavatsky, and traces the impact of these on the Nabis, possibly through the stimulus of Gauguin whose paintings from his Brittany period encouraged a mystical conception of art in which sacred geometry figured as one component. By demonstrating the huge impact of mysticism and the occult on 20th-century artists from Gauguin to Pollack, Mondrian to O'Keefe, this work effectively refutes the popular fallacy that modernism is concerned solely with line, form, and color. He goes on to discuss in detail the paintings of Paul Serusier, Paul Ranson...